At the end of a World War between humans and robots, a nuclear bomb was detonated and a Dark Age begun, without technology or electricity. On the last day of the war, as the nuclear bombs are detonating, one of the robots, Omega Doom, is shot in his head by a dying soldier. The shot causes Doom's programming for the destruction of mankind to be erased. After the world was cleared of humanity by the cyborgs, only the cyborgs and robots remain. Some time later, Omega Doom arrives at a destroyed city, where he encounters an unusual community of robots and roms, who are in conflict. At the city Omega Doom finds there are two remaining peaceful robots - a former nanny who now works as a bartender and the head of a former teacher, whom the other robots use as a ball. Omega Doom helps The Headfind a body and tells Doom about a rumored stock of hidden weapons. Both the robots and the roms want these weapons in order to continue the destruction of the remaining humans. Eventually, Omega Doom gets the robots to promise to destroy the roms in exchange for half of the weapons; but he also proposes the same deal to the roms. The robots and the roms end up fighting each other, ensuring their mutual destruction. Afterwards, Doom leaves the last two peaceful robots and the one remaining rom in charge of the city and Doom continues his wandering.
was considered for the lead role before Rutger Hauer was cast. The screenplay written by Albert Pyun and Ed Naha was originally set in Paris, at EuroDisney. The characters were supposed to be an animatronic theme park's figures who continue to operate after a global catastrophe. Each "Zone" was the domain of the animatronic characters who were part of that same zone's theme. Omega Doom was originally built to be part of a new exhibit at EuroDisney established around the Terminator franchise, and the entire setting was within the theme park.
Reception
TV Guide rated it 1/4stars and wrote, "Omega Doom is merely an exercise in reviving moldy sci-fi cliches from their familiar genre graves." Keith Bailey of the Radio Times rated it 1/5 stars and called the film's action sequences "so poorly directed as to be incomprehensible". Nathan Rabin of The A.V. Club wrote, "In addition to being incompetently written and directed, Omega Doom is also laughably pretentious".