Nikolai Korndorf Nikolai Sergeevich Korndorf was a Russian and Canadian composer and conductor. He was prolific both in Moscow , Russia , and in Vancouver, British Columbia, Canada .Biography Born in Moscow, Russia, Korndorf studied composition with Sergei Balasanyan at the Moscow Conservatory from 1965 to 1970. During these years, he wrote a one-act opera A tale on... based on the work of Semyon Kirsanov . In 1973, Korndorf completed post-graduate studies with his opera Feast in the Time of Plague based on the play of the same name by Alexander Pushkin . He studied conducting with Leo Ginsburg from 1967 to 1979 and taught composition and orchestration at the Conservatory from 1972 to 1991. In 1973, he became a member of the Union of Composers and the Moscow Presidium of the Soviet Composers' Union. He was a co-founder and deputy president of the New Association for Contemporary Music . His early works were written in a traditional and academic manner until he adopted an atonal post-expressionist style. Later, he turned to a kind of minimalist repetitive aesthetic, notable in his Confessiones for double bass and twelve wind instruments, and in Jarilo an extensive piece for piano and tape. Korndorf developed this aesthetic further in his large-scale works such as the three Hymns , his 3rd and 4th Symphonies, and the opera MR based on correspondence between Marina Tsvetaeva and Rainer Maria Rilke . In 1991, Korndorf left Russia for Vancouver, British Columbia , Canada , where he began experimenting with electro-acoustic media. In Canada, he became an associate composer of the Canadian Music Centre and an associate of the Canadian League of Composers . He taught composition at the University of British Columbia towards the end of his life. A champion of Korndorf's music, Russian conductor Alexander Lazarev has performed and recorded most of his work. Korndorf died suddenly while playing soccer with friends in 2001 . He was 54.Selected works Concertino for viola and string orchestra Sonata for viola solo Feast in the Time of Plague – one-act opera after Alexander Pushkin Symphony 1 – for full symphony orchestra Confessiones – for 14 players and tape Symphony No. 2 – for full symphony orchestra Movements – for percussion ensemble Primitive music – for twelve saxophones Yarilo – for piano and tape Yes!! – ritual for three singers, chamber ensemble and tape Singing – for mezzo-soprano and tape Tristful Songs – for chamber choir and percussion Con Sordino – for 16 string instruments and harpsichord Lullaby – for two pianos Brass-quintet for two trumpets, horn, trombone and tuba Concerto capriccioso – for violoncello solo, string orchestra and percussion Amoroso – for 11 players The Dance in Metal in Honour of John Cage – for one percussion player In Honour of Alfred Schnittke – string trio for violin, viola and violoncello Hymn I Sempre Tutti – for full symphony orchestra Hymn II – for full symphony orchestra MR – chamber opera in one act after J. Lourié Symphony No. 3 – for full symphony orchestra, boys' choir , men's choir , piano solo and narrator Hymn III In Honour of Gustav Mahler – for full symphony orchestra and soprano Mozart-Variations – for string sextet Continuum – for organ and tape The Magic Gift of Segnoro Luigi – for percussion ensemble Prologue – for full symphony orchestra Let the Earth Bring Forth – for chamber ensemble String Quartet for two violins, viola and violoncello ...Si Muove! – play for instrumental ensemble, actors and dancers Epilogue – for full symphony orchestra Victor – for full symphony orchestra Welcome! – for female choir and instruments played by singers themselves Get out!!! – for any four or more instruments Welcome! – version for six female voices and instruments played by singers themselves Are You Ready , Brother? – trio for piano, violin, and violoncello Symphony No. 4 Underground music – for full symphony orchestra Music for Owen Underhill and His Magnificent Eight – for chamber ensemble Passacaglia – for solo cello The smile of Maud Lewis – for small symphony orchestra Canzone triste – for harp Musica Nominis Expers – for full symphony orchestra In D – for full symphony orchestra Lament, Response and Glorification – for cello and piano A Letter to V. Martynov and G. Pelecis – for piano Echo – for mixed choir and ensemble Merry Music for Very Nice People – for violin, cello, clarinet, piano and percussionRecordings CD Art and Electronics CD AED 68017 CD Megadisc MDC 7817: Patricia Kopatchinskaya, Daniel Raskin, Alexander Ivashkin , Ivan Sokolov CD Sony SK 66824: BBC SO, Alexander Lazarev, Catherine Bott
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