Port of Miami was met with generally favorable reviews from music critics. Michael Endelman of Entertainment Weekly said, "On Port of Miami, Ross turns the minute details of drug distribution and dealing into ominous, slow-rolling songs, like the hypnotic, organ-driven hit single ”Hustlin”’ and the Scarface-goes-South Beach stomp of ”Cross That Line.” In general, the whole ”crack-rap” trend is a disheartening one, but Ross’ pulpy debut manages to enthrall despite the drug-centric lyrics." Sam Ubl of Pitchfork Media said, "Port of Miami is a case of invention begetting necessity. Sure Ross needs these beats—he has all the charisma of a cold meatloaf. But they need him all the same. He's a supporting actor, second fiddle to the real, Pro-Tooled stars, desirable not for his authority or presence but for his utter blankness. Def Jam could heli-drop any bozo into such glorious ambiance and score some hits; the album facilitates sedentariness." Jonathan Ringen of Rolling Stone said, "Ross' minimal, menacing rhymes about being a drug-game kingpin feel a little undercooked, but with synth-soaked ring-tone-ready beats that are hotter than the "MI-Yayo" in the summertime, it doesn't really matter." Brendan Frederick of XXL said, "While the runaway success of “Hustlin’” could have positioned Ross for one-hit-wonder status, he confidently sidesteps this fate by delivering the goods on Port of Miami. With a cohesive sound the city can call its own, the bearded rapper gets the release he needs by exposing the dark side of the Sunshine State."
Commercial performance
Port of Miami debuted at number one on the US Billboard 200, selling 187,000 copies sold in its first week. In its second week, the album fell to number seven on the chart, selling 79,000 copies. As of July 2013, the album has sold 857,000 copies in the US. On July 28, 2016, the album was certified platinum by the Recording Industry Association of America for sales of over a million copies in the United States.
Track listing
Sample credits
"Push It" Contains a sample of "Scarface " by Paul Engemann.
"I'm Bad" Contains a sample of "Theme From S.W.A.T." by Rhythm Heritage.
"Get Away" Contains a sample of "Sometimes I Rhyme Slow" by Nice & Smooth.
"Hit U From the Back" Contains a sample of "Savoir Faire" by Chic.
"Street Life" Contains a sample of "Afterimage" by Rush.