Malika Kishino
Malika Kishino is a Japanese composer based in Cologne / Germany.Biography
Malika Kishino was born in Kyoto 1971. She studied law in Doshisha University then came to France in 1995 to study composition.
She studied at École Normale de Musique Paris with Yoshihisa Taira, at Conservatoire national supérieur de musique et de danse de Lyon with Robert Pascal and
at the Institute for Research and Coordination Acoustic with Philippe Leroux.
She moved to Cologne in 2006.
Her works are published by Edizioni Suvini Zerboni in Milan.Works
Vocal music
Music for Choir
- Satsuki for mixed choir, two trumpets, trombone and two percussionists
- Lo mes d’abrièu s’es en anat for 12 female voices, children's choir and electronic sounds
- Ichimai-Kishohmon for mixed choir, voices of Buddhist priests, sho, hichiriki, 20 stringed koto, percussion, string trio
- Prayer / Inori for mixed choir
- Dialogue Invisible for 9 female voices
- Chant for orchestra and choir
Music with Voice
- Battement for bariton and piano
- Hila – Hila to… for countertenor and 7 players
- Miraiken kara for Noh-voice and alto flute
Choir and Orchestra
- Chant for orchestra and choir
Orchestral
- Du Firmament for orchestra
- Fluxus ac Refluxus for large orchestra, divided into 7 groups
- Zur Tiefe for large orchestra
Concerto
- Himmelwärts II / Vers Le Ciel II for flute, percussions and 16 strings
- Rayons Crépusculaires for bass drum, large ensemble divided in 3 groups and 8 channel-Live–Electronic
- Concerto pour Koto for koto and orchestra
- Heliodor "Hymne für ein nicht existierendes Land" for trombone and large ensemble
Ensembles
- Danse du Zephyr for 17 players
- Sensitive Chaos for 7 players
- Stratus – Altocumulus – Cirrus for 9 players divided into 3 groups
Chamber
- Epure for string quartet
- Astral for flute, guitar, piano, violin and violoncello
- Scintillation for piano and cembalo
- Epanouissement II for bass flute
- Seventeen Steps for alto flute, violin, bass koto and piano
- Himmelwärts / Vers le ciel for flute, percussions, violine, viola and violoncello
- Himmelsleiter for alto-flute, bass clarinet, trumpet, piano, violine and violoncello
- Himmelsleiter II for alto flute, bass clarinet, trumpet, harp, violin and violoncello
- Halo for two bass clarinets
- Erwachen for octo bass recorder, bass koto and percussion
- Erwachen II for bass flute, bass koto and percussion
- Vague de Passion for marimbaphone and vibraphone
- Monochromer Garten for accordion and violoncello
- Monochromer Garten II for bass clarinet, baritone saxophone and trombone
- Lamento – based on a folk song from Fukushima – for two violins
- Lamento II – based on a folk song from Fukushima – for violin and viola
- Monochromer Garten VII for recorder and percussion
Solo
- Danse automnale de feuilles vermeilles for piano
- Epanouissement for violoncello
- Koi Hanété… for piano. Based a Haiku of Shiki Masaoka.
- Monochromer Garten III for timpani
- Monochromer Garten IV for 30 stringed koto
- Monochromer Garten V for viola
Series „Monochromer Garten“
- Monochromer Garten for accordion and violoncello
- Monochromer Garten II for bass clarinet, baritone saxophone and trombone
- Monochromer Garten III for timpani
- Monochromer Garten IV for 30 stringed koto
- Monochromer Garten V for viola
- Monochromer Garten VII for recorder and percussion
- Irisation Aquatique for bass clarinet, piano, violoncello and electronic sounds
- Eclosion for harp and 9 channel-live-electronic
- Lo mes d’abriéu s’es en anat for 12 female voices, children's choir and electronic sound
- Lebensfunke révision 2010 for bass-drum and electronics
- Rayons Crépusculaires for bass-drum, large ensemble divided in 3 groups and 8 channel-Live–Electronic
- Aqua vitae for two pianos, two percussions and 8 channel-live-electronic
- Qualia for bass koto and 10 channel-live-electronic
- Lebensfunke II for bass drum and 8 channel-live-electronic
