Robot Monster


Robot Monster is a 1953 independently made American black-and-white 3D science fiction film, remembered in later decades as one of the worst movies ever made. It was produced and directed by Phil Tucker, written by Wyott Ordung, and stars George Nader, Claudia Barrett, and George Barrows. The production company was Three Dimension Pictures, Inc. The film was distributed by Astor Pictures.
Robot Monster tells the story of the alien robot Ro-Man's mission to Earth to destroy humanity. He manages to kill all but eight survivors, who have become immune to his death ray. Ro-Man runs afoul of the Great Guidance, his leader, when he becomes attracted to the human Alice. She is the eldest daughter of a surviving scientist, and he refuses to harm her. The Great Guidance must now come to Earth and finish what the Moon robot started.

Plot

Evil robot Extension XJ-2, referred to as just Ro-Man, has destroyed all human life on Earth with a Calcinator death ray, except for eight humans that remain alive. The survivors are: a Professor - whose name is never mentioned - his wife ; their two daughters, Alice and Carla ; their young son, Johnny ; the Professor's assistant, Roy ; and space pilots Jason and McCloud. Both pilots depart in a rocket-ship for an orbiting space platform. All eight have developed an immunity to Ro-Man's death ray, having received an experimental antibiotic serum developed by the Professor.
Ro-Man must complete the destruction of all humans, even if it means his physically killing them one by one, before his mission to subjugate the Earth is complete. After fruitless negotiations, Ro-Man destroys Jason and McCloud's spaceship, along with the space platform. He later strangles Carla, then tosses Roy over a cliff to his death.
Ro-Man's mission is waylaid, however, when he develops an illogical attraction to Alice and cannot bring himself to eliminate her. Great Guidance, leader of the Ro-Man Empire, destroys both Johnny and Ro-Man with a Calcinator blast. The Great One continues the genocide with: Cosmic June Rays, which cause prehistoric reptiles to appear ; and Psychotronic vibrations which "smash the planet Earth out of the universe".
But Johnny is alive, having just awoken from a concussion-induced fever dream. Up to now, all that has happened has just been his nightmare. His sisters, their mother, and the two scientists - whom the family met while picnicking in Bronson Canyon - rejoice at finding him. Johnny and his family invite the scientists home for dinner; they accept.
Suddenly Ro-Man, his arms raised in a threatening manner, walks out of the cave.

Cast

Twenty-five-year-old writer/director Tucker made Robot Monster in four days for an estimated $16,000. Except for a few scenes at a house in Los Angeles and a building site near Dodger Stadium, most footage was filmed outdoors in Bronson Canyon, the site of innumerable motion pictures and TV settings. Principal photography on Robot Monster wrapped on March 23, 1953.
Robot Monsters very low budget did not allow for a robot costume as first intended, so Tucker hired his friend Barrows, who had made his own gorilla suit, to play Ro-Man; Tucker then added the space helmet. Nightclub comic Slick Slavin reportedly filmed an opening prologue for the movie.
Robot Monster is similar in its plot to Invaders from Mars, released a month earlier by 20th Century Fox. Both films contain a young boy stumbling upon an alien invasion who is captured as he struggles to save his family and himself. As the alien commences the final destruction of Earth, the boy awakens to find it was all a dream. Barrett recalled in an interview that the film's original screenplay was designed as reality, but director Tucker changed his mind and then shot a new twist ending that showed the film's story has been a boy's dream that is about to come true.
In Robot Monsters opening credits, "N. A. Fischer Chemical Products" is given prominent credit for the "Billion Bubble Machine", used as part of Ro-Man's communication device for reporting to his superior, the Great Guidance.

3D

Robot Monster was shot and projected in dual-strip, polarized 3D. The stereoscopic photography in the film is considered by many critics to be of a high quality, especially for a film whose crew had little experience with the newly developed camera rig. Producer Al Zimbalist later told The New York Times that shooting the film in 3D added an extra $4,510.54 to the budget.

Special effects

Robot Monsters special effects include stock footage from One Million B.C., Lost Continent, and Flight to Mars ; a brief appearance of the Rocketship X-M spaceship boarding; and a matte painting of the ruins of New York City from Captive Women.

Film score

Robot Monsters music score was composed by Elmer Bernstein, who also composed Cat Women of the Moon the same year, and later, the more prestigious The Great Escape, The Magnificent Seven, The Ten Commandments, and Michael Jackson's Thriller music video.
Bernstein recalled he was stuck in a period where he was "greylisted" because of his left-wing politics and only offered minor films, but said he enjoyed the challenge of trying to help a film. Ordung stated that Bernstein scored the film with an eight-piece orchestra, and Capitol Records expressed interest in producing an album. One critic told how he had watched the film as a teenager when it was first shown on television in 1954 and said it was "one of Elmer Bernstein's best very early scores."...despite a second critic's opinion that Bernstein "must have been starving and/or doing the producers a huge favor".

Release

Robot Monster was released by Astor Pictures on June 24, 1953, at a runtime of 62 minutes. It was originally released with the Three Dimension Pictures short Stardust in Your Eyes, starring nightclub comedian Trustin Howard as Slick Slaven. It grossed $1,000,000 during its initial theatrical release, more than 62 times its original investment.

Reception

Contemporary

The December, 1952 review in Variety noted, "Judged on the basis of novelty, as a showcase for the Tru-Stereo Process, Robot Monster comes off surprisingly well, considering the extremely limited budget and schedule on which the film was shot".
In June 1953, the Los Angeles Times called it "a crazy mixed up movie... even children may be a little bored by it all" and Harrison's Reports, the following month, called it "the poorest 3-D picture that been made so far." Adding, "the story is completely illogical, and the supposed monsters from another planet are laughable. Even the acting, at times, is ridiculous".
In December 1953, the Los Angeles Times reported that "theater men" considered the film "one of the top turkeys of the year."

Legacy

The film currently holds a 36% approval rating at the film review aggregator website Rotten Tomatoes, based on 14 reviews, with an average rating of 4.15/10.
The film is frequently considered one of the worst movies ever made, with film historian Leonard Maltin writing in his 2009 Movie Guide, " one of the genuine legends of Hollywood - embarrassingly, hilariously awful just dig that bubble-machine with the TV antenna."

Aftermath

In December 1953, it was reported that Tucker tried to commit suicide at the Los Angeles Knickerbocker Hotel. He was only saved because he had written a suicide letter and sent it to a newspaper, who sent a reporter and some detectives to the hotel. He was discovered with a pass in his pocket from the psychopathic ward of a veteran's hospital. In the letter, Tucker said he had not been paid for Robot Monster and was unable to get a job. "When I was refused a job - even as an usher," Tucker wrote, "I finally realized my future in the film industry was bleak." It was revealed that Tucker and the producer had quarreled, and film exhibitors had instructions not to let Tucker in to see the film unless he paid admission.
In Keep Watching the Skies!, a comprehensive history of 1950s and early 1960s American science fiction films, author Bill Warren claimed that Tucker's attempted suicide was due to depression and a dispute with the film's distributor, who had allegedly refused to pay Tucker his contracted percentage of the film's profits.
The actors connected to Robot Monster included George Nader, who won the Golden Globe in 1955 as "Most Promising Male Newcomer of the Year". He signed with Universal Studios, where he starred only in secondary features.
Selena Royle, an MGM stock player, had a durable film career beginning in 1941, but it ended in 1951 when she was branded a Communist sympathizer. She refused to appear before the House Committee on Un-American Activities and eventually cleared her name. By then the damage to her reputation had already been done; she made only two additional films, Robot Monster being her last.

In popular culture

Mystery Science Theater 3000