The Museum of Glass is a 75,000-square-foot art museum in Tacoma, Washington dedicated to the medium of glass. Since its founding in 2002, the Museum of Glass has been committed to creating a space for the celebration of the studio glass movement through nurturing artists, implementing education, and encouraging creativity.
History
The idea for the Museum of Glass began in 1992 when Dr. Philip M. Phibbs, recently retired president of the University of Puget Sound, had a conversation with Tacoma native and renowned glass artist Dale Chihuly. Dr. Phibbs reasoned that the Pacific Northwest’s contributions to the studio glass movement warranted a glass museum, and just a few weeks later he outlined his idea and rationale for the Museum of Glass to the Executive Council for a Greater Tacoma. The timing of his proposal corresponded with the idea to redevelop the Thea Foss Waterway, and the Chairman of the Council, George Russel, concluded that the Museum of Glass would be the perfect anchor for the renewed waterway. The site for the museum, directly adjacent to the Thea Foss Waterway, was secured in 1995, and two years later acclaimed Canadian architect Arthur Erickson revealed his design for the museum. Construction of the museum began in June 2000, and the steel frame of the iconic hot-shop cone was completed in 2001. Shortly thereafter construction began on the Chihuly Bridge of Glass to link the museum to downtown Tacoma. The museum opened on July 6, 2002 to thousands of visitors and worldwide accolades. Since its opening, the Museum of Glass has become a collecting institution, and has introduced a mobile hot-shop.
Architecture
The Museum of Glass was designed by Canadian architect Arthur Erickson and was his first major art museum in the United States. The museum totals 75,000 square feet in area, featuring 13,000 square feet in gallery space and a 7,000-square-foot hot shop. This hot shop, shaped as an angled cone, is the museum’s most striking architectural feature. The cone, inspired by the wood "beehive burners" of the sawmills that once dotted the waterway, is composed of 2,800 diamond-shaped stainless steel panels and is 100 feet in diameter at its base. Also featured in the Museum of Glass’ architecture are a sweeping concrete stairway that spirals around the exterior of the building, and three rimless reflecting pools featured on the museum’s terraces. Connected to the Museum is the Chihuly Bridge of Glass, designed by Arthur Erickson in collaboration with artist Dale Chihuly, to connect the Museum of Glass to downtown Tacoma.
Preston Singletary: Echoes, Fire, and Shadows | July 11, 2009 September 19, 2010
Incoming: Selections from the Permanent Collection | May 16, 2009 July 5, 2010
Contrasts: a Glass Primer | November 11, 2006 October 11, 2009
White Light: Glass Compositions by Daniel Clayman | September 14, 2008 June 14, 2009
Dale Chihuly: the Laguna Murano Chandelier | September 14, 2008 April 19, 2009
Dante Marioni: Form | Color | Pattern | February 16, 2008 March 8, 2009
Lino Tagliapietra in Retrospect: a Modern Renaissance in Italian Glass | February 23 August 24, 2008
Hot Shop
The Museum of Glass features a 7,000-square-foot hot shop amphitheater that provides seating for 145 guests to watch live glass blowing demonstrations. The hot shop contains both a hot glass studio for blowing and casting glass and a cold working studio. Hot Shop activity is streamed live through the Museum of Glass’ website, and is also archived online. The Museum of Glass hot shop also provides residencies for both visiting and featured artists.
Visiting Artist Program
The Museum of Glass hosts internationally acclaimed and emerging artists through its Visiting Artist Residency Program. The residencies range in length from one day to several weeks, and a piece is selected from each residency for inclusion in the Museum’s collection. Most residencies are streamed online through the museum’s website and conclude in a Conversation with the Artist lecture. Since its opening, the Museum of Glass has partnered with Pilchuck Glass School to produce the Visiting Artist Summer Series in which artists who attend or work at Piilchuck are invited to a residency at the Museum of Glass. The first ever visiting artist to the Museum of Glass was Dale Chihuly at the museum’s opening in 2002.