NAMES Project AIDS Memorial Quilt


The NAMES Project AIDS Memorial Quilt, often abbreviated to AIDS Memorial Quilt or AIDS Quilt, is an enormous memorial to celebrate the lives of people who have died of AIDS-related causes. Weighing an estimated 54 tons, it is the largest piece of community folk art in the world as of 2020.

History and structure

The idea for the NAMES Project Memorial Quilt was conceived on November 27, 1985, by AIDS activist Cleve Jones during the annual candlelight march, in remembrance of the 1978 assassinations of San Francisco Supervisor Harvey Milk and Mayor George Moscone. For the march, Jones had people write the names of loved ones that were lost to AIDS-related causes on signs, and then they taped the signs to the old San Francisco Federal Building. All the signs taped to the building looked like an enormous patchwork quilt to Jones, and he was inspired. The NAMES Project officially started in 1987 in San Francisco by Jones, Mike Smith, and volunteers Joseph Durant, Jack Caster, Gert McMullin, Ron Cordova, Larkin Mayo, Steve Kirchner, and Gary Yuschalk. At that time many people who died of AIDS-related causes did not receive funerals, due to both the social stigma of AIDS felt by surviving family members and the outright refusal by many funeral homes and cemeteries to handle the deceased's remains. Lacking a memorial service or grave site, The Quilt was often the only opportunity survivors had to remember and celebrate their loved ones' lives. The first showing of The Quilt was 1987 on the National Mall in Washington, DC. The Quilt was last displayed in full on the Mall in Washington, D.C., in 1996, a display that included a visit by President Bill Clinton and first lady Hillary Rodham Clinton, but it returned in July 2012 to coincide with the start of the XIX International AIDS Conference.
The Quilt is a memorial to and celebration of the lives of people lost to the AIDS pandemic which marks it as a prominent forerunner of the twentieth century shift in memorial design that moved towards celebrating victims or survivors. Each panel is by, approximately the size of the average grave; this connects the ideas of AIDS and death more closely. The Quilt is still maintained and displayed by The NAMES Project Foundation.
In observance of National HIV-Testing Day in June 2004 the 1,000 newest blocks were displayed by the Foundation on The Ellipse in Washington, D.C. The largest display of The Quilt since it was last displayed in its entirety in October 1996, the 1,000 blocks displayed consisted of every panel submitted at or after the 1996 display.
In 1997, the NAMES Project headquarters moved from San Francisco to Washington, D.C., and in 2001 the quilt panels were moved from San Francisco to Atlanta, Georgia. The NAMES Project Foundation is now headquartered in Atlanta, and has 21 chapters in the United States and more than 40 affiliate organizations worldwide. The AIDS Memorial Quilt itself is also warehoused in Atlanta when not being displayed, and continues to grow, currently consisting of more than 48,000 individual memorial panels and weighing an estimated 54 tons.

Goal and achievement

The goal of the Quilt is to bring awareness to how massive the AIDS pandemic really is, and to bring support and healing to those affected by it. Another goal is to raise funds for community-based AIDS service organizations, to increase their funding for AIDS prevention and education. As of 1996, more than $1.7 million had already been raised, and the effort continues to this day.

Quilt construction and care

3' x 6' panels made typically of fabric are created in recognition of a person who died from AIDS-related complications. The panels are made by individuals alone or in a workshop, such as Call My Name or in quilting bees, such as the one held during the 2012 Smithsonian Folklife Festival on the National Mall. Construction choices are left to the quilter and techniques such as traditional fabric quilting, embroidery, applique, paint and stencil, beading, and iron-ons are common.
Items and materials included in the panels:
Panels are submitted to the NAMES Project, along with a panel-maker identification form and a documentation letter. Occasionally, other supplemental material is donated along with the panel such as photographs of the subject. The information about the panel is recorded in a database.
Panels are backed in canvas and sewn together in blocks of eight. Grommets for hanging are attached and the blocks are numbered and photographed. The numbers help with identification and location in storage, on the , and when the quilt is displayed.

Quilt maintenance and Gert McMullin

The quilt is maintained, repaired, and managed by Hand Maidens of the Quilt. The most dedicated Hand Maiden is Gert McMullin. McMullin, chief quilt production coordinator for the NAMES Project Foundation, volunteered her anger-driven energy and sewing skills to Cleve Jones in the early days of the quilt in San Francisco. After witnessing and experiencing the deaths of so many friends from HIV, McMullin dedicated herself, working nights after her job at a Macy's cosmetic counter, to combat the invisibility her community felt. Materials and sewing machines were donated and McMullin and a group of volunteers worked in a storefront on Market Street. They created hundreds and later thousands of panels.
McMullin's first two panels were for her friends, Roger Lyon and David Calgaro. Her panel for Lyon was eventually accessioned into the collection of the Smithsonian Institution National Museum of American History and was featured in the book The Smithsonian's History of America in 101 Objects.
When San Francisco became prohibitively expensive, the project, and McMullin, moved to Atlanta, Georgia.

Examples of panels

Those who submit panels do not have to know the person, but they do have to feel some sort of connection with the individual that they want people to recognize. For example, to memorialize Queen lead-singer Freddie Mercury, there were many panels made, two of which were a solid white background with a blue and black guitar, and "Freddy Mercury" written down the sides in black, with the AIDS ribbon above his name, and a purple silk with "Freddie Mercury," "Queen," and "1946–1991" in silver applique, along with two pictures of Mercury with Queen.
Many panels were also made for the actor Rock Hudson, one of which consisted of a navy blue background with silver "Rock Hudson" and stars, above a rainbow with the word "Hollywood".
Other panels are made by loved ones and then attached to make one large block. Some are flamboyant and loud, whereas some are more muted and simple; either way they all carry their own set of emotions.

Recognition and influence

The AIDS Memorial Quilt was the first of its kind as a continually growing monument created piecemeal by thousands of individuals, and today it constitutes the largest piece of community folk art in the world. It was seemingly inevitable that The Quilt be followed by a variety of memorials and awareness projects, both AIDS-related and otherwise, that have been inspired by and modeled after The AIDS Memorial Quilt and its caretaker The NAMES Project Foundation. Examples of these include:
In November of 2019 the NAMES Project Foundation and House Speaker Nancy Pelosi announced that the quilt will be on permanent display at the National AIDS Memorial Grove starting in 2020. The Project's archives were gifted to the joint care with the American Folklife Center at the U.S. Library of Congress, allowing for greater public access. This action returns the quilt to San Francisco, where the project began.