Pataria


The pataria was an eleventh-century movement focused on the city of Milan in northern Italy, which aimed to reform the clergy and ecclesiastic government within the city and its ecclesiastical province, in support of Papal sanctions against simony and clerical marriage. Those involved in the movement were called patarini , patarines or patarenes, a word chosen by their opponents, the etymology of which is unclear. The movement, associated with urban unrest in the city of Milan, is generally considered to have begun in 1057 and ended in 1075.

History

Early in the year 1057, a preacher named Ariald arrived in the city of Milan and began to preach against the Milanese clerics' custom of marrying. It is possible that he took advantage of the absence at this time of the Archbishop of Milan, Guido, who was in Germany in August at the Council of Tribur.
The Milanese clergy grew concerned by Ariald's attempt to whip up the city against them, and sent envoys to Pope Stephen IX in Rome. On hearing this, Ariald travelled to Rome himself. Pope Stephen IX was sympathetic to Ariald's position, and sent two envoys to Milan, Hildebrand and Anselm of Baggio. Ariald also returned to Milan, and now began to criticise the Milanese clerics' practice of simony, resulting in urban unrest. Ariald's close associate Landulf Cotta was attacked, and later died from his injuries.
In 1059 Ariald travelled to Rome again to seek advice; Pope Stephen IX again sent envoys to Milan, this time Peter Damian and again Anselm of Baggio, but this did nothing to quell the unrest in the city. In 1063, Landulf Cotta's brother Erlembald went to Rome where he obtained a papal banner from the newly elected Pope Alexander II in support of the Pataria movement. In 1066, Pope Alexander II finally excommunicated Archbishop Guido. Guido used this excommunication however to whip up the citizens' anger against the Paterenes at a public meeting, and Ariald was first chased out of the city of Milan, and then assassinated, in June 1066.
However, when Ariald's body was found in May 1067, it quickly became the object of a cult, and popular opinion in Milan swung back behind the Pataria. Archbishop Guido was forced out of the city, leaving it under the control of Erlembald, and Alexander II formally proclaimed Ariald to be a saint in 1068.
Archbishop Guido resigned in 1068, in favour of his associate Gotofredo da Castiglione, who was also supported by Emperor Henry IV. The papacy and the Pataria however supported a different candidate as archbishop, Attone, and Pope Gregory VII excommunicated Gotofredo in 1074.
Rioting in Milan led to the murder of Erlembald in 1075, and after this point the Pataria movement lost much of its energy. The controversy over the appointment of the archbishop of Milan continued, however, and contributed to the political tensions between Emperor Henry IV and Pope Gregory VII.

Medieval historiography

There are several contemporary and nearly-contemporary sources for the Pataria, each of which offers different and sometimes contradictory perspectives. These include:
As Paolo Golinelli has emphasised, modern debates about the Pataria have often centred on whether the Pataria was primarily a religious movement, or whether it was instead the religious expression of social tensions within the city and region of Milan. The Italian historian Gioacchino Volpe, for instance, argued in 1907 that the Pataria was a class conflict between the elites of Milan and the lower-status population. This interpretation was also supported by Ernst Werner in 1956. For Hagen Keller, the Pataria is best understood as part of the history of the emergence of the Italian commune.
More recently, historians such as Herbert Cowdrey have emphasised the movement's essentially religious nature. Many historians have associated the movement with wider reforming trends in the Church. For William North, the Pataria was 'the longest... and most violent of the popular responses to the call for ecclesiastical reform in the eleventh century'. In his article on religious change in the eleventh century, R.I. Moore discussed the Pataria extensively as a major part of the 'appearance of the crowd on the stage of public events', which he sees as being brought into being by religious reform.
In a recent article, Piroska Nagy has suggested a new path of interpretation by analysing the collective emotions of the movement.