As for all the previous albums Elling is accompanied by a piano trio led by his musical partner Laurence Hobgood, bassist Rob Amster and with Frank Parker Jr. a new drummer again. Paul Wertico, formerly behind the drum set, is only heard on the first track. The "sonic idea" for the album was to add vibraphonist Stefon Harris who appears now on several tracks and is named on the album cover. Furthermore soprano saxophonists Jim Gailloreto and Brad Wheeler perform as guest musicians. On some tracks Elling uses overdubs of his voice. Seven of the twelve tracks are adaptations of originally instrumental compositions to which Elling wrote lyrics to, most prominently John Coltrane's "Resolution" from his epic cycleA Love Supreme. Besides "Resolution" and "A Secret I", i.e. Herbie Hancock's "Alone and I" from his debut Takin' Off, the entry track "Minuano" written by Pat Metheny and Lyle Mays formed the basic material for Man in the Air, initially should have been the opener for This Time It's Love, but the label convinced the musicians that it did not fit the album's character, it was "too futurist for this side" as Elling put it in hindsight. The other compositions Elling and Hobgood adapted were by Joe Zawinul, Courtney Pine and Bobby Watson. The last track of the album, "All Is Quiet", a duo by Elling and Hobgood, is a composition by Bob Mintzer, who already recorded the song together with Elling in 1998 on The Yellowjackets album Club Nocturne and in 2002 with the Bob Mintzer Big Band.''
Reception
"This is perhaps thejazz vocal album of the last decade. Almost ten years on from his debut, Elling delivers a bold and accomplished performance, marked by highly original choice of material and some devastating playing from his regular band", write Richard Cook and Brian Morton in their Penguin Guide to Jazz. "Elling's scat and his delivery of a ballad are now so confident that he is able to take on material like John Coltrane's 'Resolution' and bring to it a genuine philosophical understanding as well as a musically coherent performance." In 2006 they concluded: "This is a remarkable record, as accessible as it is challenging." In their definitve Penguin Jazz Guide from 2010 they did not change any of the review but went even further closing: "It is so good, it's almost sinful." Thom Jurek of AllMusic is equally eloquent in his praise and stresses too Elling's mature interpretation of "Resolution" while also recognizing "a new way" for listeners to access the composer John Coltrane. And like Cook and Morton he sees the importance of Laurence Hobgood: "Hobgood is a criminally under-recognized pianist. His sense of harmonic architecture and melodic invention are among the most innovative of the current grown-up generation of jazz players, and his allowance for space and nuance acts as a perfect foil for Elling's rigorous restructuring of intervals and cadences." Man in the Air received a Grammy Award for Best Jazz Vocal Album, the sixth successive nomination in that category since Elling's debut and seventh nomination in total.
