Schleicher's fable


Schleicher's fable is a text composed in a reconstructed version of the Proto-Indo-European language, published by August Schleicher in 1868. Schleicher was the first scholar to compose a text in PIE. The fable is entitled . At later dates, various scholars have published revised versions of Schleicher's fable, as the idea of what PIE should look like has changed over time. The fable may serve as an illustration of the significant changes that the reconstructed language has gone through during the last 150 years of scholarly efforts.
The first revision of Schleicher's fable was made by Hermann Hirt. A second revision was published by Winfred Lehmann and Ladislav Zgusta in 1979. Another version by Douglas Q. Adams appeared in the Encyclopedia of Indo-European Culture. In 2007 Frederik Kortlandt published yet another version on his homepage.

The Sheep and the Horses

Schleicher (1868)


Avis, jasmin varnā na ā ast, dadarka akvams, tam, vāgham garum vaghantam, tam, bhāram magham, tam, manum āku bharantam. Avis akvabhjams ā vavakat: kard aghnutai mai vidanti manum akvams agantam.
Akvāsas ā vavakant: krudhi avai, kard aghnutai vividvant-svas: manus patis varnām avisāms karnauti svabhjam gharmam vastram avibhjams ka varnā na asti.
Tat kukruvants avis agram ā bhugat.

Schleicher's German translation

schaf und rosse.
schaf, welchem wolle nicht war sah rosse, das schweren wagen fahrend, das große last, das menschen schnell tragend. schaf sprach rossen: herz wird beengt mir, sehend menschen rosse treibend. rosse sprachen: Höre schaf, herz wird beengt gesehen-habenden : mensch, herr macht wolle schafe warmen kleide sich und schafen ist nicht wolle. Dies gehört-habend bog schaf feld.

English translation

The Sheep and the Horses
a sheep that had no wool saw horses, one of them pulling a heavy wagon, one carrying a big load, and one carrying a man quickly. The sheep said to the horses: "My heart pains me, seeing a man driving horses." The horses said: "Listen, sheep, our hearts pain us when we see this: a man, the master, makes the wool of the sheep into a warm garment for himself. And the sheep has no wool." Having heard this, the sheep fled into the plain.

Hirt (1939)


Owis, jesmin wьlənā ne ēst, dedork’e ek’wons, tom, woghom gʷьrum weghontm̥, tom, bhorom megam, tom, gh’ьmonm̥ ōk’u bherontm̥. Owis ek’womos ewьwekʷet: k’ērd aghnutai moi widontei gh’ьmonm̥ ek’wons ag’ontm̥. Ek’wōses ewьwekʷont: kl’udhi, owei!, k’ērd aghnutai vidontmos: gh’ьmo, potis, wьlənām owjôm kʷr̥neuti sebhoi ghʷermom westrom; owimos-kʷe wьlənā ne esti. Tod k’ek’ruwos owis ag’rom ebhuget.

Lehmann and Zgusta (1979)


Gʷərēi owis, kʷesjo wl̥hnā ne ēst, eḱwōns espeḱet, oinom ghe gʷr̥um woǵhom weǵhontm̥, oinomkʷe meǵam bhorom, oinomkʷe ǵhm̥enm̥ ōḱu bherontm̥. Owis nu eḱwobhos ewewkʷet: "Ḱēr aghnutoi moi eḱwōns aǵontm̥ nerm̥ widn̥tei". Eḱwōs tu ewewkʷont: "Ḱludhi, owei, ḱēr ghe aghnutoi n̥smei widn̥tbhos : nēr, potis, owiōm r̥ wl̥hnām sebhi gʷhermom westrom kʷrn̥euti. Neǵhi owiōm wl̥hnā esti". Tod ḱeḱluwōs owis aǵrom ebhuget.

Danka (1986)


Owis, jesmin wl̥nā ne ēst, dedork’e ek’wons woghom gʷr̥um weghontn̥s - bhorom meg'əm, monum ōk’u bherontn̥s. Owis ek’wobhos eweukʷet: K’erd aghnutai moi widn̥tei g’hm̥onm̥ ek’wons ag’ontm̥. Ek’woi eweukʷont: K’ludhi, owi, k’erd aghnutai dedr̥k'usbhos: monus potis wl̥nām owiōm temneti: sebhei ghʷermom westrom - owibhos kʷe wl̥nā ne esti. Tod k’ek’luwōs owis ag’rom ebhuget.

Adams (1997)


h₂óu̯is, kʷési̯o u̯lh₂néh₄ ne est, h₁ék̂u̯ons spék̂et, h₁oinom ghe gʷr̥hₓúm u̯óĝhom u̯éĝhontm̥ h₁oinom-kʷe méĝhₐm bhórom, h₁oinom-kʷe ĝhménm̥ hₓṓk̂u bhérontm̥. h₂óu̯is tu h₁ek̂u̯oibhos u̯eukʷét: 'k̂ḗr hₐeghnutór moi h₁ék̂u̯ons hₐéĝontm̥ hₐnérm̥ u̯idn̥téi. h₁ék̂u̯ōs tu u̯eukʷónt: 'k̂ludhí, h₂óu̯ei, k̂ḗr ghe hₐeghnutór n̥sméi u̯idn̥tbhós. hₐnḗr, pótis, h₂éu̯i̯om r̥ u̯l̥h₂néhₐm sebhi kʷr̥néuti nu gʷhérmom u̯éstrom néĝhi h₂éu̯i̯om u̯l̥h₂néhₐ h₁ésti.' Tód k̂ek̂luu̯ṓs h₂óu̯is hₐéĝrom bhugét.

Lühr (2008)


h₂ówis, jésmin h₂wlh₂néh₂ ne éh₁est, dedork’e ék’wons, tóm, wóg’ʰom gʷérh₂um wég’ʰontm, tóm, bʰórom még’oh₂m, tóm, dʰg’ʰémonm h₂oHk’ú bʰérontm. h₂ówis ék’wobʰos ewewkʷe: k’ḗrd h₂gʰnutoj moj widntéj dʰg’ʰmónm ék’wons h₂ég’ontm. ék’wōs ewewkʷ: k’ludʰí, h₂ówi! k’ḗrd h₂gʰnutoj widntbʰós: dʰg’ʰémō, pótis, h₂wlnéh₂m h₂ówjom kʷnewti sébʰoj gʷʰérmom wéstrom; h₂éwibʰoskʷe h₂wlh₂néh₂ né h₁esti. Tód k’ek’luwṓs h₂ówis h₂ég’rom ebʰuge.

Voyles and Barrack (2009)


Owis, jāi wl̥nā ne eest, dedorḱe eḱwons, tom woǵʰom gʷr̥um weǵʰontm̥, tom bʰorom meǵm̥, tom ǵʰm̥onm̥ ōku bʰerontm̥. Owis eḱwobʰjos eweket: “Ḱerd angʰetai moi widontei ǵʰm̥onm̥ eḱwons aǵontm̥”. Eḱwos wewekur: “Ḱludʰe, owei! Ḱerd angʰetai widontbʰjos: ǵʰm̥on, potis, wl̥nam owijōm kʷr̥neti soi gʷʰermom westrom; owibʰjos kʷe wl̥nā ne esti”. Tod ḱeḱlōts owis aǵrom ebʰuget.

Melchert (2009, revisited 2014)


h₂áwej h₁josméj h₂wl̥h₁náh₂ né h₁ést, só h₁ék̂woms derk̂t. só gʷr̥hₓúm wóĝhom wéĝhet; só méĝh₂m̥ bhórom; só gĥémonm̥ h₂ṓk̂u bhéret. h₂ówis h₁ék̂wojbhos wéwket: ĝhémonm̥ spék̂joh₂ h₁ék̂woms h₁jós h₂áĝeti, k̂ḗr moj aghnutór. h₁ék̂wōs tu wéwkʷont: k̂ludhí, h₂owei! tód spék̂jomes/n, n̥sméi aghnutór k̂ḗr: ĝhémō pótis sē h₂áwjōm h₂wl̥h₁nā́h₁ gʷhérmom wéstrom wébht, h₂áwibhos tu h₂wl̥h₁náh₂ né h₁ésti. tód k̂ek̂luwṓs h₂ówis h₂aĝróm bhugét.

Kortlandt (2007, revised 2010)


ʕʷeuis i ʕueli nēʔst ʔeḱ:ums uēit:, t:o kʷ’rʕeum uoḱom uḱent:m, t:o mḱ’eʕm porom, t:o tḱmenm ʔoʔḱ:u prent:m. uēuk:t ʕʷeuis ʔiḱ:uos, ʕetḱo ʔme ḱ:ērt ʕnerm uit’ent:i ʔeḱ:ums ʕḱ’ent:m. ueuk:nt: ʔiḱ:ues, ḱ:luti ʕʷue, ʕetḱo nsme ḱ:ērt: uit’ent:i, ʕnēr p:ot:is ʕʷuiom ʕueli sue kʷermom uesti kʷ:rneut:i, ʕʷuēi kʷ:e ʕueli neʔsti. t:o ḱ:eḱ:luus ʕʷeuis pleʕnom pēuk’t.

After the separation of Anatolian and Tocharian:
ʕʷeuis ioi ʕulʔneʕ nēʔs ʔeḱuns ʔe uēi’d, tom ’gʷrʕeum uoǵom ueǵontm, tom m’ǵeʕm borom, tom dǵmenm ʔoʔḱu berontm. ʔe uēuk ʕʷeuis ʔeḱumus, ʕedǵo ʔmoi ḱēr’d ʕnerm ui’denti ʔeḱuns ʕe’ǵontm. ʔe ueukn’d ʔiḱues, ḱludi ʕʷuei, ʕedǵo nsmi ḱēr’d ui’denti, ʕnēr potis ʕʷuiom ʕulʔneʕm subi gʷermom uesti kʷrneuti, ʕʷuimus kʷe ʕulʔneʕ neʔsti. to’d ḱeḱluus ʕʷeuis pleʕnom bēu’g.

Byrd (2013)


h₂áu̯ei̯ h₁i̯osméi̯ h₂u̯l̥h₁náh₂ né h₁ést, só h₁éḱu̯oms derḱt. só gʷr̥hₓúm u̯óǵʰom u̯eǵʰed; só méǵh₂m̥ bʰórom; só dʰǵʰémonm̥ h₂ṓḱu bʰered. h₂óu̯is h₁ékʷoi̯bʰi̯os u̯eu̯ked: “dʰǵʰémonm̥ spéḱi̯oh₂ h₁éḱu̯oms-kʷe h₂áǵeti, ḱḗr moi̯ agʰnutor”. h₁éḱu̯ōs tu u̯eu̯kond: “ḱludʰí, h₂ou̯ei̯! tód spéḱi̯omes, n̥sméi̯ agʰnutór ḱḗr: dʰǵʰémō, pótis, sē h₂áu̯i̯es h₂u̯l̥h₁náh₂ gʷʰérmom u̯éstrom u̯ept, h₂áu̯ibʰi̯os tu h₂u̯l̥h₁náh₂ né h₁esti”. tód ḱeḱluu̯ṓs h₂óu̯is h₂aǵróm bʰuged.

Notable differences

Some of the differences between the texts are just varying spelling conventions: w and ', for example, are only different ways to indicate the same sound, a consonantal u. However, many other differences are to be explained by widely diverging views on the phonological and morphological systems of PIE.
Schleichers reconstruction assumed that the o/e vocalism was secondary, and his version of PIE is much more closely based on Sanskrit than modern reconstructions.
Hirt introduced the o/e vocalism, syllabic resonants, labiovelars and palatalized velars.
Lehmann and Zgusta introduced a few alternative lexemes, and made some first steps into the direction of accepting laryngeals. Their text features an h for what they seem to accept as a single laryngeal of PIE.
Adams was the first one to fully reflect the laryngeal theory in his version of the fable. Judging from the text, he seems to assume four different laryngeal phonemes. Consequently, Adam's text no longer shows long ā.
Kortlandts version is a radical deviation from the prior texts in a number of ways. First, he followed the glottalic theory, writing glottalic plosives with a following apostrophe and omitting aspirated voiced plosives. Second, he substitutes the abstract laryngeal signs with their supposed phonetic values: ' = ', ' = ', ' = . Kortlandt also has a different opinion about ablaut grades in many verbal and nominal forms, compared to the other scholars.

In popular culture

PIE is used in a short dialogue between the human astronauts and an alien "Engineer" in Ridley Scott's movie Prometheus. In an early scene, the android 'David' practices reciting Schleicher's fable to the interactive computer, in preparation for first contact with the "Engineers". Linguist Dr Anil Biltoo created the film's reconstructed dialogue and had an onscreen role teaching David Schleicher's fable.