Piano Concerto (Salonen)


The Piano Concerto is a concerto for solo piano and orchestra in three movements by the Finnish composer Esa-Pekka Salonen. The work was jointly commissioned by the New York Philharmonic, the BBC, the NDR Symphony Orchestra, and Radio France. It was premiered February 1, 2007 in Avery Fisher Hall, New York City, with Salonen conducting the pianist Yefim Bronfman and the New York Philharmonic. Salonen dedicated the piece to Yefim Bronfman.

Composition

The Piano Concerto has duration of roughly 33 minutes and is composed in three numbered movements. The second movement features a musical "sci-fi nightmare" titled "Synthetic Folk Music with Artificial Birds," about which Salonen wrote in the score program notes:

Instrumentation

The work is scored for solo piano and an orchestra comprising three flutes, three oboes, three clarinets, bass clarinet, contrabass clarinet, two bassoons, contrabassoon, three French horns, two trumpets, two trombones, timpani, four percussionists, harp, celesta, and strings.

Reception

Reviewing the world premiere, Anthony Tommasini of The New York Times highly praised the concerto, writing, "From its orchestral introduction to its incandescent conclusion, this 30-minute concerto in three movements pulls you along its inexorable path." Tommasini added, "I cannot remember the last time a premiere at the New York Philharmonic won such an enthusiastic ovation." Fiona Maddocks of the London Evening Standard similarly opined, "Gleefully motoric outer movements contrasted with a lyrical and nostalgic central section, which sang out in homage to Rachmaninov".
Conversely, Ivan Hewett of The Daily Telegraph criticized Salonen's use of "European modernism" and called the work a "sprawling, ill-focused, windily rhetorical piece." Hewett added, "The sense of vacillation was painful."
Mark Swed of the Los Angeles Times later admonished criticisms of the concerto, writing, "Open-minded Americans have enjoyed all that, finding not imitation but admirable absorption" and added, "Perhaps on encountering a new work, listeners latched on to what they already know."