Maud Jeffries


Maud Evelyn Craven Jeffries was an American actress. A popular subject for a wide range of theatrical post-cards and studio photographs, she was noted for her height, voice, presence, graceful figure, attractive features, expressive eyes, and beautiful face.
She married wealthy Australian grazier, Boer war veteran, and former aide-de-camp to New Zealand's Governor-General, James Bunbury Nott Osborne. Osborne was so enamoured of Jeffries that he joined her theatrical company in late 1903 in order to press his suit. Engaged in May 1904, they married in October 1904, and had two children together. Jeffries left the stage in 1906, and continued to live a quiet, very happy life, devoted to her family and her beautifully designed gardens, on their family property, "Bowylie", at Gundaroo, NSW, until her death, at 76 years, of cancer.
An audience favourite wherever she went, Jeffries' performances over a decade in New York, London, Australia, and New Zealand met wide critical acclaim; especially in the role of Desdemona in Shakespeare's Othello and, in particular, for her creation of the role of Mercia in Wilson Barrett's masterpiece The Sign of the Cross. On viewing Jeffries' performance as Almida in Claudian, one critic observed:
and Maud Jeffries : The Sign of the Cross

Early life and family

Jeffries was born on 14 December 1869 at Willow Farm, near Lula in Coahoma County, Mississippi, to James Kenilworth Jeffries, a cotton planter, and his wife Elizabeth Field Jeffries, née Smith. She had three younger brothers: Henry, James K. jnr., and Norman Weathers Jeffries. Norman went with his sister to Australia and New Zealand, as part of her theatre company, in 1897, and remained with her company until she left the stage in 1906.
Initially educated at home, and originally intending to become a teacher, from the age of 13 she attended the prestigious Miss Higbee's School for Young Ladies in Memphis, Tennessee. A change in her family's fortunes meant that a career as a teacher was no longer possible, and her family encouraged her to pursue an acting career.

Theatrical career

From the age of 5, Jeffries regularly entertained her family with recitations; and, once at Miss Higbee's School for Young Ladies, in addition to her elocutionary skills, she also began to display a great talent at music, and at singing.
Apparently, when offstage, Jeffries was a somewhat modest and shy person; and, except for two occasions throughout her career — in The Memphis Daily Appeal of 9 July 1888, and The Seattle Post-Intelligencer, of 19 December 1897 — she refused to be interviewed by the press.

United States (1887-1890)

In October 1887, when Jeffries was just seventeen, she performed in Lizzie Evans's new play, Our Angel, at the New Memphis Theatre.
Leaving Memphis on 14 August 1888 for New York, she joined the Lizzie Evans company; however, within three weeks it was reported that "Miss Maud Jeffries has been compelled to give up her engagement with the Lizzie Evans company and has returned home for rest and quiet". — with a more detailed account emerging a week later:
In 1889 she went to New York and worked with Augustin Daly's company, playing small parts in pays such as "A Midsummer Night's Dream" and "As You Like It". Whilst working with Daly's company, she attracted the attention of Wilson Barrett.

England (1890-1892)

Jeffries left the United States on the RMS City of Chester on 6 August 1890, and arrived at Liverpool on 16 August 1890.
Her first appearance on the English stage was in a small part in a new play, The People's Idol, that Barrett had written in collaboration with Victor Widnell. She made her English debut, on 4 December 1890, in the play's first public performance: on the opening night of The New Olympic Theatre, in London's Drury Lane, an entirely new, purpose-built theatre, which Barrett also managed.
In August 1891, Wilson Barrett discovered that, due to a half forgotten arrangement made several years earlier, his leading lady at the time, "Maud Elmore", was contracted to appear with Morris Abrahams at the Pavilion Theatre for the whole of the 1891/1892 season. Within days, it was being reported that "Miss Maud Jeffries, a former member of the Daly Company, is now leading lady in Mr. Wilson Barrett's company".
Perhaps her reaction to Barrett's unexpected announcement was somewhat amplified by the fact that, as a consequence of becoming his leading lady, she had to master a total of 14 leading roles in the space of just three weeks.
She soon settled into her new position, and by 22 October 1891, she was playing Desdemona, to Barrett's Othello, in the first performance of an entirely new production of Shakespeare's Othello, that Barrett had adapted to accommodate Jeffries "unique new school acting style". Jeffries was an outstanding success and, throughout the rest of her career, her performances as Desdemona were considered to be amongst her finest roles.
: The Sign of the Cross

United States (1892-1895)

Barrett's 1892/1893 tour opened in Philadelphia, on 21 November 1892, at the Duquesne Theater, with a performance of Hamlet.
Jeffries was involved in the creation of Wilson Barrett's play The Sign of the Cross; which was originally produced at the Grand Opera House, St. Louis, Missouri on 28 March 1895.
By the end of 1896, Jeffries was well-established as Barrett's leading lady; and had played opposite Barrett in a wide range of works, including:
One of the unusual features of the company Barrett brought to Australia was that it also contained the brothers of three of his female stars: Norman Jeffries, the brother of Maud Jeffries, Daniel McCarthy, the brother of Lillah McCarthy, and Paul Belmore, the brother of Daisy Belmore.
Barrett's company opened its Australian season for J. C. Williamson at Melbourne's Princess Theatre, and then went on to Sydney's Her Majesty's Theatre, Adelaide's Theatre Royal, and Perth's Theatre Royal, presented a number of different works at each theatre, the first of which was Claudian ; other works included Hamlet, Othello, Virginius, Ben-my-Chree,, The Manxman, and The Silver King. On 16 July, the company left Sydney for Vancouver on the s.s.Aorangi.

United Kingdom (1898-)

Jeffries first appearance for this tour was with Barrett on 25 September 1898, at the Theatre Royal, in Cardiff, as Kate Cregeen in The Manxman. Jeffries' performance was outstanding, and there were 10 minutes of curtain calls.

Australasia (1903-1906)

Following an arrangement between J. C. Williamson and Herbert Beerbohm Tree, the company of Julius Knight and Maud Jeffries toured Australasia for four years.
The first performance of the Knight-Jeffries Company in its farewell New Zealand season was a "double bill" of Davy Garrick and Comedy and Tragedy at Christchurch's Theatre Royal on 22 November 1905. The company performed in Christchurch, Dunedin, Wellington, Masterton, and Auckland, and its final performance was The Lady of Lyons, at Auckland's Her Majesty's Theatre, on Saturday, 17 February 1906.
The final performance of the Knight-Jeffries Company was with The Lady of Lyons, in Sydney's Palace Theatre, on 16 March 1906. After the final curtain the audience was addressed by Julius Knight, and by Maud Jeffries.
Such was the impact of her Australian stage presence that, a decade later, one social correspondent was recalling Mrs. J.B.N. Osborne as "the handsome and graceful actress, Miss Maud Jeffries", whilst another theatre critic still believed that her performances far outshone those of the current favourite-of-the-day, Melbourne born actress Madge Titheradge. Even later, in 1917, a racing journalist was recalling her as "the statuesque American actress" who had married the Osborne brother "commonly known as 'Nott' Osborne".

J.B.N. Osborne

Early life and family

James Bunbury Nott Osborne — most often referred to in the press as "J.B.N. Osborne", less often as "James Osborne" and, even, sometimes, as "Nott Osborne" — the son, and one of the nine children of Patrick Hill "Pat" Osborne and Elizabeth Jane "Jeanie" Osborne, née Atkinson was born on 14 May 1878 in Sydney. He attended Rugby School from 1892 to 1894.

Soldier

In early 1898, Osborne was appointed Second Lieutenant, in command of the Bungendore troop of the First Australian Horse Regiment; and, a year later, "was proving not only a smart officer, but a very popular one with the men". In October 1899, he was one of two members of the New South Wales military forces to be briefly appointed honorary aides-de-camp to the staff of Earl Beauchamp, the Governor of New South Wales, who was also Honorary Colonel-in-Chief of the First Australian Horse Regiment.
He commanded the first troop of the 1st Australian Horse service squadron to be sent to South Africa. Lieutenant Osborne sailed with his troops for South Africa on the S.S. Langton Grange, leaving Newcastle on 15 November 1899, arriving in South Africa, at Durban, on 13 December 1899. He was present at the Relief of Kimberley and, in March 1900, left the Australian Horse and took up a commission with the British 16th Lancers: the regiment of his elder brother, Second Lieutenant Edwin Francis Fitzroy Osborne, who had died four years earlier, of enteric fever, at Lucknow, on 2 September 1895. He was closely involved in the surrender of Bloemfontein in March 1900; and, in early May 1900, he contracted enteric fever. He was hospitalized in Bloemfontein; however, his condition did not respond to treatment, and he was invalided to England.
Having participated in operations in the Orange Free State and Transvaal, and having seen action at Reit River, Klip Drift, Relief of Kimberley, Paardeberg, Poplar Grove, Dreifontein, Karee Siding, Belfast and Slingersfontein, Osborne was awarded the Queen's South Africa Medal with five clasps. His service is commemorated on a plaque affixed to the Bungendore and District War Memorial.
He remained on the "unattached list" until he formally resigned his commission in December 1904.

Aide-de-camp to Earl Ranfurly

In 1901, appointed to the rank of Captain, he served as the aide-de-camp to Earl Ranfurly, the Governor-General of New Zealand, in particular, during the visit of the Duke and Duchess of Cornwall and York in June 1901.

Stage and screen

Later described as "a squatter who took to the stage for the love of a lady", Osborne made his stage debut, at the last moment, in the role of Major Doria — Maud Jeffries was playing the part of Donna Romana Volonna — in a performance of The Eternal City, at Her Majesty's Theatre on 23 January 1904: "Mention may be made of Mr Nott Osborne as Major Doria, who, in making a promising stage debut, though obviously nervous over the first few words, displayed a pleasant voice and manner."
In 1918 Osborne played a leading role in Alfred Rolfe's society melodrama, Cupid Camouflaged, a silent movie produced to raise funds for the Red Cross, and starring many members of Sydney Society. A reviewer of the premiere performance on 31 May 1918, noting that, although the movie itself was "distinctly amateurish" overall, did observe that "some of the best work in the picture is done by Mr. James Osborne".

Death

James Bunbury Nott Osborne died, aged 56, in Sydney, on 24 June 1934. He was interred at Waverley Cemetery, Sydney, along with the remains of his daughter Elizabeth Osborne.

Marriage, children, and life after the theatre

Marriage

Following their engagement in May 1904, she married James Bunbury Nott Osborne — who was, by that time, also a member of her theatrical company — in a quiet, private ceremony, on 25 October 1904, at Papani, New Zealand. It was Jeffries' first, and only marriage.

Bowylie

In March 1906, Jeffries retired from the stage and happily devoted herself to a rural life on their family property, "Bowylie", near Gundaroo, New South Wales.
The property was originally known as "Talligandra". The current homestead, originally known as "Stoneville", built by the Massy family following the destruction of the earlier building in a bushfire in the 1870s, was purchased by the Osborne family in 1896 and renamed "Bowylie". Whilst some aspects of the current gardens were designed by William Guilfoyle, "most of the credit for planning and beautifying the gardens must go to Mrs James Osborne, who arrived as a bride in 1904. Mrs Osborne planted the Lambertiana hedges, laid out paths and gardens and kept an eye on extensive additions to the house".

Children

On 2 February 1894, and far from the United States, and representing herself as "Bertha Jeffreys" from Tasmania, she gave birth to a daughter, Florence Beatrice Jeffreys – later Mrs. George Frederick Seymour — in North Carlton, Victoria, Australia.
The child, whose father was never identified, was immediately "taken in" by Patrick Joseph and Harriet Ann Walsh, née Deverson, also of North Carlton, who ran a boarding house for actors. Although the existence of the child was kept secret from the world in general, her daughter always knew the identity of her mother — whom she met at least once as a child and, after whom, she later named her own daughter.
Her 1904 marriage produced two children: a son, James Bedford Jeffries Osborne, and a daughter, Elizabeth Osborne, born on 22 May 1911, who only lived for five weeks. Later that same year, when her three-year-old son contracted diphtheria, and was admitted to the isolation ward at Yass Hospital, a deeply worried Jeffries, although quite well herself, having already experienced the death of her mother and the death of her daughter, went into quarantine with her son, rather than be separated from him. After several weeks in the hospital, and with the care of his mother, he was well enough for them both to return home.

Picture postcards

A constant, and important ongoing source of income for Jeffries was that derived from the royalties from the sale of a wide range of popular photographic postcards of her either in the costume of a particular stage role — as Mercia in The Sign of the Cross, as Kate Cregeen in The Manxman, as Elna in Daughters of Babylon, as Mariamne in Herod; A Tragedy, etc. — or studio portraits representing her "off stage", such as,,, etc. In 1904 it was reported that, even though payment was only six cents per copy, Jeffries had made at least $US10,000 from royalties in less than two years; and, several years later, it was estimated that some 200,000 postcards of Jeffries had been sold in Sydney over the 1906 Christmas/New Year period alone.

Maud Jeffries: "The Tombstone Angel"

In early 1906 the London Daily Mail reported that one of the most popular post-cards of Jeffries — portraying her in the role of Mercia in The Sign of the Cross — was being used as the model for the recently created "winged angel" that was rapidly replacing the "weeping angel" as the most popular item in memorial statuary.
In April, the Melbourne Age announced that "Miss Jeffries has instructed her London solicitors to announce that it is exceedingly distasteful to her to be associated with tombstones in any way, and the offending sculptors are being brought to book for the liberty they have taken"; and, soon, the following paragraph was being widely circulated in the Australian press: "Miss Maud Jeffries denies, through her solicitors, that she has authorised the manufacture of marble reproductions of herself as tombstone angels. Her solicitors, nevertheless, write from Angel Court."

''Chrysanthemum Maud Jeffries''

Around 1906, G. Brunning and Sons, a plant nursery in St Kilda, Victoria, renowned for their chrysanthemum varieties, produced a cultivar — later described as "a decorative Japanese variety of the purest white, and one of the most valuable of these for late flowering and conservatory decoration" — which was officially named "Miss Maud Jeffries".

Not ''that'' Mrs. Osborne

On Sunday 20 January 1929, on the way to Redbank Station, Jugiong, near Harden, New South Wales, a motor car driven by a Mr. P. O'Rorke, crashed into an oncoming vehicle at the South Coast town of Narooma. The driver of the other vehicle, and O'Rorke's passenger, a "Mrs. Osborne", were badly injured and taken to hospital.
Given that the injured woman was a "Mrs. Osborne", from a property somewhere in rural New South Wales, it was immediately assumed that the woman was, indeed, Jeffries, and the news of the accident was widely broadcast in newspapers in Australia, New Zealand, the USA, Great Britain, and the British Colonies. Three days later, it was revealed that, rather than being the supposed "Mrs. J.B.N. Osborne" of Gundaroo, the accident victim was, in fact, Mrs. Elsie Evelyn Osborne, née Dickenson, of Redbank Station, Jugiong, NSW, the widow of Benjamin Marshall Osborne.

Death

Maud Evelyn Craven Nott, née Jeffries, died of cancer, at her family property, "Bowylie", at Gundaroo, on 27 September 1946, aged 76 years. She was privately interred at Waverley Cemetery, Sydney, along with the remains of her daughter Elizabeth Osborne, and her late husband, James Bunbury Nott Osborne.

Footnotes

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