See No Evil, also known as Blind Terror, is a 1971 psychological horror-thriller film directed by Richard Fleischer and starring Mia Farrow as a recently-blinded woman who is stalked by a psychopath while staying at her family's rural estate.
Plot
After being blinded in a horse riding accident, Sarah visits her uncle's stately home. Out on a date with her boyfriend, Steve, she escapes the fate of her relatives, who are murdered, along with the gardener, at their home by a psychotic killer. Sarah returns from her date and spends the night in the house, unaware that three of her family members' corpses are strewn about the house. Sarah eventually discovers the bodies. She also discovers a bracelet containing an engraved name on it, which she correctly assumes belongs to the killer. The killer – whose face is only shown to the audience in the film’s last scene – returns, searching for the lost bracelet. He discovers Sarah, who manages to flee on horseback. Sarah encounters a family of gypsies and shows them the bracelet. They see the name "Jack" inscribed on it, and one of the gypsies, the head of the family Tom, concludes his brother, Jack, must be responsible, as he dated one of the murdered women from the estate. In an effort to save Jack, his brother Tom pretends to take Sarah to the police but, instead, locks her in a secluded shed. His plan is to then round up his family and flee the area. Sarah escapes from the shed and is found by Steve, out searching for her. She tells him all she knows. Steve and his men leave Sarah at his house to recuperate and begin a search for the killer, who they assume is a gypsy. They come across the two gypsy brothers and are about to assault them when a frantic Jack explains that his brother suspected him of being the killer because of the name on the bracelet. However Jack insists he had nothing to do with it. They look at the bracelet again and see the name on it is actually "Jacko". Steve, upon learning the killer's real name, hurries back to his house, where it is revealed that one of his workers, left behind to guard Sarah, is Jacko. At the house, Jacko, still searching for the bracelet, hides in the bathroom and cruelly watches Sarah get undressed to take a bath, then searches through her clothes on the floor for his lost bracelet. When Sarah unintentionally grabs his hand while reaching for her clothes, he then attempts to drown Sarah in the bath, but Steve returns just in time to rescue her.
Cast
Production
Development
Interviewed in 1997, writer Brian Clemens recalled that he wrote the script 'on spec' and Columbia Pictures told him: "'Well, if Mia Farrow plays the lead, we'll buy it,' and she read it and liked it, and so they bought it and we shot it.'" The film was a co-production between the United Kingdom and the United States.
Filming
Filming took place in Berkshire, England, with a mainly British cast and crew.
"See No Evil has its share of thrills. Cheap thrills, to be sure, but thrills none the less - and everything in the rest of Richard Fleischer's new movie... encourages us to value small favors. Attempting on the one hand to mean something and on the other hand trying to crank up the terror, Fleischer keeps suggesting confrontations between the rich and the poor, the old and the young, families with daughters to protect and men with warped desires. For all the potency of a camera movement, it can never have exactly the power of a conceptual image, and therefore "See No Evil" is better with its mindless terror than with its witless meaning. And although everything becomes far too much long before it is over, the movie is generally at it most ridiculous precisely where it hopes to make sense."
"For sheer suspense", wrote The Palm Beach Post, it "may well be without peer", but, while praising the performance of Mia Farrow, considered the 'fiendish gamut' of injury her character is subjected to could 'only be called sadism'. Screenwriter Brian Clemens was nominated for an Edgar Allan Poe Award. Later reviewers have described the film as a 'creepy, atmospheric thriller', in the style of Terence Young's 1967 film Wait Until Dark, while critic John Derry highlights the way Mia Farrow is presented 'from the first moment' as 'the obvious victim'.
