Locust Abortion Technician


Locust Abortion Technician is the third full-length studio album by American rock band Butthole Surfers, released in March 1987. All songs were written and produced by Butthole Surfers, except for "Kuntz", which was by Thai artists Phloen Phromdaen and Kong Katkamngae, who were originally uncredited for their work. The album was originally released as vinyl on Touch and Go, and was remastered to CD on Latino Buggerveil in 1999.

Background

Locust Abortion Technician was the first Butthole Surfers album primarily recorded at the band's home studio, which was originally assembled in a rental house they were sharing near Austin, Texas in 1986. A private studio did not mean an end to the sub-standard equipment that had plagued their previous recording sessions, though. In addition to having just one microphone, they also used an outdated 8-track tape recorder instead of the 16-track gear used on Rembrandt Pussyhorse. However, guitarist Paul Leary believes that the inferior equipment forced the band to be more creative than they might otherwise have been.
Additionally, the new studio freed the band from having to worry about recording costs, allowing them to experiment even more than on previous releases. Jeff Pinkus has also said that the home studio gave them the luxury of taking extended breaks for drug use.
Many of the album's tracks also underwent extensive in-studio development. Although doing this had become a Butthole Surfers tradition, Locust Abortion Technician was one of their last recordings done in such a manner; on subsequent releases the band would go into the studio with more fully formed songs. Pinkus has expressed the opinion that the earlier, more chaotic recording sessions resulted in much of the spontaneous creativity that had propelled the group's early albums.

Music

Locust Abortion Technician is an experimental blend of punk rock, heavy metal, and psychedelic music. This fusion led the band to be associated with the emerging grunge and sludge metal sounds. It also employs elements of worldbeat rhythms, noise music, progressive guitar, and folk music, and has been described as art rock, noise rock and alternative metal. The song "Sweat Loaf" utilizes a warped riff parodying the verse riff from the Black Sabbath song "Sweet Leaf". Not all the tracks are guitar-oriented, though; the song "Kuntz" was created by processing an original Eastern recording by a Thai artist through Gibby Haynes' "Gibbytronix" system.
This album marked the debut of bass player Jeff Pinkus, as well as the return of co-drummer Teresa Nervosa, who had left the band in December 1985. It was also the first Surfers full-length album to feature lead singer Gibby Haynes' Gibbytronix vocal effects, which feature on the songs "Sweat Loaf" and "Human Cannonball".
The Butthole Surfers regularly play songs from Locust Abortion Technician during their live concerts, including "Sweat Loaf", "Graveyard", "Pittsburgh to Lebanon", "U.S.S.A.", "Kuntz" and "22 Going on 23".

Artwork

Locust Abortion Technician's front cover illustration of two clowns playing with a dog was painted by Arthur Sarnoff, entitled "Fido and the Clowns".

Reception & legacy

Steve Huey, reviewing the album for Allmusic, writes:
The aural equivalent of a nightmarish acid trip and arguably the band's best album, Locust Abortion Technician tops the psychedelic, artsy sonic experimentation of Rembrandt Pussyhorse while keeping one foot planted firmly in the gutter. The record veers from heavy Sabbath sludge to grungy noise rock to progressive guitar and tape effects to almost folky numbers in one big, gloriously schizophrenic mess.

The album received critical acclaim upon initial release, appearing in the year-end lists of noteworthy publications such as Melody Maker, NME and OOR. It would go on to feature in Robert Dimery's 1001 Albums You Must Hear Before You Die and Terrorizer magazine's "The 100 Most Important Albums of the 80s", while Alternative Press ranked it at #28 on their list of the "Top 99 Albums of '85 to '95". In 2018, Pitchfork included the album on their list of "The 200 Best Albums of the 1980s", writing:
From the John Wayne Gacy-indebted cover art to the turbid sounds within, the group’s third LP took a chainsaw to hardcore, psychedelic rock, country blues, Black Sabbath, and, on closer “22 Going on 23,” the sound of mooing cows and the agonizing confession of a sexual assault victim. Butchering every notion of good taste in their path, the Butthole Surfers revelled in the most cartoonish and nightmarish aspects of reality without regret.

Kurt Cobain listed it in his top 50 albums of all time. Doug Martsch included the album among the 10 records that shaped the music of his band Built to Spill.

Samples, covers & tributes

All songs written and produced by Butthole Surfers, except where noted.
;Side A
;Side B

Personnel