Nusach
Nusach, plural nuschaot or nusachim, is a concept in Judaism that has two distinct meanings. One is the exact text of a prayer service ; texts used by different communities include Nosach Teiman, Nusach Ashkenaz, Nusach Sefard, Nusach Edot Hamizrach, and Nusach Ari. Another meaning is the musical style or tradition of a community, particularly the chant used for recitative prayers such as the Amidah.
Meanings
Nusach primarily means "text" or "version", the correct wording of a religious text or liturgy. Thus, the nusach tefillah is the text of the prayers, either generally or in a particular community.In common use, nusach has come to signify the entire liturgical tradition of the community, including the musical rendition. It is one example of minhag, which includes traditions on Jewish customs of all types.
Textual nusach
Nusach Ashkenaz
is the style of service conducted by Ashkenazi Jews, originating from central and eastern Europe. It is the shortest lengthwise.It may be subdivided into the German, or western, branch, used in western and central Europe, and the Polish/Lithuanian branch, used in eastern Europe, the United States and among Ashkenazim, particularly those who identify as "Lithuanian", in Israel.
The form used in the United Kingdom and the Commonwealth, known as "Minhag Anglia", is technically a subform of "Minhag Polin" but has many similarities to the German rite. See Singer's Siddur.
Nusach Sefard
Nusach Sefard is the style of service used by some Jews of central and eastern European origins, especially Hasidim, who adopted some Sephardic customs emulating the practice of the Ari's circle of kabbalists, most of whom lived in the Land of Israel. Textually speaking it is based on the Sephardic rite, but in melody and feel it is overwhelmingly Ashkenazi.Nusach Ari
Nusach Ari is a variant of Nusach Sefard, used by Chabad Hasidim.Sephardi and Mizrachi nuschaot
There is not one generally recognized uniform nusach for Sephardi and Mizrahi Jews. Instead, Sephardim and Mizrahim follow several slightly different but closely related nuschaot.The nearest approach to a standard text is found in the siddurim printed in Livorno from the 1840s until the early 20th century. These were widely used throughout the Sephardic and Mizrahi world. Another popular variant was the text known as Nusach ha-Hida, named after Chaim Yosef David Azulai. Both these versions were particularly influential in Greece, Iran, Turkey and North Africa. However, most communities also had unwritten customs which they would observe, rather than following the printed siddurim exactly: it is easy, from the printed materials, to get the impression that usage in the Ottoman Empire around 1900 was more uniform than it really was.
Other variants include:
- the customs of the Spanish and Portuguese Jews, based on an older form of the Castilian rite, with some influence from the customs both of Italian Jews and of Northern Morocco. This version is distinguished by the near-absence of Kabbalistic elements.
- Nusah Adot Hamizrah, originating among Iraqi Jews but now popular in many other communities. These are based on the opinions of Yosef Hayyim and have a strong Kabbalistic flavour.
- Minhag Aram Soba, as used by Syrian Musta'arabi Jews in earlier centuries.
- the Moroccan rite, also related to the text of the Livorno prints but with a strong local flavour. This subdivides into the customs of the Spanish-speaking northern strip and the Arabic-speaking interior of the country.
- formerly, there were variants from different parts of Spain and Portugal, perpetuated in particular synagogues in Thessaloniki and elsewhere, e.g. the and rites, and some North African rites appear to reflect Catalan as well as Castilian influence.
Nosach Teman
A "Temani" nosach was the standard among the Jews of Yemen. This is divided into the Baladi and Shami versions. Both rites are recited using the unique Yemenite pronunciation of Hebrew, which Yemenite Jews, and some scholars, regard as the most authentic, and most closely related to the Hebrew of Ancient Israel.The Baladi rite is very close to that codified by Maimonides in his Mishneh Torah. One form of it is used by the Dor Daim, who attempt to safeguard the older Baladi tradition of Yemenite Jewish observance. This version used by dardaim was originally used by all Yemenite Jews near the time of Maimonides.
Nussach Eretz Yisrael
In the period of the Geonim, Jewry in Israel followed the custom of Nussach Eretz Yisrael which is based upon the Talmud Yerushalmi while the Jewish diaspora followed the customs of the Geonim of Persia.The modern Nusach Eretz Yisrael, is a recent attempt at reconstructing the nusach of Eretz Yisrael in the Talmudic/Geonic period by Machon Shilo's Rabbi David Bar-Hayim. This reconstruction is based on the Jerusalem Talmud and documents discovered in the Cairo Genizah and other sources, and is published in the form of a siddur by Yair Shaki. Rabbi Bar-Hayim's Jerusalem followers use this nusach in a public prayer service held in Machon Shilo's synagogue. Nusach Eretz Yisrael, "Halakhic Judaism", and the piskei halakha of beth din ''Machon Shilo Jerusalem, Israel, are also based on Minhagei Eretz Yisrael and Torat Eretz Yisrael.
Other nuschaot
In addition, there are other nuschaot.- Nussach HaGR"A was a very brief version of Nussach Ashkenaz written by the Vilna Gaon he believed that many things in prayer were added later and took them out in addition to editing some grammatical errors and small changes in other parts as well.
- There are the Minhag Italiani and Minhag Benè Romì used by some Italian Jews.
- Closely related to these was the "Romaniote" rite from Greece where have lived an ancient, pre-Diaspora Jewish community. The surviving Romaniote synagogues are in Ioannina, Chalkis, Athens, Tel Aviv and New York, these now use a Sephardic rite but with romaniote variations, romaniote piyyutim, combined with own melodies and customs and their special form of Byzantine-Jewish Cantillation. There were formerly Romaniote synagogues in Istanbul and Jerusalem.
- There was once a French nusach, closely related to the Ashkenazi, which is now used only in certain towns in Northern Italy.
- Distinct Persian and Provençal nuschaot also existed before being gradually replaced by the Edot Hamizrach and Spanish and Portuguese nuschaot respectively.
- The Urfalim Jews of south eastern Anatolia follow their own prayer rite, which differs from the Syrian, Kurdish and Iraqi Jewish rites.
Musical nusach
The whole musical style or tradition of a community is sometimes referred to as its nusach, but this term is most often used in connection with the chants used for recitative passages, in particular the Amidah.Many of the passages in the prayer book, such as the Amidah and the Psalms, are chanted in a recitative rather than either read in normal speech or sung to a rhythmical tune. The recitatives follow a system of musical modes, somewhat like the maqamat of Arabic music. For example, Ashkenazi cantorial practice distinguishes a number of steiger named after the prayers in which they are most frequently used, such as the Adonoi moloch steiger and the Ahavoh rabboh steiger. Mizrahi communities such as the Syrian Jews use the full maqam system.
The scales used may vary both with the particular prayer and with the season. For examples, there are often special modes for the High Holy Days, and in Syrian practice the scale used depends on the Torah reading for the week. In some cases the actual melodies are fixed, while in others the reader has freedom of improvisation.