According to Lisa Vihos in Verse Wisconsin, "Balbo...gives shape and heft to the formless, fleeting past both historical and personal through his rich language." In reviewing The Trials of Edgar Poe and Other Poems for JMWW, Patricia Valdata observes that Balbo's work "raises difficult questions about home, about the relationship of parent to child, about a society's responsibility to its poor." Writing in Studio, Lucas Jacob notes that in The Trials of Edgar Poe and Other Poems, "Balbo...reminds us of the grace we find in our time with each other on this 'island' of life on Earth." Lesley Wheeler, writing on-line in Kenyon Review, asserts that "Balbo’s complicated sense of place and his poetic resourcefulness make worth your time, but what impresses me most are the extended narrative lyrics, the first of which appears several pages in. Balbo’s deftness at balancing story and music is often breathtaking." Balbo has written in a variety of forms, including blank verse, sonnets, villanelles, sestinas, and nonce forms, as well as free verse. His poetic influences include Ai, Elizabeth Bishop, Louise Bogan, Robert Frost, Randall Jarrell, Denis Johnson, Weldon Kees, and others.
Awards
In addition to book awards, Balbo received a 2017 National Endowment for the Arts Literature in Translation Fellowship. He is the recipient of three Maryland Arts Council Individual Artist Awards in poetry and the Robert Frost Foundation Poetry Award. He received the John Guyon Literary Nonfiction Prize for the essay "Walt Whitman's Finches: on discretion and disclosure in autobiography and adoption," published in the literary journalCrab Orchard Review in 2002. "My Father's Music," an essay on adoption, ethnicity, and popular culture, and a finalist for the Pirate's Alley William Faulkner Society's Gold Medal in the Essay, appears in Our Roots Are Deep with Passion: Creative Nonfiction Collects New Essays by Italian American Writers. An Italian version of this essay appeared as “La Musica di mio padre” in Padri: Tre memoir italo americani, edited by Anna Maria Crispino. Balbo has also been a Walter E. Dakin fellow at the Sewanee Writers' Conference and several times a fellow in poetry at the Virginia Center for the Creative Arts.
Books
2019 — The Cylburn Touch-Me-Nots
2019 — 3 Nights of the Perseids
2016 — Upcycling Paumanok
2010 — The Trials of Edgar Poe and Other Poems
2005 — Lives of the Sleepers
1998 — Galileo’s Banquet
Chapbook
2009 — Something Must Happen
Essays
2006 — “My Father’s Music.” Our Roots Are Deep with Passion: Creative Nonfiction collects new essays by Italian-American writers. Eds. Lee Gutkind and Joanna Clapps Herman. New York: Other Press, 2006: 87-103.
2003 — “Paul Is Dead, and We’re All Listening: Rumor and Revelation, 1969.” Spec. nonfiction issue of JMWW.
2002 — “Walt Whitman’s Finches: of discretion and disclosure in autobiography and adoption.” Crab Orchard Review 8.1 : 180-95.