The lighthouse at this site was constructed in 1870. The brick-and-mortar tower included ornate iron balcony supports and a large keeper residence with enough space to house several families. In April 1906, a devastating earthquake struck the light station. The keeper's residence and lighthouse were damaged so severely they had to be demolished.
The rebuilding
The United States Lighthouse Board contracted with a San Francisco based company to build a new lighthouse on the site, and specified that it had to be able to withstand any future earthquakes. The company chosen normally built factory smokestacks, which accounts for the final design for the new Point Arena Lighthouse, featuring steel reinforcement rods encased in concrete. This was the first lighthouse built this way. The new lighthouse began operation in 1908, nearly 18 monthsafter the quake. It stands tall, and featured a 1st Order Fresnel Lens, over six feet in diameter and weighing more than six tons. The lens was made up of 666 hand-ground glass prisms all focused toward three sets of double bullseyes. It was these bullseyes that gave the Point Arena Lighthouse its unique "light signature" of two flashes every six seconds. The optics, which held an appraised value of over $3.5 million, was set in solid brass framework, and was built in France.
The light
Prior to the introduction of electricity, the lens was rotated by a clockwork mechanism. The Keepers, or "wickies" as they were called, had to hand crank a 160-pound weight up the center shaft of the lighthouse every 75 minutes to keep the lens turning. Light was produced by a "Funck" hydraulic oil lamp, that needed to be refueled every four hours, and whose wicks would have to be trimmed regularly. Later, two 1,000 watt electric lamps were installed to replace the oil lamp, and a horsepowerelectric motor was installed to replace the clockworks.
Modernization
In 1978, the original fog signal at the station was silenced, and a bell buoy was placed nearby. June 1977 brought the installation of an automated aircraft-type beacon on the balcony tower, and the historic 1st Order Fresnel Lens was discontinued. At the time, the lens was the only mercury-floated light still in existence in the Twelfth United States Coast Guard District. The 400-pound aircraft beacon had been replaced by a 40-pound modern rotating light that incorporates the Fresnel principles for the efficient projection of light.
Reliability
There is a battery-powered emergency system installed as a back-up in the event of a power failure. In addition, a radio beacon, with a signal that originates from the station, also assists mariners. The original oil lamp was visible for approximately, the 1st Order Fresnel Lens for and the current modern rotating light can be seen for.
Manning
Four men manned this family station and were provided with quarters as follows: One 4 bedroom unit, three 3-bedroom units. Other buildings are the light tower, paint locker, fuel locker, bosun locker and buildings housing the fire pump, water pumps and JP-5 fueling pumps. The station had a ½-ton pickup truck assigned which, among other things, was utilized to transport dependent school children to school three miles from the station.
Today
In 1984, a nonprofit organization called the Point Arena Lighthouse Keepers acquired the light station as part of a 25-year land lease from the Coast Guard and the Department of Transportation. In November 2000, the nonprofit group became the official owners of the property due to their diligent historic preservation and educational efforts. Daily visitation, gift store sales, memberships and the rental of the historic Keeper's homes on the property as vacation houses, all provide income to the group, for ongoing preservation, facility upgrades, and educational endeavors. The Point Arena Light is California Historical Landmark No. 1035.
Trivia
The final scenes of the movie Forever Young were filmed near the lighthouse. The lighthouse also appears in the 2014 movie Need for Speed, as the finishing point of the De Leon underground supercar race which forms the climax of the film.