The Maneki-neko is a common Japanese figurine which is often believed to bring good luck to the owner. In modern times, they are usually made of ceramic or plastic. The figurine depicts a cat, traditionally a calico Japanese Bobtail, "beckoning" with an upright paw. The figurines are often displayed in shops, restaurants, pachinko parlors, dry cleaners, and other businesses, generally near the entrance. Some Maneki-neko are now equipped with a mechanical paw which slowly moves back and forth. Maneki-neko come in different colors and styles and vary in degrees of detail. Common colors are white, black, and gold. In addition to statues, Maneki-neko can be found in the form of keychains, piggy banks, air fresheners, pots, and numerous other mediums. Maneki-neko are sometimes referred to simply as "lucky cats."
Common features
Maneki-neko are traditionally depicted seated, holding a koban coin, with one paw raised in a beckoning gesture. To some Westerners it may seem as if the Maneki-neko is waving rather than beckoning. This is due to the difference in gestures and body language recognized by some Westerners and the Japanese. The Japanese beckoning gesture is made by holding up the hand, palm down, and repeatedly folding the fingers down and back, thus the cat's appearance. Some Maneki-neko made specifically for some Western markets will have the cat's paw facing upwards, in a beckoning gesture that is more familiar to most Westerners. Maneki-neko can be found with either the right or left paw raised. The significance of the right and left raised paw differs with time and place. A statue with the left paw raised is to get more customers, while the right paw raised is to get more money. Hence it is also said that the one with left paw is for business and the right is for home. Some Maneki-neko feature battery- or solar-powered moving arms endlessly engaged in the beckoning gesture.
Colors
Originally, Maneki-neko were white, but over the years with the combination of Feng Shui, different colour variations were born. The original white colour is to get good luck and overall good fortune, while black is to ward off evil, red is for good health, yellow or gold is for wealth, and pink is for romance.
Composition
Antique examples of Maneki-neko may be made of carved wood, stone and metal, handmade porcelain or cast iron.
Origins
History
It is commonly believed that Maneki-neko originated in Tokyo, while some insist it was Kyoto. Maneki-neko first appeared during the later part of the Edo period in Japan. The earliest records of Maneki-neko appear in the Bukō nenpyō's entry dated 1852. Utagawa Hiroshige's ukiyo-e "Joruri-machi Hanka no zu," painted also in 1852, depicts the Marushime-neko, a variation of Maneki-neko, being sold at Senso temple, Tokyo. In 1876, during the Meiji era, it was mentioned in a newspaper article, and there is evidence that kimono-clad Maneki-neko were distributed at a shrine in Osaka during this time. A 1902 advertisement for Maneki-neko indicates that by the turn of the century they were popular. Beyond this the exact origins of Maneki-neko are uncertain. Some have noted the similarities between the Maneki-neko's gesture and that of a cat washing its face. There is a Japanese belief that a cat washing its face means a visitor will soon arrive. This belief may in turn be related to an even older Chinese proverb that states that if a cat washes its face, it will rain. Thus, it is possible a belief arose that a figure of a cat washing its face would bring in customers. In his Miscellaneous Morsels from Youyang, China's Tang Dynasty author Duan Chengshi wrote: "If a cat raises its paw over the ears and washes its face, then patrons will come". Statues of cats washing their ears have been found as early as the Northern Wei Dynasty. There are many legends about the birth of Maneki-neko, of which the most popular is the legend of Gotoku temple. In the 17th century, a poor monk lived in a small temple in Tokyo. Although his life was very difficult, he shared his own meager meals with his pet cat, Tama. One day, Lord Nakaota Ii of the Hikone district was on his way to hunt when suddenly a storm came, and he had to seek safety under a big tree near the temple. Sheltering there, he noticed the cat, Tama, raising one paw as if waving him to the temple. Curious, he left his cover and headed for the temple to have a better look at the strange cat. As he did so, a lightning bolt destroyed the tree beneath which he had just been standing. Nakaota was so grateful, he became the patron of the temple, repaired it to become more spacious and in 1697 renamed it Gotoku temple. When Tama died, he was buried in a special graveyard for cats. In the temple, a statue of Maneki-neko was made to commemorate this special cat that has been revered ever since. Alternatively, according to a folktale the operator of an impoverished shop took in a starving stray cat despite barely having enough to feed himself. In gratitude, the cat sat in the front of the store beckoning customers, thus bringing prosperity as a reward to the charitable proprietor. Ever after, the "beckoning cat" has been a symbol of good luck for small business owners.
In popular culture
Modern Japanese superstition suggests that keeping a talisman of good fortune, such as the Maneki-neko, in bedrooms and places of study will bring about favorable results and life successes. Because of its popularity in Chinese and Vietnamese communities the Maneki-neko is frequently mistaken for being Chinese in origin rather than Japanese, and is incorrectly referred to as a "Chinese lucky cat" or jīnmāo. This cat is also prevalent in China domestically, and is usually referred to as s=招财猫. The Pokémon named Meowth is based on Maneki-neko. Unlike traditional Maneki-neko who hold the Koban coin, Meowth has the coin projected from its forehead. Meowth can fire this coin as a projectile weapon with its signature move Payday. Netta performed her song "Toy" in front of two walls full of Maneki-neko at the Eurovision Song Contest 2018. She won the competition after collecting 529 points at the final.
