Saṃjñā


Saṃjñā is a Buddhist term that is typically translated as "perception" or "cognition." It can be defined as grasping at the distinguishing features or characteristics. Samjñā has multiple meanings depending on religions. Although Samjñā means the five aggregates in Buddhism, in Hinduism, it refers to art traditions and in Jainism, it points to recognition distinct from cognition.
Saṃjñā is identified within the Buddhist teachings as follows:

Theravada

Bhikkhu Bodhi states:
According to the Theravada tradition, saññā experiences the same object as the citta it accompanies but it performs its own task: it 'perceives' or 'recognizes' the object and it 'marks' it so that it can be recognized again.
The Atthasālinī provides the following two definitions for saññā:
The Abhidharma-samuccaya states:
Mipham Rinpoche states:
Alexander Berzin gives the following informal explanation:

Within the five aggregates

Saṃjñā is identified as one of the Five Aggregates, as shown in the following diagram

In the Early Buddhist literature

In the early Buddhism Theravadin texts of the Nikayas/Āgamas, saṃjñā/sañña is the third of the Five Aggregates which can be used to skillfully delineate phenomenological experiences during meditation. Whether as one of the Five Aggregates, meditative concentration on the passing and rising of sañña can lead to mindfulness, clear comprehension enlightenment and Arhantship.
In the Pali Canon, sañña is frequently defined as:
In post-canonical Pali commentaries, the Visuddhimagga likens sañña to "a child without discretion."

Alternate translations

Alternate translations for the term sañña are: