Metacinema


Metacinema, also meta-cinema, analogous to metafiction in literature, is a mode of filmmaking in which the film informs the audience that they are watching a work of fiction. Metacinema often references its own production, working against narrative conventions that aim to maintain the audience's suspension of disbelief. Elements of metacinema includes scenes where characters discuss the making of the film or where production equipment and facilities are shown.

History

Examples of metacinema date back to the early days of narrative filmmaking. In the 1940s, backstage musicals and comedies like Road to Singapore and Hellzapoppin' exhibited a vogue for exploration of the medium of film at the same time as the monopolistic grip of Hollywood studios was loosening allowed more space for creative self-examination. Metacinema can be identified in art cinema of the 1960s like 8½ or The Passion of Anna, and it can often be found in the self-reflexive filmmaking of the Nouvelle Vague in films like Le Mépris and Day for Night.
Metacinema continues to flourish in art films and comedies where experimentation with narrative conventions is encouraged.

Examples

Notable examples of films of this type include :