Quinn the Eskimo (Mighty Quinn)


"Quinn the Eskimo " is a folk-rock song written by Bob Dylan and first recorded during The Basement Tapes sessions in 1967. The song was recorded in December 1967 and first released in January 1968 as "Mighty Quinn" by the British band Manfred Mann and became a great success. It has been recorded by a number of performers, often under the "Mighty Quinn" title.
The subject of the song is the arrival of Quinn, who changes despair into joy and chaos into rest, and attracts attention from the animals. Dylan is widely believed to have derived the title character from actor Anthony Quinn's role as an Eskimo in the 1960 movie The Savage Innocents. Dylan has also been quoted as saying that the song was nothing more than a "simple nursery rhyme." A 2004 Chicago Tribune article also claimed that the song was named after Gordon Quinn, co-founder of Kartemquin Films, who had given Dylan and Howard Alk uncredited editing assistance on Eat the Document.

Manfred Mann and Dylan versions

Dylan first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years. Meanwhile, the song was picked up and recorded in December 1967 by the British band Manfred Mann, who released it in early 1968 under the title "Mighty Quinn". The Manfred Mann version reached #1 in the UK Singles Chart for the week of 14 February 1968, and remained there the following week. It also charted on the American Billboard chart, peaking at #10, and reached #4 in Cash Box.
A later incarnation of Manfred Mann, Manfred Mann's Earth Band, included a dramatically different live version of the song on their 1978 album Watch. The single edit omitted the prog middle part and included a few new guitar solos. Afterwards, the song has appeared on numerous live recordings, the middle part often including long solos and/or snippets of other songs. "As Above So Below" has been replaced with "Oh Well" and in recent years, the band often quoted "Smoke on the Water" as well before returning to the main hook. Therefore, "Mighty Quinn" repeatedly goes on for over ten minutes live.
A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo ", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder, a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album, a live recording from 1969's Isle of Wight Festival. The live version was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II.
When Columbia finally released The Basement Tapes in 1975, the song was not among the double-album's 24 songs. However, ten years later in 1985, the second of the two 1967 takes appeared on the 5-LP Biograph set. This version was used again on The Essential Bob Dylan, a compilation released in 2000. The first of the two 1967 takes was not officially released until 2014, on .
The Manfred Mann version is noted for Klaus Voormann's use of a distinctive flute part. This was replaced in the Earth Band version with Manfred playing it on an organ.
Kris Kristofferson covered the song in 2012 for Chimes of Freedom, in honor of 50 years of Amnesty International.

Variations in title of song

The first release of the song, the #1 hit by Manfred Mann, which topped the UK charts in February 1968, was released as "Mighty Quinn". When Dylan released a live version of this song on his album Self Portrait, in June 1970, the song was titled "The Mighty Quinn ". This title was repeated when the same live recording was released on the album Bob Dylan's Greatest Hits, Vol. 2 in November 1971. When Dylan's original "basement tapes" recording of the song, backed by The Band and recorded in West Saugerties, New York in 1967, was eventually released as part of the compilation album Biograph, in 1985, it was entitled "Quinn the Eskimo "; this is the title according to the official Bob Dylan website.

Grateful Dead version

Although they never played the song with Bob Dylan, The Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career.

The Hollies version

In 1969, The Hollies put their own spin on "The Mighty Quinn," adding a prominent banjo accompaniment, a horn section, and a flute part in reference to Manfred Mann's version. The song was featured as the last song on Side 2 of Hollies Sing Dylan and was performed in concert in 1969 alongside "Blowin' in the Wind".

Julie London version

In 1969, Julie London sang a version of “The Mighty Quinn” on her final album Yummy, Yummy, Yummy. The album featured multiple covers of contemporary pop and rock songs with full orchestral arrangements, including “Louie Louie”, “Light My Fire”, and “The Mighty Quinn”.

Leon Russell version

included a version in a medley with "I'll Take You There", "Idol With the Golden Head" and "He Lives " that opens his album Leon Live.

Phish version

has played "Quinn the Eskimo" in concert a total of 38 times throughout their career, having first performed in 1985, two years after their formation. The band performed the song at two of their festivals: Camp Oswego in 1999 and Superball IX in 2011. Covers of "Quinn the Eskimo" appear on two Phish live releases: the 1999 live box set Hampton Comes Alive and the 2010 live DVD Alpine Valley.

Chart history

Weekly charts

Year-end charts

The song is also the song that the rugby team ‘The Harlequins‘ when they score a try or conversion.

In popular culture

Dylan makes reference to the song in his 2004 autobiography Chronicles Volume One:
Dylan's chorus is featured in the movie, but -- since the movie's "Quinn" is not an Eskimo -- with different verses.
The Adult Swim show Joe Pera Talks With You uses Mighty Quinn as a season 2 opener in the episode "Joe Pera Talks With You About Beans". This was not the version performed by Manfred Mann, because in the show an 8th grade choir is singing the track. On the Adult Swim Podcast Joe states that it wasn't as expensive to get rights to the song because the children were singing.