The tour was announced on Wainwright's official website, coinciding with the singer's album release. Behind the scenes, Wainwright married his long-term partner Jörn Weisbrodt while the singer had a break in his tour schedule. Wainwright explained his personal life would not only reflect in the album but also the tour. The singer continued to say that he would be touring less in the forthcoming years, while concentrating on being a parent. The tour began with two rehearsal shows at Under the Bridge, a nightclub located within Stamford Bridge in London. The tour officially kicked off in Denmark. Some of the tour dates in Europe included festival appearances at the Montreux Jazz Festival, Melt! festival and the North Sea Jazz Festival.
Opening acts
Teddy Thompson
Krystle Warren
Adam Cohen
Megan Washington
Ingrid Michaelson
Lucy Wainwright Roche
Setlist
Tour dates
;Festivals and other miscellaneous performances ;Cancellations and rescheduled shows
Box office score data
Critical reception
The tour was met with mixed reviews from music critics. For the first North American concert in New York City, Jon Pareles, felt the concert was a nice blend of Wainwright current and past songs. He continues to say "At times there was friction between Mr. Wainwright's long melody lines and the shuffle and strut of their settings. But his supposed turn to pop isn’t a drastic change; older songs like 'April Fools' and 'Greek Song' showed he has been in that territory before". The show was also praised by Simon Vozick-Levinson. He says "But for the most part, this was a night of pure pop joy. Afterward, he took a deep bow, accepted a bouquet from someone in the front rows—his second of the night—and walked offstage with a delighted grin". For the concert at the Ronit Farm Amphitheater, Rachel Marder felt Wainwright channelled Elton John. She writes, "The show felt like a true ensemble performance, with the saxophone-player, clarinetist, drummer and backup singers all taking solos". In Louisville, Selna Frye thinks the singer gave a stellar night of song. She comments, "As entertaining and musically rich as this show was, one primary thing I came away with—and maybe others did too—was an appreciation of Wainwright's unselfishness in giving these other fine artists their moments in the spotlight". At the Chicago show, Megan Ritt, stated Wainwright was a "consummate performer". She goes on to say "The rarities he played certainly will stick with long-time fans, but the most impressive feature of the show was how the sometimes somber Wainwright appeared to enjoy the experience as much as the audience". At the Pabst Theatre in Milwaukee, Piet Levy stated, "His gorgeous operatic croon, heard alone, essentially served as the light". The concert at the famed Sydney Opera House received a less favorable review. Iain Shedden writes that following a magnificent show, Wainwright ended it like a "high school end-of-term pantomime". He further explains, "The 90 minutes was a near-perfect blend of pop smarts and raw emotion, of which the singer seems to have an unlimited supply. The encore, however, was a horror of such significance, it threatened to undo everything that came before". At the Vicar Street in Dubin, Lauren Murphy gave the show three out of five stars. She writes, "Roving the aisles singing 'Gay Messiah', his intention to entertain is acknowledged—but another two or three songs in place of the pantomime-style silliness would have been more heartily appreciated. It's an unfortunate end to an otherwise stirring show".
