In Yorkshire, Tamsin rides her horse and chances upon Mona. Tamsin is from an upper-middle-class family and says she has been suspended from boarding school. Mona comes from a family of criminals with only her brother Phil alive. Both of the girls seem to regard their lives as mundane. Mona finds Phil destroying all the booze in their late mother's former pub. He has undergone a religious transformation in prison, and now plans a Christian rally. Mona meets her lover, Ricky, for sex in his car, but he breaks up with her. The next day, the girls begin to bond as they spend the day drinking, smoking and talking about their problems. The next day, Tamsin takes Mona to the house where Tamsin claims that her father is cheating on her mother. Mona smashes a window of Tamsin's father's car. Tamsin purchases an engine for Mona's scooter, and they drive to a small river to swim. Under a waterfall, the girls share a kiss. At Tamsin's house Mona tries on her dresses. Tamsin tearfully recounts the death from anorexia of her sister Sadie. In the garden, Tamsin plays the cello while Mona dances. Tamsin kisses Mona passionately. Later they have sex. Phil invites the girls to his rally. They join the born-again Christians to erect a cross on a hill. Tamsin acts attracted to Phil. Later, Mona and Tamsin find a bag of magic mushrooms in Sadie's room. They eat the mushrooms and go to a dancehall where they disturb the patrons. They return to the river and declare their eternal love to each other, swearing a death oath. Tamsin pretends to seduce Phil, but he reacts angrily. He locks Mona in her room. Mona fakes suicide and then mocks Phil's religious beliefs. Phil kicks out the born-again Christians, while Mona packs a suitcase and leaves for Tamsin. Mona discovers that Tamsin is returning to boarding school. Mona also finds out that Tamsin lied about her parents and sister. Dejected, Mona goes to the river. Tamsin tells Mona she should have known Tamsin was lying. Seemingly forgiving her, Mona slips into the water, enticing Tamsin to join her, and the two girls kiss again. Mona grabs Tamsin by the throat and pushes her under the water, as if to kill her. Instead, Mona releases Tamsin and walks away.
Casting the two lead actresses for the film proved difficult for Pawlikowski, and the overall casting procedure took about eight months. Pawlikowski searched in schools, universities, theatre groups and public castings. He discovered Natalie Press first, and sought her counterpart by holding workshops together with Press and Considine. During this process, he finally found Emily Blunt, and felt her to be the ideal Tamsin. The chemistry between Press and Blunt was perfect, and they first did a tryout with the "Pavlova-dancing scene", which worked out perfectly. Emily Blunt is a competent cellist, and is listed in the credits as the performer of "The Swan" by Camille Saint-Saëns. Pawlikowski already knew Paddy Considine from their earlier collaboration Last Resort and cast him as Phil. The film was shot during the span of five weeks after intensive location-scouting by Pawlikowski. The script only contained 35 pages and was incomplete. Many scenes were improvised while shooting. The scene in which Mona draws a portrait of Tamsin on the wall of her room was entirely improvised—during Pawlikowski's travelling together with Press, he discovered that she used to do a lot of drawing while she was thinking, so he decided to integrate it into the movie and made a scene out of it. The whole shoot was done on location in Todmorden during the hottest summer Yorkshire had seen in 50 years. The score of the film was written by Goldfrapp and the movie theme is a variation of the Goldfrapp song "Lovely Head", which was the first song of their 2000 album Felt Mountain. The performances of the leading actresses have been acclaimed, with awards from the Evening Standard British Film Awards and the London Critics Circle Film Awards. Additionally, Pawlikowski's unconventional style of directing has been rewarded with a BAFTA for Best British Film and the Michael Powell award for Best British Film at the Edinburgh Film Festival, along with many nominations across the British Independent Film Awards and the European Film Awards. The novel of the same title, My Summer of Love by Helen Cross, only served as a blueprint for the film. Whereas the novel pays a lot of attention to the social background of England in the 1980s, Pawlikowski focused on the relationship between the girls. Most of the characters in the novel were left out in the film and the character Phil was invented and added by Pawlikowski, who had previously directed a documentary on born-again Christians in Yorkshire. In many interviews Pawlikowski said that he was not interested in portraying typical teenage life in England, but he wanted to give the movie a certain "timeless feeling".
In the US, the film grossed $90,000 on its opening weekend, in 17 theaters; and went on to be released across 63 theaters, grossing a total $1,000,915 in the 8 weeks of its release. Worldwide, it grossed an additional $1,766,061, for a lifetime gross of $2,766,976.
Critical reception
The film was met with acclaim from critics. It currently holds an approval rating of 90% and an average rating of 7.4/10, based on 90 reviews, at Rotten Tomatoes. According to the website's critical consensus, "My Summer of Love is a moody, bittersweet love story featuring outstanding performances from the leads." It also received a weighted average score of 82 out of 100 from Metacritic, based on 31 reviews, indicating "universal acclaim". Roger Ebert of the Chicago Sun-Times, who gave it 3/4 stars, described it as "a movie that is more about being an age, than coming-of-age", while A.O. Scott of The New York Times termed it "a triumph of mood and implication", and James Berardinelli of ReelViews, called it a "gem" lost in the "hype" of Hollywood blockbusters. Not all criticism was positive, however, with Ty Burr of The Boston Globe, calling it "a conceit on a number of levels", and described it as "confused between an 'artistic' lesbian movie and Heavenly Creatures", which he declared to be "superior", while Steve Schneider of Orlando Weekly called it "slight and predictable at its core". The unfavorable comparison to Heavenly Creatures was echoed by Robin Clifford of Reeling Reviews. Autostraddle listed the film as #19 in a ranking of the 102 Best Lesbian Movies of All Time.
Awards and nominations
My Summer of Love was nominated for the British Independent Film Award at the 2004 British IndependentFilm Awards, the Alexander Korda Award for Best British Film at the 2005 BAFTAs, the Best New British Feature award at the 2004 Edinburgh Film Festival, the European Film Award at the 2005 European Film Awards, the ALFS award at the 2005 London Critics Circle Film Awards, and the 2005 Directors Guild Of Great Britain Awards. Out of these it won the Alexander Korda Award for Best British Film at the BAFTAs, the Directors Guild Of Great Britain Award for Outstanding Directorial Achievement in British Film, the Best New British Feature at the Edinburgh Film Festival, and the ALFS award at the London Critics Circle Film Awards.
