Max Dauphin was born in Luxembourg in 1977. After several years of international activity, the artist settled in Luxembourg where he works and lives. He is part of the Art Collective. In 2016 and 2017, Max Dauphin participated to Luxembourg Art Week. Max Dauphin creates figurative art works, using mixed techniques and big formats. His paintings frequently reveal scenes of life illustrated with slogans and/or iconography. His subjects are inspired by his experience, current events and more generally his entourage. Following daily conversations, the artist projects the viewer's attention toward captivating characters, sometimes living on the brink of society. By matching these characters with improbable attributes, their apparent realism gives way to the imagination. During his periples, Max Dauphin works with a deliberate challenge: to use a local palette of available materials. The combination of colors and material highlights the playfulness of his characters and emphasizes the dynamism of his subjects. Like most children, his first contact with art took place while drawing with his father, a graphic designer, at the kitchen table. In the absence of his father, he continued to paint - a conversation prolonged throughout his career. During his studies in Marseille, France, Max Dauphin made contact with graffiti artists and dedicated himself to street art for a while. In parallel to his urban art-treks, he started showing his first paintings at the age of twenty-five. In 2005, Max Dauphin participated in a group exhibition with an art work entitled Dongo the Vulture illustrating West Africanpoetry at the French cultural center in Rome, Italy. The same year, he also exhibited a series of portraits at the Luxembourg Embassy in Italy. In 2007, Max Dauphin opened a joint exhibition entitled Brush vs. Spray Can with graffiti artist Sumo at Konschthaus Beim Engel in Luxembourg. Max Dauphin's first solo showNo Names was shown in Kulturfoyer, Saarbruecken, Germany in 2009. That year, the international competition Francophone games in Beirut, Lebanon, rewarded his painting Medusa's Raft with a special mention from the Jury. While living in Central Asia, the artist exhibited City Spirits at the Tsagaandarium Gallery in Ulaanbaatar, Mongolia. During his time in New York Max Dauphin came up with an American collection. Original is not even a Flavor successfully premiered at Rockaway Beach Surf Club and was later shown on Lower East Side at ConArtist Gallery. From 2014-2015 Max Dauphin worked in Dakar, Senegal, where he showed an African series of paintings Ana Wa Kër Gui?
