Robert McLachlan (cinematographer)


Robert McLachlan is a Canadian cinematographer. A successful cyclist in his youth, McLachlan quit the sport to take up cinematography, and entered the field after studying at Simon Fraser University, McLachlan was mentored by Richard Leiterman. His professional career began with documentary work for Greenpeace, before he became involved in both television and feature films; his work has subsequently earned him several industry awards and award nominations.
McLachlan, who was inspired by both his father's photography and his own appreciation for the films Butch Cassidy and the Sundance Kid and Walkabout to choose his career path, would go on to find recognition as the chief cinematographer for the television series Millennium, for which he was scouted specifically. McLachlan's style on this series led to several industry awards and briefly became popular in the medium, as well as leading him directly to future work on Game of Thrones. He founded the documentary production company Omni Film Productions in the 1970s, later selling his share of the company.

Early life and education

In his youth, McLachlan was an avid cyclist, accrediting this to the fact that his home town Vancouver was not cold enough for ponds to freeze over to play ice hockey on. During his teenage years, he trained upwards of six hours a day, and won several national championships in the sport. He qualified to represent Canada in the 1976 Summer Olympics, but the lack of funding for cycling in North America at the time would have necessitated him funding his own journey and leaving school to do so; McLachlan opted instead to remain in education and focus on his interest in photography.
McLachlan first became interested in cinematography after viewing the 1969 film Butch Cassidy and the Sundance Kid; Nicolas Roeg's work on the 1971 film Walkabout further cemented his interest in the field. McLachlan was also motivated by his father, who was an avid photographer. An early school assignment to create a Super 8 film project, for which he received an A grade, also proved a formative influence.
McLachlan studied fine art at the University of British Columbia for a year, before changing courses to attend classes at Simon Fraser University's film department. McLachlan's education focussed on the documentary style of John Grierson; however, when he began work in 1987, he was mentored by Richard Leiterman. McLachlan also cites influences outside the field of cinematography, drawing influence from the chiaroscuro, Dutch art and pre-Raphaelite movements of visual art, and the works of Andrew Wyeth and Georges de La Tour in particular.

Career

Having graduated, McLachlan and Michael Chechik founded the production company Omni Film Productions in 1979, and began to work with Greenpeace, filming documentary footage on a range of subjects. McLachlan narrowly avoided trouble on several of these shoots, finding himself arrested for filming too close to an Exxon oil tanker and scarcely missing being assaulted by trophy hunters in British Columbia. McLachlan would later sell his stake in Omni, but remains proud of their documentary work. At the time, McLachlan was unsuccessful in joining an industry union, relegating his work to advertising and small-scale productions; his first union-backed project was on the revival of the television series Sea Hunt.
McLachlan found success on the Fox television series Millennium, earning several awards for his work on the show. He was head-hunted for the series by its creator Chris Carter, who had seen his work on the series Strange Luck. McLachlan was initially offered a position shooting Carter's other active series, The X-Files, then in its third season, but was unable to start work in time. He developed a distinctive style for the series, shooting it with desaturated colours and lighting scenes as though they were to be filmed in black and white; he also made use of high-intensity strobe lighting usually employed for advertising and macro cinematography. McLachlan has noted that this style briefly became popular after the series' broadcast but that other cinematographers had difficulty adjusting to it.
Having worked on Millennium with director David Nutter, McLachlan was able to parley this connection into a role on the HBO fantasy series Game of Thrones. McLachlan has called working on the show's ten-person cinematography team "a major logistical challenge", noting the complexity of its out-of-sequence filming schedules as something unseen on a television series before. McLachlan has also worked on the programme Ray Donovan, and has based that series' cinematography on both film noir aesthetics and those of 1970s cinema, specifically citing The Long Goodbye, The Parallax View and All the President's Men, as well as the work of Gordon Willis.

Accolades

McLachlan has been nominated for, and won, several awards over the course of his career. He has been nominated four times for the American Society of Cinematographers awards, three times for his work on the television series Millennium and once for the television film High Noon. He has also won several Canadian Society of Cinematographers awards, including wins for the films Willard and Impolite, as well as for several episodes of Millennium and The Lone Gunmen. McLachlan's work on Game of Thrones received Emmy Award nominations in 2013 and 2015, and a Canadian Society of Cinematographers award nomination in 2015; he was also nominated by the latter society for his cinematography on the series Ray Donovan.
YearCategoryAwarding bodyWorkResultReference
1985Outstanding Documentary CinematographyCanadian Society of CinematographersVarious
1986Outstanding Documentary CinematographyCanadian Society of CinematographersVarious
1987Outstanding Documentary CinematographyCanadian Society of CinematographersVarious
1994Outstanding TV Drama CinematographyCanadian Society of CinematographersThe Commish
1996Outstanding Feature CinematographyCanadian Society of CinematographersImpolite
1997Outstanding TV Drama CinematographyCanadian Society of CinematographersMillennium
1996Outstanding TV Drama CinematographyCanadian Society of CinematographersMillennium
1998Outstanding Achievement in Cinematography in a Regular SeriesAmerican Society of CinematographersMillennium, "The Thin White Line"
1999Outstanding TV Drama CinematographyCanadian Society of CinematographersMillennium
1999Outstanding Achievement in Cinematography in a Regular SeriesAmerican Society of CinematographersMillennium, "Skull and Bones"
2000Outstanding TV Drama CinematographyCanadian Society of CinematographersThe Lone Gunmen
2000Outstanding TV Drama CinematographyCanadian Society of CinematographersHigh Noon
2000Outstanding Feature Film CinematographyCanadian Society of CinematographersFinal Destination
2000Outstanding Achievement in Cinematography in a Regular SeriesAmerican Society of CinematographersMillennium, "Matryoshka"
2000Outstanding Achievement in Cinematography in a Movie of the Week, Miniseries or Pilot American Society of CinematographersHigh Noon
2004Outstanding Feature Film CinematographyCanadian Society of CinematographersWillard
2013Outstanding Cinematography for a Single-Camera SeriesEmmy AwardsGame of Thrones, "Mhysa"
2015TV Series CinematographyCanadian Society of CinematographersGame of Thrones, "Oathkeeper"
2015TV Series CinematographyCanadian Society of CinematographersRay Donovan, "The Captain"
2015Outstanding Cinematography for a Single-Camera SeriesEmmy AwardsGame of Thrones, "The Dance of Dragons"

Partial filmography

Film

YearFilmRoleDirector
1986AbductedCinematographerBoon Collins
1992ImpoliteCinematographerDavid Hauka
1993AdriftCinematographerChristian Duguay
1995When the Vows BreakCinematographerEric Till
2000CinematographerDonald Wrye
2000High NoonCinematographerRod Hardy
2000The New Adventures of Spin and MartyCinematographerRusty Cundieff
2000Final DestinationCinematographerJames Wong
2001The OneCinematographerJames Wong
2003WillardCinematographerGlen Morgan
2005Once Upon a MattressCinematographerKathleen Marshall
2005King's RansomCinematographerJeffrey W. Byrd
2005CursedCinematographerWes Craven
2006Final Destination 3CinematographerJames Wong
2006Black ChristmasCinematographerGlen Morgan
2006A Little Thing Called MurderCinematographerRichard Benjamin
2007The Golden CompassSecond unit cinematographerChris Weitz
2009Dragonball EvolutionCinematographerJames Wong

Television

YearSeries
1988The Beachcombers
1991MacGyver
1992The Odyssey
1993Cobra
1993The Commish
1995Strange Luck
1996Millennium
2001The Lone Gunmen
2002Pasadena
2003Out of Order
2003Tarzan
2003Tru Calling
2007Bionic Woman
2009Harper's Island
2011Human Target
2011The Secret Circle
2013King & Maxwell
2013Game of Thrones
2014Ray Donovan
2016Westworld
2019Batwoman