Riverside Studios


Riverside Studios is an arts centre on the banks of the River Thames in Hammersmith, London, England. The venue plays host to contemporary performance, film, visual art exhibitions and television production.
Having closed for redevelopment in September 2014, Riverside Studios reopened in the autumn of 2019 with one of the first television broadcasts to come from Studio 1 at Riverside was the 2019 December UK election coverage on Channel 4.

Film studio

In 1933, a former Victorian iron foundry on Crisp Road, London, was bought by Triumph Films and converted into a relatively compact film studio with two stages and a dubbing theatre. In 1935 the studios were taken over by Julius Hagen with the idea of using Riverside as an overflow for making quota quickies. However, by 1937 his company had gone into liquidation. Between 1937 and 1946, the studios were owned by Jack Buchanan and produced such films as We'll Meet Again with Vera Lynn and The Seventh Veil with James Mason. In 1946 the studios were acquired by Alliance Film Studios and produced films including They Made Me a Fugitive with Trevor Howard, The Happiest Days of Your Life with Alistair Sim and Margaret Rutherford and Father Brown with Alec Guinness.

BBC Studios

In 1954, the studio was acquired by the British Broadcasting Corporation for its television service. Renamed The BBC Riverside Television Studios, the building was officially opened on 29 March 1957 by Queen Elizabeth The Queen Mother. Series 2 to 6 of Hancock's Half Hour were made there, along with other comedy, drama and music programmes, including the science-fiction serial Quatermass and the Pit, Dixon of Dock Green, Six-Five Special, Z-Cars, Top of the Pops, the children's programmes Blue Peter and Play School. Episodes of Doctor Who were made at Riverside between 1964 and 1968, and Studio 1 was where First Doctor William Hartnell's regeneration scene was filmed. The facility remained in regular use until the BBC left in 1974.

Riverside Studios / Riverside Trust

The mission of Riverside Studios is to present a high quality arts programme and to make it accessible to all.
In 1974, a charitable trust formed by Hammersmith and Fulham Council took control of the building, and two large multi-purpose spaces designed by Michael Reardon were created from the Studio's two main sound stages. While preparing Riverside's opening festival in 1976, the venue's first Artistic Director Peter Gill permitted an amateur West London music group called The Strand to use one of the performances spaces to rehearse. They went on to become The Sex Pistols. Riverside's original policy was to have a combination of in house and visiting company productions of classical and contemporary plays and dance. Running concurrently with the main programme were regular events and activities including a film, music, education, workshop and play reading programme. David Gothard, the founding programming director, brought "The Dead Class" by Tadeusz Kantor and the Cricot 2 company from Krakow in Poland in 1977. Gothard was pivotal in Riverside Studios next steps.
Riverside Studios became fully operational in 1978 with Gill's landmark production of The Cherry Orchard, for which Julie Covington turned down the lead in Evita. The venue quickly acquired an international reputation for excellence and innovation with productions including The Changeling with Brian Cox and Robert Lindsay, Measure for Measure with Helen Mirren and Julius Caesar with Phil Daniels, as well as a variety of international work – including, notably, that of Polish theatre maestro Tadeusz Kantor. In 1978, Riverside hosted the first of many Dance Umbrella seasons, featuring the work of Rosemary Butcher and Richard Alston. Gill also offered residencies to artists including Bruce McLean and Ian Coughlin and companies such as the Black Theatre Co-operative.
Art exhibitions had been curated by Milena Kalinovska in Riverside's foyer, but following Gill's departure in 1980, a purpose-built gallery space was established by the resident Architect Will Alsop and John Lyall along with Technical Director Steven Scott. The directorship of Jenny Stein established the first exhibition and showed works by the painter and graphic artist Edvard Munch. Subsequent exhibitions included David Hockney, Antony Gormley, Louise Bourgeois and Yoko Ono
From 1980, David Gothard directed the performing arts program and invited Michael Clark to become Riverside's first resident choreographer and made 16 original pieces at the Studios before establishing his own dance company in 1984. Also in 1980, Samuel Beckett directed the San Quentin Theatre Workshop's rehearsals of his play Endgame in Studio 2, returning to Riverside four years later to direct the same company in Waiting for Godot. Under David Gothards direction the international theatre and dance program thrived with performance by Dario Fo and Franca Rame, Le Cirque Imaginaire, Eckehard Scall and the Berliner Ensemble, The Market Theater of Johannesburg, Cricot 2 of Krakow, Collectivo De Parma, and dance independent dance collaborations with Merce Cunningham and John Cage and members of the Judson Church. At the same time the legendary american tap dancers appeared in a sellout production of No Maps on My Taps featuring Chuck Green. During this period riverside studios was an artistic powerhouse that laid the foundations for its future. British artists flocked to the foyer and joined in collaborations with David Gothard from across all the arts disciplines including Peter Greenaway, Michael Nyman, Hanif Kureshi, Rebecca O'Brien, Jane Bernstein, David Leveaux, and a network of the worlds leading arts festivals and producing theaters including Edinburgh Festival, Spoleto Festival, Avignon Festival and Berlins Hebbel Theater.
The in-house team in the early years was headed by the acclaimed lighting designer Rory Dempster and production manager John Leonard, Marketing guru's Erica Bolton and Jane Quinn, photographer and graphics master Chris Harris/ Ha and his assistant Brian Maloney and completed by Steven Scott leading the productions, technical and building developments.
Alsop and Lyall were housed in the building followed by Percy Harris and the Motley Design Course, Michael Clark who all joined Bruce McLean in the residencies.
On 2 November 1987, a 200-seat cinema was opened by the actress Vanessa Redgrave.
In 1990, jazz veteran Adelaide Hall starred in the movie Sophisticated Lady, a documentary about her life, which included a performance of her in concert recorded live at the Riverside Studios.
William Burdett-Coutts was appointed Artistic Director of Riverside Studios in 1993. While Riverside continued its multi-arts programming, its 200-seat cinema was celebrated for its double bill programmes and the variety of international film festivals which took place annually. In 1996, television production returned to Riverside when TFI Friday with Chris Evans took up residence in Studio 1. was broadcast from Riverside between 2003 and 2006, while later TV projects included Channel 4's T4, Popworld and The Last Leg, BBC's Never Mind the Buzzcocks and ITV's Celebrity Juice.
In September 2014, Riverside closed for redevelopment.

Redevelopment

London developer Mount Anvil, working in conjunction with A2 Dominion, redeveloped the old Riverside Studios and the adjacent Queen's Wharf building. Assael Architecture, were employed to design a new building on the site centred around 165 residential flats, with new studio facilities for theatre and television, two cinemas, a riverside restaurant and café/bar as well as flexible event spaces. As part of the redevelopment, a new riverside walkway connects to the Thames Path alongside the late Victorian Hammersmith Bridge.
During the redevelopment, Riverside continued to produce shows including Nirbhaya by Yael Farber at a number of international venues including Southbank Centre and Lynn Redgrave Theatre, Raz, a new play by Jim Cartwright at Trafalgar Studios and A Christmas Carol with Simon Callow at the Arts Theatre. Riverside's digital production team also recorded a number of theatre and dance productions for broadcast including Land of Our Fathers by Chris Urch, Northern Ballet's adaptation of Nineteen Eighty-Four and Out of Joint's production of The Winters Tale.
A blue plaque produced by the Hammersmith and Fulham Historic Buildings Group to commemorate Riverside's history was installed at the venue's main entrance in March 2018.
In January 2019 it was announced that the studios were taking bookings ahead of reopening in August 2019. Riverside Studios reopened to the public in late 2019.

Studios

Sopurces