Sangam period
The Sangam Age was the period of history of ancient Tamil Nadu and Kerala and parts of Sri Lanka spanning from c. 6th century BCE to c. 3rd century CE. It was named after the famous Sangam academies of poets and scholars centered in the city of Madurai.
In Old Tamil language, the term Tamilakam referred to the whole of the ancient Tamil-speaking area, corresponding roughly to the area known as southern India today, consisting of the territories of the present-day Indian states of Tamil Nadu, Kerala, parts of Andhra Pradesh, parts of Karnataka and northern Sri Lanka also known as Eelam.
History
According to Tamil legends, there were three Sangam periods, namely Head Sangam, Middle Sangam and Last Sangam period. Historians use the term Sangam period to refer the last of these, with the first two being legendary. So it is also called Last Sangam period, or Third Sangam period. The Sangam literature is thought to have been produced in three Sangam academies of each period. The evidence on the early history of the Tamil kingdoms consists of the epigraphs of the region, the Sangam literature, and archaeological data.The period between 600 BCE to 300 CE, Tamilakam was ruled by the three Tamil dynasties of Pandya, Chola and Chera, and a few independent chieftains, the Velir.
Sangam | Time span | No. of Poets | Kingdom | Books |
First | 4440 years | 549 | Pandiya | No books survived |
Second | 3700 years | 1700 | Pandiya | Tolkāppiyam |
Third | 1850 years | Pandiya | covers entire corpus of Sangam Literature |
Literary sources
There is a wealth of sources detailing the history, socio-political environment and cultural practices of ancient Tamilakam, including volumes of literature and epigraphy.Tamilakam's history is split into three periods; prehistoric, classical and medieval. A vast array of literary, epigraphical and inscribed sources from around the world provide insight into the socio-political and cultural occurrences in the Tamil region. The ancient Tamil literature consists of the grammatical work Tolkappiyam, the anthology of ten mid-length books collection Pathupattu, the eight anthologies of poetic work Ettuthogai, the eighteen minor works Patiṉeṇkīḻkaṇakku; and there are The Five Great Epics of Tamil Literature composed in classical Tamil language — Manimegalai, Cīvaka Cintāmaṇi, Silappadikaram, Valayapathi and Kundalakesi as well as five lesser Tamil epics, Ainchirukappiyangal, which are Neelakesi, Naga kumara kaviyam, Udhyana kumara Kaviyam, Yasodhara Kaviyam and Soolamani.
Culture
Religion
The religion of the ancient Tamils closely follow roots of nature worship and some elements of it can also be found in Tamil Shaiva Siddhanta traditions. In the ancient Sangam literature, Sivan was the supreme God, and Murugan was the one celebrated by the masses; both of them were sung as deified Tamil poets ascending the Koodal academy. The Tamil landscape was classified into five categories, thinais, based on the mood, the season and the land. Tolkappiyam, one of the oldest grammatical works in Tamil mentions that each of these thinai had an associated deity such as Kottravai and Sevvael in Kurinji, Thirumal in Mullai, Vendhan in Marutham, and Kadaloan in the Neithal. Other ancient works refer to Maayon and Vaali.The most popular deity was Murugan, who has from a very early date been identified with Karthikeya, the son of Siva. Kannagi, the heroine of the Silappatikaram, was worshiped as Pathini by many Tamilians, particularly in Sri Lanka. There were also many temples and devotees of Thirumal, Siva, Ganapathi, and the other common Hindu deities.
Calendar
The ancient Tamil calendar was based on the sidereal year similar to the ancient Hindu solar calendar, except that months were from solar calculations, and originally there was no 60-year cycle as seen in Sanskrit calendar. The year was made up of twelve months and every two months constituted a season. With the popularity of Mazhai vizhavu, traditionally commencement of Tamil year was clubbed on April 14, deviating from the astronomical date of vadavazhi vizhavu.Festivals
- Pongal the festival of harvest and spring, thanking Lord El, comes on January 14/15.
- Peru Vaenil Kadavizha, the festival for wishing quick and easy passage of the mid-summer months, on the day when the Sun or El stands directly above the head at noon at the southern tip of ancient Tamil land. This day comes on April 14/15.
- Mazhai Vizhavu, aka Indhira Vizha, the festival for want of rain, celebrated for one full month starting from the full moon in Ootrai சித்திரை and completed on the full moon in Puyaazhi . It is epitomised in the epic Cilapatikaram in detail.
- Puyaazhi visaagam and Thai poosam, தைப்பூசம் the festivals of Tamil God 's birth and accession to the Thirupparankundram Koodal Academy, coming on the day before the full moons of Puyaazhi and Thai respectively.
- Soornavai Vizha, the slaying of legendary Kadamba Asura king Surabadma, by Lord , comes on the sixth day after new moon in Itrai. It is sung about in Thirumurugatrupadai and Purananuru anthology.
- Vaadai Vizha or Vadavazhi Vizha, the festival of welcoming the Lord Surya back to home, as He turns northward, celebrated on December 21/22 . It is sung about in Akanauru anthology.
- Semmeen Ezhumin Vizhavu or Aruthra Darishanam, the occasion of Lord Siva coming down from the ThiruCitrambalam திருச்சிற்றம்பலம் and taking a look at the Vaigarai Thiru Aathirai star in the early morning on the day before the full moon in Panmizh. Aathi Irai min means the star of the God on the Bull .
- Thiruonam or Onam, considered to be the birthday of Mayon, by the people of Pandya kingdom and was celebrated for 10 days. That was mentioned in '' one of the 'Pathupaatu' book, 'Thirupallandu' by Periyazhwar and from the song of Thirugnanasambandhar in Thevaram. On this day, Keralites celebrate Onam as the state's harvest festival. Onam is observed for 10 days, ending in Thiruvonam.
Arts
- Thudian, players of the thuda, a small percussion instrument
- Paraiyan, who beat maylam and performed kooththu, a stage drama in dance form, as well as proclaiming the king's announcements
- Muzhavan, who blew into a muzhavu, a wind instrument, with the army indicating the start and end of the day and battlefield victories. They also performed in kooththu alongside other artists.
- Kadamban who beat a large bass-like drum, the kadamparai, and blew a long bamboo, kuzhal, the cerioothuthi.
- PaaNan, who sang songs in all pann tunes and were masters of the yaazh, a stringed instrument with a wide frequency range.
People
The people were divided into five different clans based on their profession. They were:- Mallars: the farmers
- Malavars: the hill people who gather hill products, and the traders
- Nagars: people in charge of border security, who guarded the city walls and distant fortresses
- Kadambars: people who thrive in forests
- Thiraiyars: the seafarers
- Maravars: the warriors.
- Poruppas, Verpans, Silambans, Kuravar and Kanavars in Kurinji.
- Kurumporai Nadan-kizhaththis, Thonral-manaivi, Idaiyars, Aiyars in Mullai.
- Mallar or Pallar, Maravars Vendans, Urans, Magizhnans, Uzhavars, Kadaiyars in Marutham.
- Saerppans , Pulampans, Parathars or Paravas, Nulaiyars and Alavars in Neithal.
- Palai symbolises the dry arid lands and scorching deserts of Tamil country where nothing except for the hardy and war-like perseverant tribes native to those lands can survive. It is also the only land among all five lands of the Sangam landscape that a female God, fierce mother goddess, Kotravai was worshipped which is synonymous with the common belief that all the other lands of Tamil country emerged from these original dry arid lands. The tribes existed in these lands were the ruthless and fearsome Maravars and Eyinars. They actively seek out for wars, knowledge, invade far and distant lands and engage in banditry.
- people were known on the basis of their occupation they followed such as artisans, merchants etc.
- warriors occupied a special position in society and memorial stones called "Nadukan" were raised in honour of those who died in fighting and they were worshiped.