The Römer is a medieval building in the Altstadt of Frankfurt am Main, Germany, and one of the city's most important landmarks. The Römer is located opposite the Old St. Nicholas church and has been the city hall of Frankfurt for over 600 years. The Römer merchant family sold it together with a second building, the Goldener Schwan, to the city council on March 11, 1405 and it was converted for use as the city hall. The Haus Römer is actually the middle building of a set of three located in the Römerberg plaza. The Römer is not a museum as it is occasionally used by the city for various purposes, for example as a Standesamt or civil registration office; the wedding rooms are located in the first and second floor of the Haus Löwenstein. The former old town quarter between the Römer and St. Bartholomew's Cathedral will be redeveloped as the Dom-Römer Quarter until 2016, including several reconstructions of historical buildings that were destroyed during World War II.
Extensions
The building complex has been continuously extended over the years, with eventually eleven houses connected to each other, resulting in a rather confusing interior. At the beginning of the 19th century, Frankfurt historian Anton Kirschner remarked that the Frankfurt city hall had "stairs, yards, halls and rooms in a labyrinthian mixture". In 1435, the city bought the Frauenrode house, in 1510 the Viole house and in 1542 the Schwarzenfels house, which were all architecturally connected to the main complex. Then, in 1596 the city council bought the Wanebach house, which stood next to the Goldener Schwan, as well as the building to the left of the Haus Römer, the Haus Löwenstein, and had both of them connected to the Römer. These construction projects were very complicated, since the floor heights of Löwenstein and Römer were radically different. In 1843, the Frauenstein house and the Salzhaus were added. Finally, in 1878 the city bought the Alt-Limpurg house to the right of the Haus Römer for 214,000 marks. The current neogothic front with a balcony was built from 189 more imposing, but mayor Franz Adickes decided against Kaiser Wilhelm's suggestion and had the front designed in a more welcoming manner. At the same time, the houses Frauenrode and Viole were demolished to make way for streets through the city centre. They were replaced by a newly erected building to the east. This new building is divided into two wings by the Braubachstrasse. These two wings are connected by a bridge. The Frankfurt citizens, who paid their taxes in the north wing, named the covered bridge the Seufzerbrücke in reference to the other Bridge of Sighs in Venice. The two towers in the south wing attracted nicknames as well: the larger one was called Langer Franz in homage to the city's tall mayor and the smaller one the Kleiner Cohen after a popular song of the time. On the night of March 22, 1944, the Römer, along with the rest of the centre of Frankfurt, was largely destroyed in one of the heaviest Allied bombing attacks of the Second World War. When the building was rebuilt after the war, the Alt-Limpurg, the Römer, and the Löwenstein houses, whose roof structure had in part withstood the attack, were restored in a simplified form. The completely destroyed houses Frauenstein and Salzhaus were rebuilt in a simplified style. The Löwenstein house has an open stairwell. The Römer was re-inaugurated in 1955 by presidentTheodor Heuss. In the following decades the façade was restored two additional times, in the years 1974 and 2005, and the houses on the Römerberg regained the neogothic look of 1900. The interior has also been redesigned. In 1988 the renovated city council meeting hall was completed.
Architecture
The entire three-storey building complex occupies about 10,000 square metres and consists of nine houses, encircling six courtyards. The front, with today's main entrance, faces the Römerberg plaza. Other streets around the Römer are the Limpurgergasse to the south and the Buchgasse and the Berliner Straße to the north. The Braubachstraße divides the south and north wings.
Façade
The exterior features of the set of buildings reflect a wide breadth of Frankfurt and Germany's history, even though they were designed at the beginning of the 20th century. The famous three-peaked façade has medieval elements of design. The left-hand corner of the Alt-Limpurg displays the so-called Frankfurtia, the female embodiment of the city. In the middle, the Haus Römer shows the four kaisers of the Holy Roman Empire, two city coats of arms, a clock face, and a placard describing the most important facts about the building. The four kaisers are Frederick Barbarossa, Louis the Bavarian, Charles IV, and Maximilian II. Like the neogothic façade, the balcony was added after the rebuilding in 1900, replacing a wooden roof. The balcony was and is used as a public stage for state visits and sporting events - for example, the soccer world champions in the Women's World Cup in 2003 and the runners up in the 2002 FIFA World Cup. Another approach was chosen for the design of the fronts of the two north-east houses. In contrast to the other houses in the complex, instead of reconstructing the old Wilhelminean front, the architects created a completely new design using a combination of medieval timber framing and modern styles. The mosaics in the timber frames feature the motif of a phoenix, a symbol for modern Frankfurt's new start after the war.
Rooms
''Römerhalle'' and ''Schwanenhalle''
These two halls are the oldest remaining rooms in the building and are virtually unchanged after 600 years. At one point, the first Frankfurt book fairs took place in these rooms and gold and silversmiths sold their merchandise there. After the Second World War, the rooms continued to be used for this purpose because the massively built structures had survived the war practically undamaged. The two halls are located on the ground floor of the houses Römer and Goldener Schwan, and they can be entered directly from the main entrance on the Römerberg.
''Kaisersaal''
Perhaps the best-known room of the Römer, the Kaisersaal, or Emperor Hall, is located above the Römerhalle on the second floor and is a major tourist attraction. During the Holy Roman Empire, coronation banquets took place there. Today, the Kaisersaal is well known for its unique and unparalleled collection of 19th century portraits of all of the emperors, including works by Eduard Von Steinle of Albert I and Ferdinand III.
