Minor sixth


In Western classical music, a minor sixth is a musical interval encompassing six staff positions, and is one of two commonly occurring sixths. It is qualified as minor because it is the smaller of the two: the minor sixth spans eight semitones, the major sixth nine. For example, the interval from A to F is a minor sixth, as the note F lies eight semitones above A, and there are six staff positions from A to F. Diminished and augmented sixths span the same number of staff positions, but consist of a different number of semitones.

Equal temperament

In 12-tone equal temperament, the minor sixth is enharmonically equivalent to the augmented fifth. It occurs in first inversion major and dominant seventh chords and second inversion minor chords. It is equal to eight semitones, i.e. a ratio of 28/12:1 or simplified to 22/3:1, or 800 cents.

Just temperament

Definition

In just intonation multiple definitions of a minor sixth can exist:
The minor sixth is one of consonances of common practice music, along with the unison, octave, perfect fifth, major and minor thirds, major sixth and the perfect fourth. In the common practice period, sixths were considered interesting and dynamic consonances along with their inverses the thirds, but in medieval times they were considered dissonances unusable in a stable final sonority. One should note that in that period they were tuned to the flatter Pythagorean minor sixth of 128:81. In 5-limit just intonation, the minor sixth of 8:5 is classed as a consonance.
Any note will only appear in major scales from any of its minor sixth major scale notes.

Subminor sixth

In addition, the subminor sixth, is a subminor interval which includes ratios such as 14:9 and 63:40. of 764.9 cents or 786.4 cents respectively.