Ronald Jones is an American composer who has written music for television shows, including ,DuckTales, American Dad!, and Family Guy. He composed the theme song for Nickelodeon's The Fairly OddParents with series creator Butch Hartman, and the music for the show's pilots. He lives in Stanwood, Washington, where he opened SkyMuse studios, a recording facility designed for post-production and music recording.
Early life and career
Ronald Jones was born in Kansas City, Kansas. After receiving a degree in music composition and music theory, he moved to Los Angeles, California, to enroll in the Dick Grove School of Music. He studied under Academy Award- and Emmy Award-nominated composer Lalo Schifrin, which came about when Schifrin asked Jones to copy a concerto for guitar and orchestra. While attending Dick Grove, Jones composed an NBCMovie of the Week and began scoring television series produced by Hanna-Barbera. In addition to writing the music for hundreds of episodes of Hanna-Barbera cartoons, Jones also arranged and composed the theme songs to such Hanna-Barbera shows as Smurfs and The Snorks. After five years at Hanna-Barbera, Jones left to work with the composing team of Mike Post and Pete Carpenter. While scoring for Post and Carpenter, Jones worked on such popular television series as The A-Team, Magnum, P.I., and Hardcastle and McCormack. The latter series starred two future Star Trek alumni in the title roles: Brian Keith as Judge Milton C. Hardcastle, and Daniel Hugh Kelly as Mark "Skid" McCormack. In 1987, Jones was recruited by Chris, the head of Disney Music, to compose the music for Disney's first syndicated cartoon series, DuckTales. was impressed with Jones' work during a session on a Hanna-Barbera cartoon and admired the composer's philosophy to respect the intelligence of the audience rather than creating a "patronizing" or "cute" score that would play down to them. Jones accepted Montag's request to score DuckTales, which became one of the most successful animated programs of all time. Jones worked on DuckTales through 1988, during which time he composed, conducted, arranged, and orchestrated various memorable cues and themes which were reused throughout the show's two-season run.
''Star Trek: The Next Generation''
Jones provided critically acclaimed work for the first four seasons of '. In total, Jones composed forty-two episodes of Star Trek: The Next Generation. He was interviewed by Bill Florence for the article "Ron Jones - Sounds in Space", published in ' Vol. 14, pp. 16–22. After three seasons and starting in the fourth the producers choose other composers to assume Ron's position scoring the series. No specific reasons were given other than they wanted a less dramatic approach to the show's scores and less emphasis on melodic content. Despite the success of his work, Jones was fired from the crew of The Next Generation under controversial circumstances near the end of the fourth season. His firing was supposedly because his music was thought to be "too noticeable" by Rick Berman. Jones has since been a major critic of Berman-era Trek.; he cited the music of the subsequent Trek spin-offs as "less melodic and more pad-like." Furthermore, he thought the theme for would have been better used for the opening ceremonies of the WNBA.
''Family Guy''
Jones created original music throughout the first 12 seasons of Family Guy. Jones, with his various music and lyrics collaborators, has received four Emmy nominations for his work on the series: Outstanding Original Music and Lyrics in 2000 and 2011 ; Outstanding Music Composition for a Series in 2008 and 2011. His collaborative work on the series also earned a Grammy nomination for 2012's Best Song Written for a Visual Media. For the two-part episodes "Stewie Kills Lois and Lois Kills Stewie", Jones paid homage to his own music from a popular Star Trek: TNG two-parter, "The Best of Both Worlds |The Best of Both Worlds". Jones used parodies of two cues: the dramatic finale piece is reused at the end of "Stewie Kills Lois", while the piece used when Locutus of Borg first appears is reused when Lois reappears in "Lois Kills Stewie". The parodied cues can be heard on Jones' website.
Awards
2003 BMI Film and TV Awards: Main Title Theme 2002 BMI Film and TV Awards: Main Title Theme 1991 NAIRD Award: Best Soundtrack Album of the Year 1988 Emmy Awards: Outstanding Sound Mixing for a Drama Series
