Spyridon-Filiskos Samaras was a Greekcomposer particularly admired for his operas who was part of the generation of composers that heralded the works of Giacomo Puccini. His compositions were praised worldwide during his lifetime and he is arguably the most important composer of the Ionian School. He composed also the Olympic Hymn on lyrics of Kostis Palamas.
Biography
Samaras was born in Corfu. His mother was from Constantinople and his father Skarlatos Samaras, a diplomat from Siatista. As a young man, he studied with Spyridon Xyndas. From 1875 to 1882 he studied at the Athens Conservatory with Federico Bolognini, Angelo Mascheroni and Enrico Stancampiano. His first operaTorpillae was premiered in Athens in 1879. He went to Paris in 1882 to study at the Paris Conservatoire and became a favorite of Jules Massenet. His other instructors included Léo Delibes, Théodore Dubois, and Charles Gounod. He worked successfully as a composer in Paris for three years and then migrated to Italy in 1885. for the 1896 Summer Olympics. Samaras quickly became an important figure in the opera scene in Italy. His opera Flora mirabilis première in Milan in 1886 and in 1888 Medgé was successfully staged at the Teatro Costanzi in Rome with French opera star Emma Calvé in the title role. He became closely associated with Edoardo Sonzogno, a Milanese publisher. Sonzogno founded the Teatro Lirico Internazionale and chose Samaras' La martire for the theater's opening on 22 September 1894. The opera had premiered previously that year in Naples and is based on a libretto by Luigi Illica with many naturalistic elements, which gave space to Samaras' musical personality for an equal treatment. Samaras' works enjoyed wide distribution; his operas were staged in Paris, Monte Carlo, Cologne, Berlin, Vienna, Malta, Bucharest, Constantinople, Smyrna, Alexandria, Cairo, Greece and Italy. He wrote fifteen stage works, the last three on texts by Paul Milliet; Storia d'amore o La biondinetta, Mademoiselle de Belle-Isle and Rhea. He returned to Greece in 1911, thinking that he would be appointed director of the Athens Conservatoire. However he was not, partly because of the "National School controversy". The composers of the so-called "National School" considered the composers of the Ionian School, like Samaras, too much Italian influenced. He supported himself by composing operettas aiming at satisfying a variety of audiences, rather than continuing in his usual creative vein. His last opera, Tigra, although started about this time and containing some of his best music, was never finished. Samaras was chosen by Demetrius Vikelas for composing the Olympic Anthem, on lyrics by Kostis Palamas. The Anthem was first performed during the opening ceremony of the 1896 Summer Olympics, the first modern Olympic Games. It was declared the official anthem of the Olympic movement by the International Olympic Committee in 1958 and has been used at every opening ceremony since the 1960 Winter Olympics. He died, aged 55, in Athens.
Compositions
Complete stage works
Opera
Torpillae, incidental music for a play, words by Gavziilidis and K. Triandafyllos, Athens, 1879.
Olas, opera in 4 Acts, libretto by Fravassili, now lost, 1882.
Flora mirabilis, opera in 3 Acts, libretto by Ferdinando Fontana, Teatro alla Scala, Milan, 1886.
Medge, opera in 4 Acts, libretto by Ferdinando Fontana, Teatro Constanzi, Rome, 1888.
Messidor, opera after Alexandre Dumas' novel Le Chevalier de Maison-Rouge, written before 1891, now lost.
La martire, opera in 3 Acts, libretto by Luigi Illica, Teatro Lirico Internazionale, Milan, 1894.
La furia domata, opera in 3 Acts, libretto by E. A. Butti and G. Macchi after Shakespeare's The Taming of the Shrew, Teatro Lirico Internazionale, Milan, 1895.
Storia d’amore o La biondinetta, opera in 3 Acts, libretto by Paul Milliet, Teatro Lirico Internazionale, Milan, 1903.
Mademoiselle de Belle-Isle, opera in 4 Acts, libretto by Paul Milliet, Teatro Politeama, Genoa, 1905.