Prior to writing the album, band members Rachel Goswell and Neil Halstead had ended their relationship and Halstead began to spend more time writing songs alone, a process that had been completed by the full band in the past. The album's title was taken from a skit by The Jerky Boys, where one of the duo prank called a hotel manager asking him to perform sexual acts on their wife. Upon learning the manager was Greek, the caller says "My wife loves that Greek shit... She'll suck your cock like souvlaki." Early demos for the album were influenced by Joy Division and Low by David Bowie. These demos were initially rejected by Creation Records boss Alan McGee, but he later decided to give the band full creative control over the album. Slowdive asked Brian Eno to produce the album and he declined. However, he agreed to do a couple of days of recording with Halstead, and out of these sessions came the tracks "Sing" and "Here She Comes". Following these sessions Halstead began to take greater influence from ambient music and has cited Aphex Twin, dub music, and early drum and bass as influences for the track "Souvlaki Space Station". The album was mixed by Ed Buller, who had previously worked with Suede and Spiritualized.
Release
Souvlaki was released on 17 May 1993 and peaked at 51 on the UK Albums Chart dated 12 June 1993, nineteen places lower than their debut albumJust for a Day, and only remained in the chart for one week. The album's US release was delayed for nearly a year and includes the previously unreleased cover of "Some Velvet Morning" and three tracks from the band's 1993 5 EP, comprising the four US release bonus tracks. A two-disc remastered re-issue of the album was released in 2005 by Castle Music, a subsidiary label of Sanctuary Records.
Reception
The album has received widespread acclaim from contemporary critics. In his retrospective review, Nitsuh Abebe of Pitchfork called the album "a bit of an Essential Slowdive in itself". Paste called the album "the definitive shoegaze statement". Jack Rabid of AllMusic described the album as "quiet, moving, and aggressive simultaneously, mixing trance-like beauty with the deepest delayed guitar sounds around, a sound at once relaxing, soothing, and exciting, and most of all harshly beautiful." Dave Simpson of Melody Maker wrote: "...'Sing' aside, I would rather drown choking in a bath full of porridge than ever listen to it again". In 2015, the band and Creation Records boss Alan McGee stated they felt that when the album was released dream pop and shoegazing had become unfashionable and the music press were more interested in Britpop bands like Oasis. Pitchfork released a documentary about the album in 2015 as a part of the Pitchfork Classic series. In 1999, critic Ned Raggett ranked the album at number 83 on his list of "The Top 136 or So Albums of the Nineties" for Freaky Trigger. In 2016, Pitchfork listed the album at number 2 on its list of ″The 50 Best Shoegaze Albums of All Time″.
