Peppermint (2018 film)


Peppermint is a 2018 vigilante action thriller film directed by Pierre Morel and starring Jennifer Garner. Also featuring John Ortiz, John Gallagher Jr., Juan Pablo Raba, and Tyson Ritter, the plot follows a mother who sets out for revenge against the cartel that killed her husband and daughter. The film was released in the United States on September 7, 2018. It grossed over $53 million worldwide and received generally negative reviews from critics, although Garner's performance was praised.

Plot

Riley North is a wife and mother working as a banker in Los Angeles, struggling to make ends meet. Her husband Chris owns a failing mechanic shop. They have a ten-year-old daughter, Carly. Chris' friend tries to talk him into robbing Diego Garcia, a powerful drug lord. Chris turns him down, but Garcia has already discovered his involvement and orders his men to make an example of him. Riley and Chris take Carly out to a carnival for her birthday, since no one showed up to her party. As the family walks to the car, Diego's men gun down Riley's husband and daughter in a drive-by shooting. She is wounded but survives.
Despite her injuries, Riley is able to positively identify the shooters. The detectives handling the case are hesitant to pursue charges against the three, as they are members of Garcia's drug cartel, which wields considerable influence.
Prior to the preliminary hearing, Riley is visited by the perpetrators' lawyer. The lawyer unsuccessfully tries to bribe her with money, but uses her anti-psychotic medication to paint her as an unreliable witness. Judge Stevens, secretly on the cartel's payroll, declares there is insufficient evidence to allow the perpetrators to stand trial and dismisses the case, while the prosecuting lawyers do nothing. Outraged, Riley tries to attack her family's killers, but is subdued and ordered to be held at a psychiatric ward. En route, she escapes and vanishes.
Five years later, Detectives Beltran and Carmichael arrive at the carnival and find three shooters hanging from a ferris wheel, having been killed by Riley. The killings attract the attention of FBI agent Lisa Inman. Inman explains to Beltran and Carmichael that before vanishing 5 years earlier, Riley robbed the bank where she used to work. She has recently returned, and robbed a gun store to obtain various assault rifles and ammunition.
Riley kills Judge Stevens by blowing up his house, having already killed the defense and prosecution lawyers involved. Inman, Carmichael, and Beltran decide to tell the media about Riley, causing a debate on social media between those who see her as a hero and those who see her as a criminal.
Riley heads to a business that is a front for Diego's money laundering, killing most of his men. Diego realizes that Riley is responsible for his recent shipments going missing, and resolves to kill her. Inman discovers that Riley has been living on Skid Row, owing to recent changes to crime patterns in the area. She finds Riley's van, which is filled with the stolen weapons, and learns that the people there see Riley as their guardian angel for keeping them safe.
Riley survives a trap set by Diego, follows his henchmen to Diego's home, and kills many of his men. When Diego's young daughter interrupts her as she confronts Diego, Riley hesitates, which allows Diego to wound her and escape. Inman calls Carmichael to Skid Row to wait for Riley. Carmichael, secretly on Diego's payroll, kills Inman and notifies Diego of Riley's likely destination.
Riley returns to Skid Row, which is swarming with Diego's men. She manages to kill several of them, and also finds Inman's body. Using Inman's phone, she contacts the media and reveals her location, inviting both the media and the LAPD. She confronts Diego, stalling him long enough for the police to arrive. Diego shoots Carmichael and runs, only to be beaten down by Riley. Beltran comes and asks Riley to stand down and assure her that Diego will surely be arrested and rot in prison with no hope of bribing his way out but Riley doesn't trust him. Surrounded by police with no hope of escape and underestimating Riley's resolve to end his life, Diego chastises her, telling her that she will spend more time in prison than him, only for Riley to reply that he is not going to prison and shoot Diego in the head, killing him. She is shot by the police, but Beltran orders them to hold their fire and Riley once again manages to escape.
Beltran finds Riley critically wounded at her family's gravestone. He brings her to the hospital, despite Riley's expressed desire to die at the family grave-site. Beltran later visits her, telling her that there are those who agree with what she did, and slips her the key to her handcuffs, allowing Riley to escape again.

Cast

Production

In May 2017 director Pierre Morel was attached to the project, he previously directed the first film in the Taken series starring Liam Neeson. The script came from writer Chad St. John, who previously co-wrote the script for London Has Fallen which starred Gerard Butler. In August 2017, Jennifer Garner was in talks to join the film. The title "Peppermint" refers to the flavor of ice-cream the daughter was eating when she was murdered.
Filming took place on location in California over fifty days.
Stunt coordinator Don Lee previously worked with Garner on Daredevil and Elektra.
Garner trained for three months to prepare. Training included dance, cardio and weight training, boxing workouts, artillery sessions, and stunt work with her longtime double, Shauna Duggins.

Release

The film premiered at the Regal Cinemas L.A. LIVE Stadium 14 in Los Angeles Ahead of the release of the film Garner received a star on the Hollywood Walk of Fame.
The film went on general release in the United States on September 7, 2018.

Box office

Peppermint has grossed $35.4 million in the United States and Canada, and $18.4 million in other territories, for a total worldwide gross of $53.8 million, against a production budget of $22.8 million, to $25 million.
In the United States and Canada, Peppermint was released alongside The Nun and God Bless the Broken Road, and was projected to gross $10–13million from 2,980 theaters in its opening weekend. The film made $4.7million on its first day, including $800,000 from Thursday night previews. It went on to debut to $13.4million, finishing second at the box office, behind The Nun.

Critical response

On Rotten Tomatoes, the film holds an approval rating of 12% based on 142 reviews, and an average rating of 3.49/10. The website's critical consensus reads, "Far from refreshing, Peppermint wastes strong work from Jennifer Garner on a dreary vigilante revenge story that lacks unique twists or visceral thrills." On Metacritic, the film has a weighted average score of 29 out of 100, based on 26 critics, indicating "generally unfavorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.
Frank Scheck of The Hollywood Reporter called the film "Death Wish on steroids", and said it "lacks subtlety and anything even remotely resembling credibility, but like its heroine, it certainly gets the job done". IndieWire's Jude Dry gave the film a "C+". He wrote that Garner deserves to be in better films, and said the film is "rare return to form for Garner, who doles out her vigilante justice with effortless charm. Unfortunately, that's about the only reason to see Peppermint".
Richard Roeper of the Chicago Sun-Times gave the film 2 out of 4 stars, writing "In the stylishly directed but gratuitously nasty and cliché-riddled Peppermint, Garner plays essentially two characters cut from the same person." Writing for TheWrap, Todd Gilchrist said that Peppermint "ultimately possesses the stale predictability of an unwrapped candy discovered at the bottom of a purse."
Andrew Barker of Variety wrote: "Garner gives everything that is asked of her, from brute physicality to dewy-eyed tenderness, but this half-witted calamity botches just about everything else. Drably by-the-numbers except for the moments where it goes gobsmackingly off-the-rails, Peppermint misfires from start to finish."
Emily Yoshida of New York Magazine wrote: "There was a time when a woman being the star of her own bad action franchise could have been considered the apex of progress, but that time is past." Yoshida criticizes the lack of originality in the film and says that casting Garner is not enough to change that.

Accolades