Lola Mora


Dolores Candelaria Mora Vega known professionally as Lola Mora, was a sculptor born in San Miguel de Tucumán, in Argentina. She is known today as a rebel and a pioneer of women in her artistic field.

Early life

Dolores was the daughter of Romualdo Alejandro Mora, a prosperous landowner of Tucumán Province of Spanish origin and Regina Vega. She was the third born of seven children, three boys and four girls. Her parents decided that the girls should also have the best education possible. In 1870 when Lola was four years old her parents moved the family to San Miguel del Tucumán. At seven years of age, she was a boarding school pupil at Colegio Sarmiento de . In 1885, within two days both her parents died. Her older sister Paula Mora Vega married the engineer Guillermo Rucker, and together took care of the orphans.

Education

At 20 years of age she began painting portraits, but soon turned to sculpting marble and granite. She studied art in her home province and then, with a scholarship, in Rome, Italy, studying under Costantino Barbella and Giulio Monteverde. In 1900 she returned to Argentina and, with government connections, was commissioned to create two bas-reliefs for the Historical House of Tucumán.
As her career developed, her sensual style and her status as a female artist made her controversial. In 1903 her Nereids Fountain, created for the city of Buenos Aires, met bureaucratic problems at the city's Deliberative Council, which had the sculpture moved around from place to place.
Near the end of her life, she entered into some extravagant business, and then retired with only a pension to support herself. After her death in Buenos Aires, in poverty and obscurity, her friends burned her letters, mementos and personal diaries.
Mora obtained various patents. One included a system to project films without a screen, as well as systems for mining.
Mora was the subject of the 1996 film "Lola Mora", directed by Argentine director Javier Torre.

Works

Mora's works include :