Roman Opałka was a French-born Polish painter, whose works are mostly associated with conceptual art. Opałka was born on August 27, 1931, in Abbeville-Saint-Lucien, France, to Polish parents. The family returned to Poland in 1946 and Opałka studied lithography at a graphics school before enrolling in the School of Art and Design in Łódź. He later earned a degree from the Academy of Fine Arts in Warsaw. He moved back to France in 1977. Opałka lived in Teille, near Le Mans, and Venice. He died at age 79 after falling ill while on holiday in Italy. He was admitted to a hospital near Rome and died there a few days later, on August 6, 2011, three weeks before his 80th birthday.
Work
In 1965, in his studio in Warsaw, Opałka began painting numbers from one to infinity. Starting in the top left-hand corner of the canvas and finishing in the bottom right-hand corner, the tiny numbers were painted in horizontal rows. Each new canvas, which the artist called a 'detail', took up counting where the last left off. Each 'detail' is the same size, the dimension of his studio door in Warsaw. All details have the same title, "1965 / 1 – ∞"; the project had no definable end, and the artist pledged his life to its ongoing execution: 'All my work is a single thing, the description from number one to infinity. A single thing, a single life', 'the problem is that we are, and are about not to be'. He had contemplated and tried many different ways to visualize time before settling on this life's work. Over the years there were changes to the process. In Opałka's first details he painted white numbers onto a black background. In 1968 he changed to a grey background 'because it's not a symbolic colour, nor an emotional one', and in 1972 he decided he would gradually lighten this grey background by adding 1 per cent more white to the ground with each passing detail. He expected to be painting virtually in white on white by the time he reached 7,777,777 : 'My objective is to get up to the white on white and still be alive.' As of July 2004, he had reached 5.5 million. Adopting this rigorously serialized approach, Opałka aligned himself with other artists of the time who explored making art through systems and mathematics, like Daniel Buren, On Kawara, and Hanne Darboven. He was represented in Paris and New York by Yvon Lambert and in Venice by Galleria Michela Rizzo. In 1968 Opałka introduced to the process a tape recorder, speaking each number into the microphone as he painted it, and also began taking passport-style photographs of himself standing before the canvas after each day's work. In 2007 Opałka participated at the symposium "Personal Structures Time-Space-Existence" a project initiated by the artist Rene Rietmeyer. The final number he painted was 5,607,249.
Exhibitions
Opałka participated in many of the art world’s most important international exhibitions, including Documenta in Kassel, Germany, in 1977; the São Paulo Bienal in 1987; and the Venice Biennale, in 1995, 2003, 2011 and 2013. He was represented in Paris and New York by Yvon Lambert, in Venice by Galleria Michela Rizzo and, for many years, at John Weber in New York. In 2003, Les Rencontres d'Arles exhibited his work through "L’œuvre photographique"'s exhibition. In 2017, Opałka has made part of the exhibition "Il mio corpo nel tempo / Lüthi Ontani Opalka, Galleria d'Arte Moderna, Verona 2017. Catalogue Manfredi Edizioni.
In 2005 the German art project "Camera Obscura 2005/1-∞" was initiated as an homage to Opałka's life and work. It honours his "1965 / 1 – ∞" work by selling camera obscuras — with two pinholes — over the internet auction platform eBay. Each pinhole is sold to another buyer and the camera is subsequently sent back to the project to be developed and exhibited in its gallery as well as online.
