Misotheism


Misotheism is the "hatred of God" or "hatred of the gods". In some varieties of polytheism, it was considered possible to inflict punishment on gods by ceasing to worship them. Thus, Hrafnkell, protagonist of the eponymous Hrafnkels saga set in the 10th century, as his temple to Freyr is burnt and he is enslaved, states that "I think it is folly to have faith in gods", never performing another blót, a position described in the sagas as goðlauss, "godless". Jacob Grimm in his Teutonic Mythology observes that:
In monotheism, the sentiment arises in the context of theodicy. A famous literary expression of misotheistic sentiment is Goethe's Prometheus, composed in the 1770s.
A related concept is dystheism, the belief that a god is not wholly good, and is possibly evil. Trickster gods found in polytheistic belief systems often have a dystheistic nature. One example is Eshu, a trickster god from Yoruba religion who deliberately fostered violence between groups of people for his own amusement, saying that "causing strife is my greatest joy."
The concept of the Demiurge in some versions of ancient Gnosticism also often portrayed the Demiurge as a generally evil entity.
Many polytheistic deities since prehistoric times have been assumed to be neither good nor evil. Thus dystheism is normally used in reference to the Judeo-Christian God. In conceptions of God as the summum bonum, the proposition of God not being wholly good would be an oxymoron.
A historical proposition close to "dystheism" is the deus deceptor "evil demon" of René Descartes' Meditations on First Philosophy, which has been interpreted by Protestant critics as the blasphemous proposition that God exhibits malevolent intent. But Richard Kennington states that Descartes never declared his "evil genius" to be omnipotent, but merely no less powerful than he is deceitful, and thus not explicitly an equivalent to God, the singular omnipotent deity.

Terminology

Dystheistic speculation arises from consideration of the problem of evil — the question of why God, who is supposedly omnipotent, omniscient, and omnibenevolent, would allow evil to exist in the world. Koons notes that this is a theological problem only for a eutheist, since a dystheist would not find the existence of evil to be an obstacle to theistic belief. In fact, the dystheistic option would be a consistent non-contradictory response to the problem of evil. Thus Koons concludes that the problem of theodicy does not pose a challenge to all possible forms of theism.
This conclusion implicitly takes the first horn of the Euthyphro dilemma, asserting the independence of good and evil morality from God. Historically, the notion of "good" as an absolute concept has emerged in parallel with the notion of God being the singular entity identified with good. In this sense, dystheism amounts to the abandonment of a central feature of historical monotheism: the de facto association of God with the summum bonum.
Arthur Schopenhauer wrote: "This world could not have been the work of an all-loving being, but that of a devil, who had brought creatures into existence in order to delight in the sight of their sufferings."
Critics of Calvin's doctrines of predestination frequently argued that Calvin's doctrines did not successfully avoid describing God as "the author of evil".
Much of post-Holocaust theology, especially in Judaic theological circles, is devoted to a rethinking of God's goodness. Examples include the work of David R. Blumenthal, author of Facing the Abusing God and John K. Roth, whose essay "A Theodicy of Protest" is included in Encountering Evil: Live Options in Theodicy :

Deus deceptor

The deus deceptor "deceptive god" is a concept of Cartesianism.
Voetius accused Descartes of blasphemy in 1643. Jacques Triglandius and Jacobus Revius, theologians at Leiden University, made similar accusations in 1647, accusing Descartes of "hold God to be a deceiver", a position that they stated to be "contrary to the glory of God". Descartes was threatened with having his views condemned by a synod, but this was prevented by the intercession of the Prince of Orange.
The accusations referenced a passage in the First Meditation where Descartes stated that he supposed not an optimal God but rather an evil demon " & ". The accusers identified Descartes' concept of a deus deceptor with his concept of an evil demon, stating that only an omnipotent God is "summe potens" and that describing the evil demon as such thus demonstrated the identity. Descartes' response to the accusations was that in that passage he had been expressly distinguishing between "the supremely good God, the source of truth, on the one hand, and the malicious demon on the other". He did not directly rebut the charge of implying that the evil demon was omnipotent, but asserted that simply describing something with "some attribute that in reality belongs only to God" does not mean that that something is being held to actually be a supreme God.
The evil demon is omnipotent, Christian doctrine notwithstanding, and is seen as a key requirement for Descartes' argument by Cartesian scholars such as Alguié, Beck, Émile Bréhier, Chevalier, Frankfurt, Étienne Gilson, Anthony Kenny, Laporte, Kemp-Smith, and Wilson. The progression through the First Meditation, leading to the introduction of the concept of the evil genius at the end, is to introduce various categories into the set of dubitables, such as mathematics. Although the hypothetical evil genius is never stated to be one and the same as the hypothetical "deus deceptor," the inference by the reader that they are is a natural one, and the requirement that the deceiver is capable of introducing deception even into mathematics is seen by commentators as a necessary part of Descartes' argument. Scholars contend that in fact Descartes was not introducing a new hypothetical, merely couching the idea of a deceptive God in terms that would not be offensive.
Paul Erdős, the eccentric and extremely prolific Hungarian-born mathematician, referred to the notion of deus deceptor in a humorous context when he called God "the Supreme Fascist", who deliberately hid things from people, ranging from socks and passports to the most elegant of mathematical proofs. A similar sentiment is expressed by Douglas Adams in The Hitchhikers Guide to the Galaxy in reference to the temptation of Adam and Eve by God:

Misotheism in Jewish and Christian Scriptures

There are various examples of arguable dystheism in the Bible, sometimes cited as arguments for atheism, most of them from the Pentateuch.
A notable exception is the Book of Job, a classical case study of theodicy, which can be argued to consciously discuss the possibility of dystheism.
Thomas Paine wrote in The Age of Reason that "whenever we read the obscene stories, the voluptuous debaucheries, the cruel and torturous executions, the unrelenting vindictiveness, with which more than half the Bible is filled, it would be more consistent that we called it the word of a demon than the word of God." But Paine's perspective was a deistic one, critical more of common beliefs about God than of God himself.
The New Testament contains references to an "evil god", specifically the "prince of this world" or "god of this world" who has "blinded the minds of men".
Mainstream Christian theology sees these as references to Satan, but Gnostics, Marcionites, and Manicheans saw these as references to Yahweh himself.
References to God as wrathful or violent are more sparse in the New Testament than in the Old, but a number of antitheist speakers, notably Christopher Hitchens and Matt Dillahunty, have drawn attention to a number of passages.

Misotheism in art and literature

Misotheistic and/or dystheistic expression has a long history in the arts and in literature. Bernard Schweizer’s book Hating God: The Untold Story of Misotheism is devoted to this topic. He traces the history of ideas behind misotheism from the Book of Job, via Epicureanism and the twilight of Roman paganism, to deism, anarchism, Nietzschean philosophy, feminism, and radical humanism. The main literary figures in his study are Percy Bysshe Shelley, Algernon Swinburne, Zora Neale Hurston, Rebecca West, Elie Wiesel, Peter Shaffer, and Philip Pullman. Schweizer argues that literature is the preferred medium for the expression of God-hatred because the creative possibilities of literature allow writers to simultaneously unburden themselves of their misotheism, while ingeneously veiling their blasphemy.
Other examples include:
In more recent times, the sentiment is present in a variety of media:

Poetry and drama

The characters in several of Tennessee Williams' plays express dystheistic attitudes, including the Rev. T. Lawrence Shannon in The Night of the Iguana.
Robert Frost's poem "Design" questions how God could have created death if he were benevolent.
In Jewish author Elie Wiesel's play The Trial of God, the survivors of a pogrom, in which most of the inhabitants of a 17th-century Jewish village were massacred, put God on trial for his cruelty and indifference to their misery. The play is based on an actual trial Wiesel participated in that was conducted by inmates of the Auschwitz concentration camp during the Nazi holocaust, but it also references a number of other incidents in Jewish history including a similar trial conducted by the Hasidic Rabbi Levi Yosef Yitzhak of Berdichev:
In Alan Parker's Oscar-winning 1980 feature film "Fame", one of the main characters makes an explicit statement against God. Playing an aspiring stand-up comedian who is asked in an acting class to talk about an experience that has affected him deeply in order to sharpen his skills as a performer, he delivers an extended uncut monologue that heavily criticizes both modern capitalism and religion, concluding with the line "and then we can all go pray to the asshole God who fucked everything up in the first place".

Modern literature

Several non-Jewish authors share Wiesel's concerns about God's nature, including Salman Rushdie and Anne Provoost :
The writing of Sir Kingsley Amis contains some misotheistic themes; e.g. in The Green Man, and in The Anti-Death League.

Speculative fiction

A number of speculative fiction works present a dystheistic perspective, at least as far back as the works of H. P. Lovecraft and Olaf Stapledon's influential philosophical short novel Star Maker.
By the 1970s, Harlan Ellison even described dystheism as a bit of a science fiction cliché. Ellison himself has dealt with the theme in his "The Deathbird", the title story of Deathbird Stories, a collection based on the theme of malevolent modern-day gods. Lester del Rey's "Evensong", tells the story of a fugitive God hunted down across the universe by a vengeful humanity which seeks to "put him in his place". "Faith of Our Fathers" by Philip K. Dick, also from the same anthology, features a horrifying vision of a being, possibly God, who is all-devouring and amoral. Philip Pullman's previously mentioned trilogy, His Dark Materials, presented the theme of a negligent or evil God to a wider audience, as depicted in the 2007 film The Golden Compass based on the first book of this trilogy.
The original series of featured episodes with dystheistic themes, amongst them "The Squire of Gothos", "Who Mourns for Adonais?", "For the World Is Hollow and I Have Touched the Sky", and "The Return of the Archons". In "Encounter at Farpoint", the pilot episode of ', Captain Jean-Luc Picard informs Q, a trickster with god-like powers similar to the antagonist in the aforementioned "Squire of Gothos" episode, that 24th-century humans no longer had any need to depend upon or worship god figures. This is an amplification of the tempered anti-theistic sentiment from "Who Mourns for Adonais?", in which Captain James T. Kirk tells Apollo that "Mankind has no need for gods, we find the one quite adequate." A later episode, "Who Watches the Watchers", depicts accidentally reviving theistic belief in a more primitive species as a negative thing which must be stopped. In ' it is revealed that the Klingon creation myth involves the first Klingons killing the gods that created them because, "They were more trouble than they were worth."
In the film Pitch Black, anti-hero protagonist Richard B. Riddick stated his own belief, after an imam accuses him of atheism: "Think someone could spend half their life in a slam with a horse bit in their mouth and not believe? Think he could start out in some liquor store trash bin with an umbilical cord wrapped around his neck and not believe? Got it all wrong, holy man. I absolutely believe in God... and I absolutely hate the fucker."
Robert A. Heinlein's book ', which is mostly about religious institutions, ends with an appearance by Yahweh which is far from complimentary.
The Athar, a fictional organization from the D&D's Planescape Campaign Setting denies the divinity of the setting's deities. They do, however, tend to worship "The Great Unknown" in their place.
In the 2013 film Prisoners, Holly Jones and her husband Isaac lost their faith in God after their son died of cancer. Since then, they have been kidnapping and murdering children in order to make other parents lose faith in God and turning them into revenge-driven hollow shells of their former selves, i.e. spreading their misotheism to other people. As Holly Jones states to Keller Dover near the end of the film: "Making children disappear is the war we wage with God. Makes people lose their faith, turns them into demons like you."
In the DC Extended Universe film ', Lex Luthor has misotheistic view of God, believing that if God were omnipotent, then he logically could not be omnibenevolent and vice versa, thereby solidifying his belief that power cannot be innocent. He has a penchant for constantly implementing allusions to major figures of both pagan and biblical theology, with him notably comparing himself to Prometheus, General Zod to Icarus, and Superman to Zeus, Horus, Apollo, Jehovah, and Satan. He even compares himself to the biblical God in one way, claiming to hate "the sin, not the sinner", and plays God by creating the monster Doomsday.
In the season 1 of Luke Cage, Willis Stryker's misotheism seemed to enforce his revenge mission against his half-brother Luke Cage, quoting several Bible verses that directly link to Lukes's supposed betrayal against Stryker. The Judas Bullet was designed to symbolize this act of treachery; stating "one Judas to another" before shooting Luke in the abdomen and vowing to repeat the same words that Cain said to his father after slewing Abel when he finally did kill Cage.

Popular music

Misotheism is a 2008 album by Belgian black metal band Gorath.
Dystheistic sentiment has also made its way into popular music, evincing itself in controversial songs like "Dear God" by the band XTC and "Blasphemous Rumours" by Depeche Mode, which tells the story of a teenage girl who attempted suicide, survived, and turned her life over to God, only to be hit by a car, wind up on life support, and eventually die. A good deal of Gary Numan's work, specifically the album Exile, is laden with misotheistic themes.
The output of Oscar-winning songwriter/composer Randy Newman also includes several songs expressing dystheistic sentiment, including the ironic "He Gives Us All His Love" and the more overtly maltheistic "God's Song ", both from his acclaimed 1972 album Sail Away. In the latter song, Newman bemoans the futility of dealing with God whose attitude towards humanity he sees as one of contempt and cruelty.
The song "God Made" by Andrew Jackson Jihad proposes dystheism and has an implied hatred for God. More specifically, their song "Be Afraid of Jesus" is about a vengeful Christ although this could be a critique of fundamentalist hate speech.
"God Am" by Alice in Chains from their self-titled album has many misotheistic themes about the perceived apathy of God towards the evil in this world.
"Godwhacker" by Steely Dan from their Everything Must Go album developed from a lyric frontman Donald Fagen wrote a few days after his mother died of Alzheimer's. "It's about an elite squad of assassins whose sole assignment is to find a way into heaven and take out God", he later explained. "If the Deity actually existed, what sane person wouldn't consider this to be justifiable homicide?"
In the song "Terrible Lie" by Nine Inch Nails, Trent Reznor expresses anger, confusion, and sadness towards God and the world he created.
"Judith" by A Perfect Circle is a satirical song that places blame on God for the illness of the lead singer's mother, Judith. Despite her deteriorating condition, Judith never questions why she has been placed in her predicament but instead continues to praise and worship God. Her son angrily mocks god and presents arguments as to why she shouldn't have to suffer.
Marilyn Manson's "Fight Song," "Say 10," and others have direct and indirect misotheistic themes.
American death metal bands Deicide and Morbid Angel base much of their lyrics around misotheism in name and in concept. Many bands in the black metal genre, such as Mayhem, Emperor, Gorgoroth and Darkthrone express extreme misotheism in their lyrics.

Modern art

In 2006, Australian artist Archie Moore created a paper sculpture called "Maltheism", which was considered for a Telstra Art Award in 2006. The piece was intended as a representation of a church made from pages of the Book of Deuteronomy: