Master of the Queen's Music


Master of the Queen's Music is a post in the Royal Household of the Sovereign of the United Kingdom. The holder of the post originally served the monarch of England, directing the court orchestra and composing or commissioning music as required.
The post is broadly comparable to that of Poet Laureate. It is given to people eminent in the field of classical music; they have almost always been composers. Duties are not clearly stated, though it is generally expected the holder of the post will write music to commemorate important royal events, such as coronations, birthdays, anniversaries, marriages and deaths, and to accompany other ceremonial occasions. The individual may also act as the Sovereign's adviser in musical matters. Since 2004 the appointment has been for a fixed term of ten years rather than for life, as previously.

The King's Musick

In the 14th century professional music-making in England was theoretically regulated by the Crown. Musicians known as the "King's Minstrels" or the "King's Musick" wore the royal livery and exercised some control of other musicians, although the musicologist Leonard Duck describes that control as "nominal".
Henry VI appointed a Royal Commission to regulate unlicensed minstrelsy and in 1469 Edward IV granted the royal minstrels a Guild charter. According to the charter, "no Minstrel of our Kingdom... shall henceforth in any way practise or publicly exercise the art or occupation within our Kingdom aforesaid, unless he belong to the said Brotherhood or Guild". This led to legal difficulties between the royal minstrels and the City Company under the patronage of the City of London, chartered by James I in 1604 to perform in the City and three miles outside it. The King's Minstrels requested and received a charter from Charles I in 1635 to "have the survey, scrutinie, correction and government of all and singular the musicians within the kingdome of England".

First Masters of the King's Musick

The first appointed Master of the King's Musick was the only one seriously to attempt to rule all the musicians in the kingdom as a guild. This was Nicholas Lanier, appointed by Charles I in 1626 as Master of the King's Musick. At that time the holder of the post took charge of the monarch's private band, a responsibility which continued until the band was dissolved in 1901 by Edward VII.
The position lapsed during the period of military rule following the Civil War, but on the restoration of the monarchy in 1660 Lanier returned from exile to resume the revived post. After Lanier's death in 1666, Charles II appointed a French violinist, Louis Grabu, to the post. Grabu was primarily concerned with organising the music for the court, and the Westminster musicians' guild fell into decline, coming to an end after 1697. Neither Grabu nor his successor Nicholas Staggins, who served from 1674 to 1700, was a talented composer; they turned to established composers such as Henry Purcell to supply music for important occasions.

18th century

Staggins was succeeded by John Eccles, who was appointed by William III in June 1700. Eccles was the longest-serving Master, holding the post for 35 years; he is also the only one to have served four monarchs. He was already a well-known composer before his appointment, described by Grove's Dictionary of Music and Musicians as "undoubtedly the greatest of the Restoration theatre composers" after Purcell. He nevertheless continued his predecessors' practice of commissioning works from other composers, including Handel, who supplied the Ode for the Birthday of Queen Anne. Duck comments that Handel's eminence as a composer "evidently did not qualify him as a suitable candidate for the honour of Master of the King's Music – the Hanoverian kings clearly played safe by choosing musicians of unimpeachable native breeding".
After Eccles's death in 1735 his post was filled by Maurice Greene, who already held the posts of organist of St Paul's Cathedral and organist and composer of the Chapel Royal. He held the post for twenty years, but his health was never robust, and he frequently called on his former pupil William Boyce to compose the birthday and New Year odes written by the Poet Laureate in honour of the king. After Greene died in December 1755, Boyce succeeded him as Master of the King's Musick, and later in the Chapel Royal appointment. It was probably in the latter capacity rather than the former that Boyce provided what Grove calls "an imposing and deeply felt orchestral anthem" for the funeral of George II on 11 November 1760, "a splendid setting of 'The King shall rejoice"' for the wedding of George III and Princess Charlotte on 8 September 1761, and eight anthems for the coronation of the king later in the same month.
Boyce died in 1779, and was succeeded as Master by another former pupil of Greene, John Stanley, who held the post until he died in 1786. He composed fifteen birthday and New Year odes, but none of them have survived. The last Master appointed in the 18th century was Sir William Parsons. He was viewed by his contemporaries as an affable man but a musician of limited ability, although his court music cannot be assessed, having mostly been lost. He is believed to be the first professional musician to have been knighted in Britain, although it was said that the honour was more for "the score of his merits than because of the merits of his scores".

19th century

Parsons held the post of Master until 1817, when he was succeeded by William Shield, best known as a theatre composer: he composed or arranged music for at least thirty-six operas and seven pantomimes and ballets. Shield's tenure is most notable for the abandonment of the traditional provision of court odes. By custom, the Poet Laureate of the day wrote the words for the odes, a task that the then holder, Robert Southey, found uncongenial. After the death of George III in 1820 the odes were discontinued. The post of Master of the King's Musick continued because George IV maintained the traditional small orchestra, which Shield's successor, Christian Kramer, directed. That remained the chief function of the Master through the tenures of Franz Cramer, George Frederick Anderson, and Sir William Cusins. The last of these produced a few works for royal occasions, including a jubilee cantata, "Grant the Queen a Long Life".
The last Master appointed in the 19th century was Sir Walter Parratt, organist of St George's Chapel, Windsor. His tenure lasted thirty-one years from 1893, under the reigns of three monarchs – Queen Victoria, Edward VII and George V. In Duck's view, Parratt's role was chiefly that of musical adviser to the Crown. Among his actions in that capacity were inviting Elgar to set A. C. Benson's verses as a Coronation Ode for Edward VII in 1901 and to write an anthem for the anniversary of Queen Victoria's death in 1909. Parratt's own official compositions included a contribution to a collection of choral songs by various composers in honour of Queen Victoria and a Confortare for the coronation service of Edward VII.

20th century

After Parratt's death in 1924, there was a body of opinion that the position of Master was an anachronism, with neither a royal band to direct nor regular royal odes to compose. Elgar, who was well regarded by the royal family, pressed the case for retaining the post. According to the music writer Nicholas Kenyon, he also "lobbied shamelessly" for his own candidacy for it. Other names, including that of Ralph Vaughan Williams had been suggested, but George V and his advisers took the view that "if the post is to go to the most eminent musician it would hardly be possible to go beyond Elgar." Elgar's appointment was announced in May 1924; The Times commented, "it is entirely fitting that in the changed condition of the office he should be made Master of the King's Musick and the Musician Laureate of the British people." Elgar was not required to write any official music in his new capacity, but in 1931 he dedicated his Nursery Suite to the Duchess of York and her two daughters. He used his influence as Master to track down the original instruments of Edward VII's band, to ensure the royal music library was well ordered, and to secure recognition for other musicians, including a knighthood for Granville Bantock and the Companion of Honour for Delius. As musical aide to the king he gave advice about such topics as the foundation of a national opera company, the correct version of the national anthem to be broadcast by the BBC, and the musical events at which members of the royal family should be present.
Elgar died in 1934. He was succeeded by Sir Walford Davies, organist of St George's Chapel, Windsor, who had been rumoured to be in the running for the post in 1924. In a 1966 retrospective of the various Masters, Charles Cudworth wrote that Davies was "a fine musician, a good composer,
and was even better-known as one of the world's first great broadcasters, so the appointment was
popular." When Davies died in 1941, Sir Arnold Bax replaced him, to the surprise of many in the musical world. With his strong affinities with republican Ireland, and no record of writing occasional music he seemed an unlikely choice.
Bax died in 1953; many expected his successor to be Sir William Walton, but to the latter's relief the post went to Sir Arthur Bliss. In The Times, the critic Frank Howes commented, "The duties of a Master of the Queen's Music are what he chooses to make of them, but they include the composition of ceremonial and occasional music". Bliss, who composed quickly and with facility, was able to discharge the calls on him as Master, providing music as required for state occasions, from the birth of a child to the Queen, to the funeral of Winston Churchill, to the investiture of the Prince of Wales.
When Bliss died in 1975, Walton and others lobbied for the appointment of Malcolm Arnold. There was some surprise that Bliss's successor was the Australian composer Malcolm Williamson; Walton attributed the appointment to the need for "cementing the cracks in the Commonwealth". Williamson held the post from 1975 until his death in 2003, composing works including Lament in Memory of Lord Mountbatten of Burma, Ode for Queen Elizabeth, and Songs for a Royal Baby.

21st century

was appointed to the Mastership in 2004 in succession to Williamson. For the first time the appointment was for a fixed, ten-year, term rather than for life, with the aim of making the post more attractive to composers. Maxwell Davies' work as Master included a Christmas carol for the Queen which was recorded by the Chapels Royal, and a work to accompany a poem by the Poet Laureate, Andrew Motion, to mark the Queen's eightieth birthday in 2006. He played a key role in the creation of the Queen's Medal for Music.
After the end of Maxwell Davies's term, Judith Weir was appointed in 2014, for a ten-year term. Reporting the appointment, The Guardian said that rather than writing pieces for royal occasions, "Weir would concentrate on supporting and speaking up for her composer colleagues, challenging the function that contemporary music fulfils in society, and embarking on a nationwide exploration of the state of music education in order to create pieces that will be useful for schoolchildren and amateur musicians."

Office Holders

NameYear appointedYear of deathCommentsMonarch servedMonarch's
title
Nicholas Lanier1625** The post was abolished in 1649 when the monarchy was overthrown, and reinstituted in 1660.Charles IKing/Queen of
England
Nicholas Lanier16601666* The post was abolished in 1649 when the monarchy was overthrown, and reinstituted in 1660.Charles II King/Queen of
England
Louis Grabu1666Grabu seems to have fallen foul of the Test Act, passed in spring 1673 and enforced on 18 November, which banned all Catholics from court.Charles II King/Queen of
England
Nicholas Staggins1674Staggins died on 13 June 1700.Charles II King/Queen of
England
Nicholas Staggins1685Staggins died on 13 June 1700.James II King/Queen of
England
Nicholas Staggins16881700Staggins died on 13 June 1700.William III and Mary II King/Queen of
England
John Eccles1700The longest-serving Master of the King's Musick and the only one who served 4 monarchs.William III and Mary II King/Queen of
England
John Eccles1702The longest-serving Master of the King's Musick and the only one who served 4 monarchs.Anne King/Queen of
England
John Eccles–The longest-serving Master of the King's Musick and the only one who served 4 monarchs.Anne King/Queen of
Great Britain
John Eccles1714The longest-serving Master of the King's Musick and the only one who served 4 monarchs.George I King/Queen of
Great Britain
John Eccles17271735The longest-serving Master of the King's Musick and the only one who served 4 monarchs.George II King/Queen of
Great Britain
Maurice Greene17351755George II King/Queen of
Great Britain
William Boyce1755George II King/Queen of
Great Britain
William Boyce17601779George III King/Queen of
Great Britain
John Stanley17791786George III King/Queen of
Great Britain
Sir William Parsons1786George III King/Queen of
Great Britain
Sir William Parsons–1817George III King/Queen of the United Kingdom of
Great Britain and Ireland
William Shield1817George III King/Queen of the United Kingdom of
Great Britain and Ireland
William Shield18201829George IV King/Queen of the United Kingdom of
Great Britain and Ireland
Christian Kramer1829George IV King/Queen of the United Kingdom of
Great Britain and Ireland
Christian Kramer18301834William IV King/Queen of the United Kingdom of
Great Britain and Ireland
Franz Cramer1834William IV King/Queen of the United Kingdom of
Great Britain and Ireland
Franz Cramer18371848Victoria King/Queen of the United Kingdom of
Great Britain and Ireland
George Frederick Anderson1848Anderson left the post in 1870.Victoria King/Queen of the United Kingdom of
Great Britain and Ireland
William Cusins18701893Knighted 1892; the only Master of the Queen's Musick to be knighted during his term of office.Victoria King/Queen of the United Kingdom of
Great Britain and Ireland
Sir Walter Parratt1893Victoria King/Queen of the United Kingdom of
Great Britain and Ireland
Sir Walter Parratt1901Edward VII King/Queen of the United Kingdom of
Great Britain and Ireland
Sir Walter Parratt1910George V King/Queen of the United Kingdom of
Great Britain and Ireland
Sir Walter Parratt–1924George V King/Queen of the United Kingdom of
Great Britain and Northern Ireland
Sir Edward Elgar19241934The title of the office was changed from Master of the King's Musick to Master of the King's Music during Elgar's tenure.George V King/Queen of the United Kingdom of
Great Britain and Northern Ireland
Sir Walford Davies1934Davies was gazetted as "Master of the Music".George V King/Queen of the United Kingdom of
Great Britain and Northern Ireland
Sir Walford Davies1936
Davies was gazetted as "Master of the Music".Edward VIII
King/Queen of the United Kingdom of
Great Britain and Northern Ireland
Sir Walford Davies1936
1941Davies was gazetted as "Master of the Music".George VI King/Queen of the United Kingdom of
Great Britain and Northern Ireland
Sir Arnold Bax1942George VI King/Queen of the United Kingdom of
Great Britain and Northern Ireland
Sir Arnold Bax19521953Elizabeth IIKing/Queen of the United Kingdom of
Great Britain and Northern Ireland
Sir Arthur Bliss19531975Elizabeth IIKing/Queen of the United Kingdom of
Great Britain and Northern Ireland
Malcolm Williamson19752003Elizabeth IIKing/Queen of the United Kingdom of
Great Britain and Northern Ireland
Sir Peter Maxwell Davies20042016Davies was appointed for a ten-year term, the first not appointed for life.Elizabeth IIKing/Queen of the United Kingdom of
Great Britain and Northern Ireland
Judith Weir2014–The first female holder of the office, also appointed for a ten-year term.Elizabeth IIKing/Queen of the United Kingdom of
Great Britain and Northern Ireland