Patrick Hughes is a British artist working in London. He is the creator of "reverspective", an optical illusion on a three-dimensional surface where the parts of the picture which seem farthest away are actually physically the nearest.
Life
Patrick Hughes was born in Birmingham, attended school in Hull and went on at the James Graham Day College in Leeds in 1959. Later he taught at the Leeds College of Art before becoming an independent artist. He has three sons by his first wife, Rennie Paterson, and was later married to the author Molly Parkin. Hughes lives above his studio near Old Street, London, with his third wife, the historian and biographer Diane Atkinson.
Art
In July 2011, Hughes celebrated 'Fifty Years in Showbusiness' with two exhibitions, a retrospective at Flowers East, and current works in Flowers Cork Street. Hughes' early works were often playful, putting things back to front or squashing them flat, like Clown and Liquorice Allsorts, setting words against images, like One Two, or against themselves, like Tick Cross. He explored visual oxymorons and paradoxes. His fascination with the illusion of perspective began with works like Infinity, Three Doors and The Space Ruler. In the 1970s Hughes hung his investigations of perception and illusion on the motif of the rainbow in a series of prints and paintings, such as Pile of Rainbows, Prison Rainbow and Leaning on a Landscape. Later prints like Leaf Art and paintings like Realistic Paint expressed similar interests with colour. His first "reverse perspective" or "reverspective" was Sticking Out Room, which was a life-size room for the Institute of Contemporary Arts in 1970. He returned to explore the possibilities of reverspective in 1990 with Up the Line and Down the Road Since then, his reverspectives have been shown in London, New York, Santa Monica, Seoul, Chicago, Munich and Toronto. His work entitled Paradoxymoron is currently exhibited in the British Library, London. It shows a set of library book stacks, which appear to move in an extremely disconcerting way as the viewer's eyes move. He explains reverspective:
The picture surface of Vanishing Venice is three-dimensional, made of two pyramids with their tops cut off protruding towards the viewer: the bases of the pyramids are farthest away, while the flat tops are those parts which are physically nearest to the viewer but which appear, in the picture, to be in the distance at the end of the buildings. Hughes' reverspective is the subject of scientific papers on the psychology of perception, by Nicholas Wade and Thomas Papathomas of Rutgers University's Laboratory of Vision Research.
Writing
Hughes has written four books investigating themes that parallel his art. His latest is Paradoxymoron: Foolish Wisdom in Words and Pictures, published in 2011. His other books are Vicious Circles and Infinity: A Panoply of Paradoxes ; Upon the Pun: Dual Meaning in Words and Pictures, with Paul Hammond ; and More on Oxymoron which investigates both verbal and visual oxymoron. He has written for The Observer, The Guardian and ICA Magazine, among others, on art, artists and interesting lives. A collection of his writings, Left to Write, was published by Momentum in 2008. The third edition of John Slyce's Patrick Hughes: Perverspective was published in 2011, with a new afterword by Murray McDonald. Most recently, A New Perspective, a 240-page monograph with essays by Professor Dawn Adès, Professor Martin Kemp, Murray McDonald and Dr Thomas Papathomas, was published by Flowers Gallery in November 2014, followed by A Newer Perspective, in 2017.
