Resolution (music)


Resolution in western tonal music theory is the move of a note or chord from dissonance to a consonance.
Dissonance, resolution, and suspense can be used to create musical interest. Where a melody or chordal pattern is expected to resolve to a certain note or chord, a different but similarly suitable note can be resolved to instead, creating an interesting and unexpected sound. For example, the deceptive cadence.

Basis

Resolution has a strong basis in tonal music, since atonal music generally contains a more constant level of dissonance and lacks a tonal center to which to resolve.
The concept of "resolution", and the degree to which resolution is "expected", is contextual as to culture and historical period. In a classical piece of the Baroque period, for example, an added sixth chord has a very strong need to resolve, while in a more modern work, that need is less strong - in the context of a pop or jazz piece, such a chord could comfortably end a piece and have no particular need to resolve.

Example

An example of a single dissonant note which requires resolution would be, for instance, an F during a C major chord, C–E–G, which creates a dissonance with both E and G and may resolve to either, though more usually to E. This is an example of a suspended chord. In reference to chords and progressions for example, a phrase ending with the following cadence IV–V, a half cadence, does not have a high degree of resolution. However, if this cadence were changed to V–I, an authentic cadence, it would resolve much more strongly by ending on the tonic I chord.