Louis de Niverville was a Canadian modernist painter whose work has a quality of imaginative fantasy, sometimes described as surreal. He drew on memories, dreams and observations, pulling out of himself the feelings and imagery which moved and excited him and channeling them into his multi-facetted body of work. He particularly enjoyed commissions and delighted in rising to such occasions, whether they be book illustrations or murals.
Biography
Louis de Niverville was born in England but his Canadian parents, Éméla Noël and Albert de Niverville, brought him to Canada when he was a one-year-old to live in Montreal. Over time, there were 13 children in the family: he was the fifth from the last. When he was six years old, he was hospitalized for five years due to spinal tuberculosis. He attributed much of the fantasy of his later work to his habit of fantasizing during this period of his life. In 1953, the family moved to Ottawa where, in 1957, de Niverville worked as an office clerk for the Federal Department of Transport. He has written that he was introduced to visual art by the witty illustrations in Saul Steinberg's book All in Line. In 1957, encouraged by freelance art director Paul Arthur he came to Toronto, and found work as a freelance illustrator for Mayfair magazine, then joined the graphic art department of the Canadian Broadcasting Company, working there with Graham Coughtry and Dennis Burton under the direction of David Mackay, art director. His real start as an artist came in 1967 when he did a mural for Expo theatre in Montreal, he believed. Critics often described his work as surreal. His tone varied from the witty to the acerbic, and he addressed subjects as varied as recollections, observations or dreams, and even embellishments on a given word, such as the two monumental paintings titled Folly, painted for his friend Toller Cranston, the Olympic skater and fellow artist. Of his working process, he said that his work often started with one very small idea, an impulse and that he just played around with ideas that developed. His participation in one-person and group exhibitions were many and numerous. He had two museum retrospectives, both at the Robert McLaughlin Gallery in Oshawa. The first, in 1978, showed 20 years of his paintings and travelled to 13 Canadian museums including the Art Gallery of Ontario and Montreal Museum of Fine Arts; the second, in 1997, was of his collages. In 2007, Ingram Gallery in Toronto held a third retrospective. His commissions include two murals for Toronto International Airport, one for the atrium of The Hospital for Sick Children , and one for the Toronto Transit Commission, located at Spadina station, titled Morning Glory. He also created a mural for Patrick Lannan in 1979 which was in the Lannan apartment in New York but moved later to the Lannan Foundation, Palm Beach and still later, was donated to the Dennos Museum Centre in Traverse City, Michigan. He illustrated books such as The Fully Processed Cheese and the film Lady B. He lived in Toronto from 1957 to 1988, when he moved to Vancouver, BC, then lived in the West until 2005 when he moved back to Ontario, to Oakville. De Niverville met his partner, Tom Miller, at a party in 1981; they were in a relationship for 37 years, until de Niverville's death. In autumn 2018, de Niverville was diagnosed with Stage 4 lung cancer. He died at his home in Oakville on February 11, 2019, from cancer.
