René Wohlhauser is a Swiss composer, pianist, singer, improviser, conductor and music teacher.
Life
From 1975 to 1979 Wohlhauser studied counterpoint, harmony, music analysis, score reading, orchestration and composition with Thomas Kessler, Robert Suter, Jacques Wildberger and Jürg Wyttenbach at the Basle Music Academy, earning a diploma in music theory. He went on to study composition with Kazimierz Serocki, Mauricio Kagel, Herbert Brün and Heinz Holliger, and for several years studied with Klaus Huber and Brian Ferneyhough. The latter had a decisive influence on Wohlhauser’s work. Wohlhauser currently teaches composition, improvisation and music theory at the Basle Music Academy. As a performer of contemporary music, he is heard all over Europe, recently mostly with his ensemble «Ensemble Polysono», as well as with soprano Christine Simolka. Wohlhauser has published several writings on music.
Music
Wohlhauser’s prolific output covers many musical genres. His compositions include solo, chamber, orchestral, organ and stage works. In his early works, Wohlhauser also made use of electro-acoustic techniques. In his works, extra-musical impulses are often the starting point for a composition. References to philosophical, linguistic and scientific themes are particularly prominent. Wohlhauser is a composer who is tirelessly looking for new compositional strategies and puts established compositional systems into question. The consistent way in which he works out his compositional concepts often results in a dense and complex musical language that challenges performers as well as audiences.
Quantenströmung – version for flute, cello and piano
Entropía for solo cello
carpe diem in beschleunigter Zeit for string quartet
Die Auflösung der Zeit in Raum for saxophone, percussion and piano. Additional version: Saró for solo saxophone
Meditation über die Zeit für die linke Hand am Klavier for piano
Klänge in der Zeit for piano
Manía for piano
Musik für Flöte solo for solo flute
Gantenbein, Musiktheater für 4 Solisten und Orchester, text after Max Frisch
Rachearie from the opera Gantenbein, transcription for soprano and piano
Sulawedische Lieder, songs and vocal pieces, a cycle on onomatopoetic texts by the composer for soprano, baritone, 1 to 2 voices and piano
Drei andere Stücke for piano
mira schinak, trio for soprano, flute and piano. Based on an onomatopoetic text by the composer
mikka resna for tenor and guitar. Based on an onomatopoetic text by the composer
Studie über Zustände und Zeitprozesse for flute and piano
‘Srang for soprano, flute, clarinet and cello. Based on an onomatopoetic text by the composer
Streichtrio for string trio
Sarktirko for solo percussion
Saró for solo saxophone
Ly-Gue-Tin, eine augenzwinkernd-klingende, halbszenische Werkmonographie für Stimme und Klavierklänge auf eigene lautpoetische Texte for voice and piano
Sokrak for soprano, flute, clarinet, cello and piano. Based on an onomatopoetic text by the composer
Iguur – Blay –Luup, triptych for solo soprano, duet soprano-baritone, soprano and chamber ensemble. Based on an onomatopoetic text by the composer. Several additional versions.
Masona for 16-voice mixed chorus. Based on onomatopoetic texts by the composer
Awards
1978 Valentino Bucchi composition prize, Rome
1981 Association of German music schools, Bonn: composition prize
1983 Association of Zurich music schools, Switzerland: composition prize