Peter Gellhorn was a German conductor, composer, pianist and teacher who settled in London and made a career in Britain that lasted unbroken until his death.
Life
Gellhorn, the son of an architect, was born as Hans Fritz Gellhorn in Breslau, Germany. He came from a musical Jewish family and was educated at the Schiller Realgymnasium, at Berlin University and at the Berlin Music Academy. He was a pupil of the composer Franz Schreker. When the National Socialists came to power he was obliged to leave Germany and settled in England from 1935, although he was interned in Mooragh Camp on the Isle of Man as an enemy alien from 1939 to 1941. Ralph Vaughan Williams intervened to help get him released. He finally became a naturalized citizen in 1947 and changed his name to Peter. Working with the Vic-Wells Opera during and after the war led to an invitation from David Webster to join the staff of Covent Garden Opera when it re-opened after the war. He became assistant to music directorKarl Rankl and conducted there many times from June 1947 onward. During his later career he also conducted at Glyndebourne, and with the Carl Rosa Opera Company. From 1961 he became Director of the BBC Chorus, conducting them in works such as Holst's The Cloud Messenger and Rubbra's In Die et Nocte Canticum. In 1967 Gellhorn worked with Peter and Gillian Hunt to set up the annual educational music festivalOpera Barga in central Italy, acting as the musical director. Gellhorn married the actress Olive Layton in 1943; they had two sons and two daughters. After retiring from the BBC in 1972 he taught at the Guildhall School of Music and the Royal College of Music, coached singers and other musicians from his home in south-west London, and played as part of a piano duo and as an accompanist. The young George Benjamin studied both the piano and composition with Gellhorn until the age of 15. After three years, Gellhorn arranged for Benjamin to continue his lessons in Paris with Olivier Messiaen, whom he had known for many years.
Works
As a young man in Berlin, Gellhorn was already composing, examples being the four movement Kleine Suite for oboe and piano and the String QuartetNo 1, both in highly chromatic though still tonal style. A second string quartet, and Totentanz, a work for two pianos, continued in much the same vein. There was also a Bach-influenced neo-classical work, the Trio Suite for two violins and viola. But also in 1937 he composed the more introverted and melancholy Intermezzo for violin and piano, written for his friend Maria Lidka. This melancholy vein continued with his first setting of English words : Autumn. Then came his internment, during which The Cats and Mooragh were composed. There was a male choir in the Mooragh camp, and Bieber was a fellow internee. Following the war Gellhorn was much less prolific as a composer. His later works include Thoughts on a Chinese Tune for two clarinets and piano duet, the Dialogue for violin and viola with string orchestra, a second Trio Suite, for children, and a final song, Aedh wishes for the Cloths of Heaven. Performances