Panashe Chigumadzi is a Zimbabwean journalist, essayist and novelist.
Career
Chigumadzi has published her writing in a variety of media. She is a columnist for The Guardian, Die Zeit, The Washington Post, New YorkReview of Books and Chimurenga. She was a founder of VANGUARD, a magazine designed to give space to young, black South African women interested in how queer identities, pan-Africanism and Black Consciousness intersect. At the start of her career, Chigumadzi worked as a reporter for CNBC Africa. Chigumadzi draws on the history of Zimbabwe in her work, by exploring national and personal histories and identities. Her 2017 narrative essayThese Bones Will Rise Again drew on Shona perspectives to explore the concept of the 'Mothers of the Nation' and interrogating perceptions of Nehanda Charwe Nyakasikana in Zimbabwe. While studying and writing the legacies of Zimbabwe's struggle for independence, Chigumadzi also writes about modern identities for southern Africans. She has written on the complexities of identity dismantling the notion of a colourblind, post-Apartheid South Africa, through a reclamation of the term "coconut". She is outspoken about the need for decolonisation at national and at personal levels. Her 2019 essay "Why I'm No Longer Talking to Nigerians About Race" discussed her experience at the Aké Arts and Book Festival on a panel discussing whether Black Lives Matter has relevance in Africa. Chigumadzi argued that, yes, in a continent with such different experiences of racialisation under colonialism, it did. In 2015, Chigumadzi was Programme Curator of the first Abantu Book Festival. In addition to her writing on literature and literary criticism, she regularly appears on BBC World Service. She is also a contributor to the 2019 anthology New Daughters of Africa, edited by Margaret Busby.
Books
These Bones Will Rise Again – a mixture of memoir and historical essay exploring nation-building in Zimbabwe.
Chigumadzi's work has been studied widely, particularly within post-colonial studies. Her writing on the use of charms in Sweet Medicine led to further studies on healthcare and traditional practices in Zimbabwe. Her focus on strong female characters living in economic precarity has been explored in terms of their religious beliefs and the reflection they may give to contemporary life.