Simonon was born in Thornton Heath, Croydon, Surrey. His father, Gustave, was an amateur artist and his mother, Elaine, was a librarian. He grew up in both the South London area of Brixton and Ladbroke Grove in West London, spending around a year in Siena and Rome, Italy with his mother and stepfather. Before joining the Clash, he had planned to become an artist. He studied at Byam Shaw School of Art, which he attended on scholarship.
Career
He met Mick Jones in 1976, and six months later the Clash was formed when Joe Strummer joined, with Jones on lead guitar. Simonon learned his bass parts by rote from Jones in the early days of The Clash and still did not know how to play the bass when the group first recorded. He is credited with coming up with the name of the band and was mainly responsible for the visual aspects such as clothing and stage backdrops. Simonon was shown on the front cover of the band's double albumLondon Calling: Pennie Smith's image of him smashing his Fender Precision Bass guitar during a 1979 concert in New York City; the image has become one of the iconic pictures of the punk era. Simonon played bass on almost all of the Clash's songs. Recordings that he did not play on include: "The Magnificent Seven" and "Lightning Strikes " on Sandinista!, "Rock the Casbah" on Combat Rock, and 10 of the 12 tracks on Cut the Crap. Sandinista! featured bass played by Jones or Strummer, some but possibly not all of which Simonon later re-recorded once he rejoined the sessions after filming Ladies and Gentlemen, The Fabulous Stains. Also, when performing "The Guns of Brixton" live he switched instruments with Joe Strummer, because it was easier for him to sing while playing guitar, instead of bass as he sings lead vocals on this track. Simonon's contrapuntal reggae/ska-influenced lines set him apart from the bulk of other punk rock bassists of the era in their complexity and the role of the bass guitar within the band. in Tokyo, Japan After the Clash dissolved in 1986, Simonon started a band called Havana 3am. They recorded one album in Japan before breaking up. He also participated in a Bob Dylan session along with the Sex Pistols' Steve Jones that became part of the Dylan album Down in the Groove. Also, Simonon works as an artist – his first passion before joining the Clash. He has had several gallery shows, and designed the cover for Big Audio Dynamite's album, Tighten Up, Vol. 88, as well as the cover for "Herculean" from the album The Good, the Bad & the Queen, a project with Damon Albarn on which Simonon plays bass. Paul reunited with Damon Albarn and Mick Jones on the Gorillaz album Plastic Beach, and was also the bassist of the Gorillaz live band supporting Plastic Beach, along with Mick Jones on guitar. The band headlined the 2010 Coachella Festival, and took up residence at the Camden roundhouse for two nights in late April 2010. In 2011, Simonon spent time aboard the Greenpeace vessel Esperanza incognito under the guise of "Paul the assistant cook" in response to Arctic oil drilling in Greenland by Cairn Oil. He joined other Greenpeace activists in illegally boarding one of Cairn's oil rigs; an action which earned him two weeks in a Greenland jail. His identity was revealed to other crew members after the voyage, and he joined Damon Albarn and the other members of the Good, the Bad & the Queen for a performance in London celebrating Greenpeace's 40th anniversary. Actor Pete Morrow portrays Simonon in the 2016 filmLondon Town. The film was met with mixed reviews.
Simonon reunites with Clash guitarist Mick Jones on the album's title track.
Art
Selected solo exhibitions
From Hammersmith to Greenwich
Paul Simonon Recent Paintings
Wot no Bike, ICA Nash and Brandon Rooms. To accompany the exhibition, Simonon published a limited edition hardback publication also titled Wot no Bike. Featuring 24 of the paintings, it includes an introduction by David Lancaster, a writer on classic bikes and culture and an interview between Simonon and Tim Marlow, Director of Artistic Programmes at the Royal Academy of Arts, London.
