Psalmen Davids


Psalmen Davids is a collection of sacred choral music, settings mostly of psalms in German by Heinrich Schütz, who had studied the Venetian polychoral style with Giovanni Gabrieli. Book 1 was printed in Dresden in 1619 as his Opus 2. It comprises 26 individual settings, which were assigned numbers 22 to 47 in the Schütz-Werke-Verzeichnis. Most of them use the text of a complete psalm in the translation by Martin Luther.
The full title of the publication, "Psalmen Davids / sampt / Etlichen Moteten und Concerten / mit acht und mehr Stimmen / Nebenst andern zweyen Capellen daß dero etliche / auff drey und vier Chor nach beliebung gebraucht / werden können", indicates that some motets and concertos are added to the psalm settings, and the scoring is for eight and more voices and two groups of instrumentalists, so that in some pieces three and even four choirs can participate in polychoral settings.

History

In 1619, Schütz took up his office as Hofkapellmeister at the court of the Elector of Saxony, Johann Georg I., in Dresden, succeeding Rogier Michael. On 1 June, he married Magdalena, the daughter of Christian Wildeck, a court official. Planned well, the Psalmen Davids appeared the same day, dedicated to the Elector.
Schütz mentions in the introduction: "daß er etzliche Teutsche Psalmen auf Italienische Manier komponiert habe, zu welcher von lieben und in aller Welt hochberühmten Praeceptore Herrn Johan Gabrieln /... / mit fleiß angeführet worden... war".

Collection

Schütz chose 20 psalms, two of which he set twice, and added movements based on a hymn, the first stanza of Johann Gramann's "Nun lob, mein Seel, den Herren", and on texts from the prophets Isaiah and Jeremiah. Most, but not all psalms are ended by the doxology, "Ehre sei dem Vater". Translations of SWV 24, 25, 27, 28, 30, 33, 36, 37, 39 and 40 are provided by Emmanuel Music
No.SWVPsalm no.TitleEnglishSource
1110Der Herr sprach zu meinem HerrenThe Lord said unto my Lord
2SWV 232Warum toben die HeidenWhy do the heathen rage
3SWV 246Ach, Herr, straf mich nichtAh, Lord, do not punish me + dox
4SWV 25130Aus der TiefeOut of the depths + dox
5SWV 26122Ich freu mich des HerrnI was glad when they said unto me
6SWV 278Herr, unser HerrscherLord, our Ruler + dox
7SWV 281Wohl dem, der nicht wandeltHe is fortunate who does not walk + dox
8SWV 2984Wie lieblich sind deine WohnungenHow amiable are thy tabernacles
9SWV 30128Wohl dem, der den Herren fürchtetHe is fortunate who fears the Lord + dox
10SWV 31121Ich hebe meine Augen aufI will lift up mine eyes unto the hills
11SWV 32136Danket dem Herren, denn er ist freundlichO give thanks unto the Lord; for he is good
12SWV 3323Der Herr ist mein HirtThe Lord is my Shepherd, no dox
13SWV 34111Ich danke dem HerrnPraise ye the LORD
14SWV 3598Singet dem Herrn ein neues LiedO sing unto the LORD a new song
15SWV 36100Jauchzet dem Herren, alle WeltExult in the Lord, entire world + dox
16SWV 37137An den Wassern zu BabelBy the rivers of Babylon + dox
17SWV 38150Alleluja! Lobet den HerrenlPraise ye the Lord
18SWV 39103Lobe den Herren, meine SeeleBless the Lord, my soul, concerto
19SWV 40Ist nicht Ephraim mein teurer SohnIs not Ephraim my beloved son, motet
20SWV 41Nun lob, mein Seel, den HerrenNow praise, my soul, the Lordhymn, canzona
21SWV 42126Die mit Tränen säenThey that sow in tears, motet
22SWV 43115Nicht uns, HerrNot unto us, O Lord
23SWV 44128Wohl dem, der den Herren fürchtetNot unto us, O Lord
24SWV 45136Danket dem Herren, denn er ist freundlichO give thanks unto the Lord; for he is good
25SWV 46Zion spricht, der Herr hat mich verlassenNot unto us, O Lord, concerto
26SWV 47100Jauchzet dem Herren, alle WeltMake a joyful noise unto the Lord, all ye lands, concerto

Publication and recordings

The Psalmen Davids are part of the complete edition of the composer's works by Carus-Verlag, begun in 1992 as the Stuttgart Schütz Edition and planned to be completed by 2017. The edition uses the Heinrich-Schütz-Archiv of the Hochschule für Musik Dresden. They were recorded, as part of the complete recordings of works by Schütz, by the Dresdner Kammerchor and organist Ludger Rémy, conducted by Hans-Christoph Rademann. Soloists are sopranos Dorothee Mields and Marie Luise Werneburg, altos David Erler and Stefan Kunath, tenors Georg Poplutz and Tobias Mäthger, and basses Stephan MacLeod and Felix Schwandtke. A review notes the accent on a contrast, as the composer intended, between the soloists and the choir :
These soloists, the so-called 'favoriti' are given the responsibility of bringing illustrative power to their sung lines, to sing 'as well and as sweetly' as possible. These solo singers are vested with the conveyance of the texts’ imagery in all its power and immediacy, whilst the ripieno choruses have a different function, which is, in the composer's words, 'for a strong sound and for splendour'.