The MART originated in 1987 as an autonomous entity within the autonomous Trentino province. It was installed in the Palazzo delle Albere in Trento. The idea of expanding the museum in order to combine both the legacy of the great futurist Fortunato Depero and the disparate inheritance held by the Trento Regional Arts Museum dates back to 1991, and was the project, in the first instance, of Gabriella Belli. On 15 December 2002 the MART finally opened to the general public, with a new headquarters at Rovereto, a small town a short distance to the south of Trento.
Design and construction
Design of the new building was entrusted to the Ticinese architect Mario Botta, who worked on its development with the Rovereto structural engineer Giulio Andreolli. A 29,000 square metre site was available, but between the site and the road allowance had to be made for two substantial eighteenth centurytown houses. Fortunately there is a gap between the two which provides sufficient space for an entrance. Botta's solution to the challenges of the site draws inspiration from classical forms, but also incorporates technically adventurous solutions. Invoking the mantra, "Space for art, not space despite art", the design involves a "pantheon without a facade", involving three storeys of museum space arranged around a large round "agora", covered over with "glass" dome/cupola with a 40-meter diameter. The structure of the cupola makes extensive use of steel and "plexiglass", and includes a "missing slice" made possible by complex engineering solutions. in the central area beneath the cupola there is a fountain. The wall facings make use of the yellow stone from Vicenza, which was the stone favoured by Andrea Palladio, although the innovative way in which the facing slabs have been attached allows for each to be individually replaced without major structural upheavals, in a way owes little to the sixteenth century architectural maestro. The "agora" can accommodate up to 1,200 visitors.
Exhibitions
Words and Stars presented Nobel prize winning authorPamuk and renowned contemporary artistToderi'scollaborative project exploring "the inclination of man to explore space and innate vocation to question the stars," which took "shape in a trilogy divided into a monologue, dialogue and conversation on the stars: three large installations immersive multi-screen consisting of eight video projections, which combine images and text. The vocation cosmological inherent to the project thus finds expression in a unique visual and literary body." The show was curated by Gianfranco Maraniello. Recent exhibitions include An Eternal Beauty. The Classical Canon in Early 20th CenturyItalian Art, Francesco Lo Savio, Magic Realism. Enchantment in Italian Painting in the 1920s and 1930s, Gianfranco Baruchello, and Richard Artschwager.
