Rien que les heures


Rien que les heures is a 1926 experimental silent film by Brazilian director Alberto Cavalcanti showing the life of Paris through one day in 45 minutes.
Other noted examples of the city-symphony genre include Charles Sheeler and Paul Strand's Manhatta, Walter Ruttmann's , Andre Sauvage's Etudes sur Paris, and Dziga Vertov's Man With a Movie Camera.