Ola Rotimi


Olawale Gladstone Emmanuel Rotimi, best known as Ola Rotimi, was one of Nigeria's leading playwrights and theatre directors. He has been called "a complete man of the theatre – an actor, director, choreographer and designer – who created performance spaces, influenced by traditional architectural forms."

Biography

Early life

Rotimi was the son of Samuel Gladstone Enitan Rotimi a Yoruba steam-launch engineer and Dorcas Adolae Oruene Addo an Ijaw drama enthusiast. He was born in Sapele, Nigeria; cultural diversity was a recurring theme in his work. He attended St. Cyprian's School in Port Harcourt from 1945 to 1949, St Jude's School, Lagos, from 1951 to 1952 and the Methodist Boys High School in Lagos, before travelling to the United States in 1959 to study at Boston University, where he obtained a BA in fine arts. In 1965, , originally from Gloucester; Hazel also studied at Boston University, where she majored in opera, voice and music education. In 1966 he obtained an MA from Yale School of Drama, where he earned the distinction of being a Rockefeller Foundation scholar in playwriting and dramatic literature.

Theatrical career

Rotimi often examined Nigeria's history and local traditions in his works. His first plays, ' and ', were staged at the drama schools of Boston University and Yale, respectively.

Later years

Upon returning to Nigeria in the 1960s, Rotimi taught at the University of Ife, where he founded the , and Port Harcourt. Owing, in part, to political conditions in Nigeria, Rotimi spent much of the 1990s living in the Caribbean and the United States, where he taught at Macalester College in St. Paul, Minnesota. In 2000 he returned to Ile-Ife where he lectured in Obafemi Awolowo University till his demise. Hazel died in May 2000, only a couple of months before Rotimi's death.
His later dramas include The Gods Are Not to Blame, a retelling of Sophocles' Oedipus Rex in imaginative verse; Kurunmi and the Prodigal, written for the second Ife Festival of Arts; , about the last ruler of the Benin empire; and Holding Talks.
Later plays, such as If: A Tragedy of the Ruled and Hopes of the Living Dead, premiered at the University of Port Harcourt and was a common play in Obafemi Awolowo Universiy Drama Department. The radio play Everyone His/Her Own Problem, was broadcast in 1987. His book African Dramatic Literature: To Be or to Become? was published in 1991.
Rotimi, a patriot who shunned the attraction of the West and Europe and returned home to contribute his own quota to nation building, was a rare breed. Diminutive in size but a giant in drama in Africa, he was one of the best things that could have happened to the literary community.
His dream of directing a play of 5000 cast members materialised at the Amphi Africa Theater when he was being put to rest as the crowd was drawn to a manuscript of the day's program outline. People made dramatic entry and exit to the stage around his casket with the man turning his casket.
Rotimi spent the second half of his last creative decade reworking two of his plays – Man Talk, Woman Talk and also Tororo, Tororo, Roro – and the result, unpublished at the time of his death in 2002, have now been published under the title The Epilogue. were probably meant as an epilogue to both Rotimi's theatrical and comic careers, which span the entire spectrum of his career.
It is comical and the language used is a version of "Nigerian English".
The works are also a social satire and this publication will spur renewed interest in his satires. Rotimi is sure to be remembered as a model in the literary genre whose views have shaped the conduct of the theatre and whose plays have demonstrated the power of drama to shape the thinking of the society and attempted to solve some of the problems encountered in everyday living.

Plays

The Epilogue: Two unpublished plays of Ola Rotimi
Man Talk, Woman Talk is humorous, as quintessential comedies from the author can be. He makes use of wry humour to seek a level playing ground for resolution of the biases men and women nurse about one another and which affect mutual co-existence of the two. The scene is a court though devoid of the usual technicalities of court rooms. Instead of legal jargon, there is humour, arguments and counter arguments. What the author arrives at is not to prove which gender is superior but to show the complementary roles of men and women. There is a great deal of wit in the work and the setting here is the university environment where the youthful contenders are idealistic.
Tororo, Tororo, Roro is a coincidental meeting of two fellows from Man Talk, Woman Talk, Tunji Oginni and Philomena James. Both run Hotel Kilimanjaro with different motives and a chance meeting between them elicits lessons as both share each other's problems.

Performances

First performed in Nigeria in 1968, The Gods Are Not To Blame was produced at the Arcola Theatre in Hackney, London, in 2005. Femi Elufowoju Jr had his first theatre experience in 1975, at the age of 11, when he saw a revival of this very play, performed in a reconstructed Greek amphitheatre at a university campus in Ife; and brought it to the UK shores as a British leading theatre director under the company name Tiata Fahodzi
His last production was a staging of Man Talk, Woman Talk at the French Institute in Lagos, Nigeria. He also produced Tororo Tororo roro, a play of the Absurd, as a convocation play.

Textual sources

Style

For Man Talk, Woman Talk, directorial approach must have fluidity which will allow for creativity of the actors. The technicalities of the stage should be carefully applied in such a way that they will kill expected boredom associated with court scenes for if not done, the whole dramatic in the act will be flattened out. It might do the play a favour if it is given the kind of approach Ola Rotimi himself used in the directing of the premiere of the play. It is the technique that allows a kind of participatory interaction; the one that accommodates the audience contribution.

Awards

Rotimi was awarded two Fulbright Scholarships

List of works

Books that contain his significant contributions are marked with a percentage; Conference publications are marked with an asterisk ; thesis or dissertations are marked with a dagger below.
; Plays and literature
; Books, essays and political commentary
Books
Articles
; Archival material and ebooks
Archival material
ebooks
In 2015 Society of Young Nigerian Writers under the leadership of Wole Adedoyin founded Ola Rotimi Literary Society aim at promoting and reading the works of Ola Rotimi.

Relevant literature