Ancient America: Contributions to New World Archaeology, 1992. Oxford: Oxbow.
People of the Jaguar, 1989. London: Souvenir.
Major article publications
Pearl's Treasure:The Trench Art Collection of an Australian Sapper. In, L. Slade, Sappers and Shrapnel:Contemporary Art and the Art of the Trenches,pp 13-27. Adelaide:Art Gallery of South Australia.
Trench Art: Objects and people in conflict. In, J. Bourke, War and Art: A Visual History of Modern Conflict, 2017, pp 209-215. London: Reaktion.
Materiality, space and distance in the First World War. In, N.J.Saunders and P. Cornish, Modern Conflict and the Senses, 2017, pp 29-42. London: Routledge.
Bodies in trees: a matter of being in Great War landscapes. In, P. Cornish and N.J. Saunders, Bodies in Conflict: Corporeality, Materiality and Transformation, 2014, 22–38. London: Routledge.
Travail et nostalgie sur le front de l’Ouest : l’Art des tranchées chinois et la Première guerre mondiale. In, Li Ma, Les travailleurs chinois en France dans la Première Guerre mondiale, 2012, pp 435–451. Paris: CNRS.
Desert Labyrinth: Lines, Landscape and Meaning at Nazca, Peru.. Antiquity 2012, Vol 86, pp 1126–1140
Fire on the Desert: Conflict Archaeology and the Great Arab Revolt in Southern Jordan 1916–1918.. Antiquity 2010, Vol 84, pp 514–527.
People in objects: Individuality and the quotidian in the material culture of war. In, C. White, The Materiality of Individuality 2009, pp 37–55. New York: Springer.
The Cosmic Earth: Materiality and Mineralogy in the Americas. In N. Boivin and M.A. Owoc, Soil, Stones and Symbols: Cultural Perceptions of the Mineral World 2004, pp 123–141. London: UCL Press.
'Catching the light': Technologies of power and enchantment in Pre-Columbian goldworking. In, J. Quilter and J.W. Hoopes, Gold and Power in Ancient Costa Rica, Panama, and Colombia 2003, pp 15–47. Washington D.C.: Dumbarton Oaks.
Crucifix, Calvary, and Cross: materiality and spirituality in Great War Landscapes. World Archaeology 2003, Vol 35, pp 7–21.
Excavating memories: archaeology and the Great War, 1914–2001. Antiquity 2002, Vol 76, pp 101–8.
A Dark Light: Reflections on Obsidian in Mesoamerica. World Archaeology 2001, Vol 33, pp 220–236.
Matter and memory in the landscapes of conflict: The Western Front 1914–1999. In, B. Bender and M. Winer, Contested Landscapes: Movement, Exile and Place 2001, pp 37–53. Oxford: Berg.
Bodies of metal, shells of memory: 'Trench Art' and the Great War Re-cycled. Journal of Material Culture 2000, Vol 5, pp 43–67.
Biographies of brilliance: Pearls, transformations of matter and being, c. AD 1492. World Archaeology 1999, Vol 31 pp 243–57.
Stealers of light, traders in brilliance: Amerindian metaphysics in the mirror of conquest. RES: Anthropology and Aesthetics 1998, Vol 33 : 225–52.
Zemís, trees and symbolic landscapes: three Taíno carvings from Jamaica.. Antiquity 1996, Vol 70, No.270, pp 801–812.
Predators of culture: Jaguar symbolism and Mesoamerican Elites. World Archaeology 1994, Vol. 26:1, pp 104–117.