Mabel Loomis Todd
Mabel Loomis Todd or Mabel Loomis was an American editor and writer. She is remembered as the editor of posthumously published editions of Emily Dickinson and also wrote several novels and logs of her travel with her husband, astronomer David Peck Todd.
Todd's relationship to the Dickinson family was complicated. She had a lengthy affair with Emily's married older brother William Austin Dickinson. In preparing Emily's poetry for publication, which was also marred by family controversies, she freely edited and adapted the writing to suit her own style.
Biography
She was born Mabel Loomis on November 10, 1856, the daughter of Mary Alden Wilder and Eben Jenks Loomis. Though her family traced its lineage to such New England luminaries as Priscilla Alden, they led financially difficult lives and Mabel spent much of her childhood in boardinghouses in Cambridge, Massachusetts, Concord, Massachusetts, and Washington, D.C. She graduated from Georgetown Female Seminary in Washington, then studied music at the New England Conservatory in Boston.She met astronomer David Peck Todd in 1877, and evidently knew he was a philanderer even before their wedding on March 5, 1879. Mrs. Todd had a passionate sexual nature and wrote freely about it. She wrote soon after her marriage: "Sweet communions. Oh joy! Oh! Bliss unutterable" and "A little Heaven just after dinner." The couple had one daughter, Millicent Todd .
They moved to Amherst, Massachusetts, in 1881, where her husband had been offered a position as astronomy professor at his alma mater, Amherst College.
The Amherst Years
In Amherst, Todd began a lengthy affair with Austin Dickinson, the brother of Emily Dickinson; Austin was a prominent local lawyer who served as treasurer of Amherst College. They took private trips to the country together, spent time together in Boston, and wrote love letters to each other. Though they tried to conceal the affair, many people were aware of it.Todd had been concerned over moving to a small town, as her life might not be as exciting as it had been in cosmopolitan Washington or Boston, but she soon found ample outlets for her energies. She joined the church choir, was active in local theatrical performances, and her diaries are full of accounts of activities – “coaching parties to Mount Toby or Titan’s Pier, sugaring-off parties, bowling and archery contests, horseback riding – one June morning she speaks of riding to Leverett before breakfast – and even tobogganing...”
She accompanied her husband David when he traveled to Japan 1887 to photograph the solar eclipse, and she was the first Western woman to walk up Mount Fuji.. She accompanied David in his other efforts to photograph eclipses, traveling with him back to Japan in 1896, to Tripoli in 1900 and 1905, to the Dutch East Indies in 1901, to Chile in 1907, and to Russia in 1914.
The Russian trip was their last international voyage. They had planned to study the Solar eclipse of August 21, 1914, but Russia had entered World War I on August 1 by declaring war on Germany, while the Todds were en route from Kiev to Moscow. In the resulting confusion the astronomers had to abandon their project and their equipment and flee the continent by way of Sweden and Denmark.
In 1893 she accompanied David to the World's Columbian Exposition in Chicago.
From 1894 to 1913 she worked on Village Improvement in Amherst, preserving old trees, and she supported Frederick Law Olmsted’s plans for Amherst. The national organization of the Daughters of the American Revolution was founded in 1890, and Mabel was instrumental in starting local chapters – in 1896 she helped found the Mary Mattoon chapter in Amherst and the Betty Allen chapter in Northampton. She helped found the Amherst Woman's Club in 1893 and was instrumental in founding the Amherst Historical Society in 1902 and in securing its permanent home in the Strong House in Amherst.
She was a talented painter, and had studied music – harmony, singing, and piano – at the New England Conservatory in Boston. While she was in Amherst she started a music club; she also gave lessons in painting, singing, and piano. When she turned 40, in 1896, she stopped singing in public.
From 1890 to 1913 she went on regular lecture tours up and down the east coast, as far south as Florida and as far west as California, talking about her travels and other topics of interest. Between 1880 and 1913 she wrote or edited twelve books and hundreds of articles on literature, astronomy, and travel.
By 1917, David's deteriorating health and erratic mental behavior caused Amherst president Alexander Meiklejohn to force his early retirement from the College, and the couple moved to Coconut Grove, Florida, where David was institutionalized in 1922. Mabel continued to advocate for civic causes, especially preservation of nature and the wilderness; she was active in helping the Audubon Society preserve Hog Island, from development.
Mabel Loomis Todd died of a cerebral hemorrhage on October 14, 1932, on Hog Island, Maine. She and David are buried in Wildwood Cemetery in Amherst near the grave of Austin Dickinson.
Editor of Dickinson's poetry
Todd never met Emily Dickinson in person, and though the two women exchanged letters, it has been said that "Mabel effectively destroyed the Dickinson family". Her first reference to Dickinson came in a letter to her parents dated November 6, 1881, a couple of months after moving to Amherst, in which she references her reclusive nature and claims she has not left the house in 15 years. She refers to her as "a lady whom the people call the Myth. She is a sister of Mr. Dickinson, & seems to be the climax of all the family oddity".After Dickinson's death in 1886, her younger sister Lavinia Norcross Dickinson destroyed all her letters, as Emily had instructed. Dickinson had left no instructions for her poems, however, and originally asked her sister-in-law Susan Dickinson to oversee their publication. When Susan's work didn't quickly move the publication project forward—Susan wanted to publish the poems in a holistic volume contextualized with Dickinson's letters, jokes, manuscripts, and drawings, a publication that would be very unconventional for the time but perhaps more authentic to Dickinson's writings—Lavinia enlisted Todd and Thomas Wentworth Higginson. The first volume of Poems by Emily Dickinson was published in 1890, and included many alterations by Todd. Higginson, who had supported Emily's writing in her lifetime and was a friendly correspondent, also collaborated with Todd on Poems: Second Series in 1891. Higginson, however, disliked Todd's alterations of the work and withdrew from further editorial collaboration. Todd edited a two volume set of Dickinson's letters and Poems: Third Series on her own. A detailed account of the publication process is given in Ancestors' Brocades, by Millicent Todd Bingham. According to scholar Brenda Wineapple, the third book, without Higginson's pleas to alter as little as possible, "is the most expurgated."
The relationship between Todd and the Dickinson family, however, proved difficult. Emily's younger sister Lavinia, who controlled the copyright of the poems, wanted to give royalty payments to Todd herself instead of having the publisher divide proceeds. The argument was unnecessary as there were no profits. In 1896, Todd and the Dickinson family had a falling-out over a legal battle regarding property owned by Austin Dickinson. Austin had left Todd and her husband a strip of his land and Lavinia had begun the process to make it legal before changing her mind and suing them in 1898 for the claim. She won the lawsuit but Todd refused to continue the project during Lavinia's lifetime. As a result of their disagreements, Emily Dickinson's manuscripts were split between the two families.
Martha Dickinson Bianchi, the poet's niece, inherited the poet's manuscripts from her mother Susan, except for those in Todd's possession. Between 1913 and 1937, she produced four books of Emily's poetry and two biographies, occasionally with assistance from Alfred Leete Hampton. Todd, upset at the rival publications and assuming only she had legal rights to Emily's works, released an updated edition of her compilation in 1931. In 1945, Todd's daughter Millicent published some of the poems from Todd's portion of the manuscripts. By 1955, she had published three more.